“yee 


UNRESTRICTED PUBLIC SALE 
APRIL) 26, 27, 28, 299230 


AUCTION GATALGGUES 


NEW YORK 


MADISON SQUARE SOUTH 
&. 


AT THE AMERICAN ART GALLERIES 


‘SPANISH ART TREASURES 


5 
: E. | 
Sey : 
— ; 
= 
5 ei “! } ‘ 
ah 3 
= qe Cs ee a 
; < aioe 
i. r / , oa) 
a ‘ { Me rtdiba ; 
Pes : <p ‘ t \ a 
geo. egy ae i } era 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING FRIDAY, APRIL 22np, 1921 
AND CONTINUING UNTIL THE DATE OF THE SALE 
FROM 9a. mM. UNTIL 6 Pp. om. 


SPANISH ART TREASURES 


COLLECTED BY 


HERBERT P. WEISSBERGER 


OF MADRID, SPAIN 


KNOWN AS 


THE ALMONEDA COLLECTION 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON THE AFTERNOONS OF 
Pails. 20TH, 2/TH, 23FH, 29TH AND 30TH 


BEGINNING AT 2.15 O’>CLOCK 


AND EVENING OF WEDNESDAY, APRIL 27TH 
bes. 15 "0? CLOCK 


UNDER THE MANAGEMENT OF 
THE AMERICAN ART ASSOCIATION 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 
NEW YORK CITY 


FRONTAL 


AYOR AND ALTAR 


M 


RETABLO 


No. 520—- 


ILLUSTRATED CATALOGUE 


OF THE 


SPANISH ART TREASURES 


COLLECTED DURING MANY YEARS 
AND OWNED BY 


HERBERT P. WEISSBERGER 


OF MADRID, SPAIN 


WHERE HIS FAMILY HAS RESIDED FOR MANY YEARS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
PIBY ORDER OF ITS OWNER 


ON THE AFTERNOONS AND EVENING 
HEREIN STATED 


THE SALE TO BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
AND HIS ASSISTANTS, Mr. OTro BERNET AND Mr. H. H. PARKE, OF THE 
AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK CITY 
ra 


Se pate 
oe oa ae PagTh 
Creo re 
THE AMERICAN ART ASSOCI 
DESIGNS ITS CATALOGUES AND 
ALL DETAILS OF IL 
TEXT AND TYPOG 


INTRODUCTORY 


It took many years of strenuous effort to assemble this collec- 
tion, which, it may safely be said, is the largest and most important 
gathering of Spanish art ever offered for unrestricted sale by the 
American Art Association. 

Spain, which for many years was a happy hunting ground of 
lovers of art, has been denuded of much of the wealth of old things which 
formerly singled it out among the countries of Europe, and is as bare 
of furniture, pictures, textile and ceramics as is Italy. To-day it is 
nearly always in the churches, whither they cannot be removed failing 
the permission of the Papal Nuncio, or in the private collections of the 
rich, the noble or the patriotic, that examples of really arresting beauty 
can be found. 

The owner of this collection has been fortunate. He had, in the 
first place, a father devoted to the acquisition of treasures of the 
eighteenth century, and though his own taste impelled him towards the 
earlier manifestations of artistic craftsmen, he has succeeded so well 
that his and his brother’s gatherings are among those which are best 
known and valued by the inhabitants of Madrid. Indeed, many of the 
objects in their collections are illustrated in the leading contemporary 
books dealing with Spanish art, including the many publications con- 
nected with exhibitions held in Madrid by the “Friends of Spanish 
Art,” as well as **The Architecture and Crafts of Old Spain,” by Pro- 
fessor A. Meyer. 

As will be seen, when the succeeding pages are turned over, many 
of his choicest pieces come from the collection of his Excelencia, the 
Marqués de Valverde, whom New York will remember as visiting here 
in 1916 as King Alfonso’s Commissioner, in order to exhibit His 
Majesty’s Tapestries under the auspices of the Hispanic Society. 
Other examples come from the great Conventual churches, and others, 
yet again, from such private collections as those of Don Adriano 
Lanuza of Madrid, President of the Banco de Crédito, and of Don 
Bonifacio Diez Montero of Burgos. Spain, until the fifteenth century, 
after passing under the rule, partial or absolute, of the Phcenicians, the 
Romans and the Visigoths, was largely dominated by the Moors, who 
left their indelible imprint on its art. Evidences of this may be seen 
in the boxes and inlaid work as well as in the wall-tiles to be found in 
this collection. 

The Spaniards themselves attribute to the constant wars between 
the Moors and the Christians their marked religiosity. Be that as it 


may, it is beyond all cavil that Spain, in the Middle Ages, was the most 
Catholic of European countries, as it is to-day, and that this was 
notably expressed in Spanish art and in the lavish decoration of the 
churches and cathedrals. Thus, many of the pictures here offered are 
religious in their subjects, and the preponderance is marked of paint- 
ings of the Madonna, who was not only adored by the Spanish as the 
Queen of Heaven, but was regarded as their ideal of womanhood. 
Nevertheless, there are many pictures, of later date and belonging to 
other schools, which have been selected mainly for their decorative 
qualities. ) 

Regarding the furniture, it is perhaps enough to say that rarely, 
if ever, has so bountiful a showing, strictly Spanish in its origin, been 
brought to New York. It will be found that, like all good furniture 
of a good period, it will take its place without question as to the taste 
exercised in any room and among any surroundings. ‘Tables, chairs, 
cabinets and chests are here in profusion. It may be mentioned in this 
connection that the collection is exceptionally rich in Spanish wood 
carvings, figures, columns and pilasters. Some of these are examples 
of the Plateresque style, a word derived from the Spanish platero, or 
silversmith, and many are representative of the estofado, or art of 
imitating rich stuffs in sculptured wood, the surface being first gilded, 


then covered with paint which was scratched away to form a pattern. 


Of ironwork there is an abundance, including what is probably the most 
important collection of lanterns, both hanging and pole and chiefly of 
the seventeenth century, ever brought to this country. 

Spain has always been noted for its embroideries and brecades, 
some of them worked and woven in the country itself, others imported 
from Italy and France, and of these the collection has an unusually 
extensive gathering, while of such objects of minor interest as ceramics 
and clocks, the latter principally brought to Spain from England, 
there is a pleasing variety. 

A last word may be said as to the Italian carved walnut Choir of 
the seventeenth century, important as regards its size and more so in 
respect to its admirable craftsmanship, and as to the Catalonian 
wrought-iron reja, or cloister screen, which was made and erected in the 
old church from which it was purchased as early as the fourteenth cen- 
tury. ‘These two pieces are among the chief treasures of a collector 
who is also a selector, and strike the dominant note of this unusually 
extensive gathering. 4 


Horacre TOwnsEND. 


CONDITIONS OF SALE 


I. Rejection of bids: Any bid which is not commensurate 
with the value of the article offered or which is merely a nominal 
or fractional advance may be rejected by the auctioneer if in his 
judgment such bid would be likely to affect the sale injuriously. 


II. The buyer: The highest bidder shall be the buyer, and 
if any dispute arises between two or more bidders, the auctioneer 
shall either decide the same or put up for re-sale the lot so in 
dispute. 


III. Identification and part payment by buyer: The name 
of the buyer of each lot shall be given immediately on the sale 
thereof, and when so required, each buyer shall sign a card giving 
the lot number, amount for which sold, and his or her name and 
address. 


Payment at the actual time of the sale shall be made of all 
or such part of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot 
or lots so purchased may at the option of the auctioneer be put up 
again and re-sold. 


IV. Risk after purchase: Title passes upon the fall of the 
auctioneer’s hammer and thereafter neither the consignor nor the 
Association is responsible for the loss or any damage to any article 
occasioned by theft, fire, breakage or any other cause. 


V. Delivery of purchases:Delivery of any purchases will 
be made only upon payment of the total amount due for all 
purchases at the sale. 


Deliveries will be made at the place of sale or at the storage 
warehouse to which purchases may have been removed. 


Deliveries at the American Art Galleries will be made only 
between the hours of 9 A. M. and 1 P. M. on sales’ days and on 
other days—except holidays, when no deliveries will be made— 
between the hours of 9 A. M. and 5 P. M. 

Deliveries at places of sale other than the American Art 


Galleries will be made only during the forenoon following the day 
of sale unless by special notice or arrangement to the contrary. 


Deliveries at the storage warehouse to which goods may have 
been sent will be made on any day other than holidays between 
the hours of 9 and 5. 


Deliveries of any purchases of small articles likely to be lost 
or mislaid may be made at the discretion of the auctioneer during 
the session of the sale at which they were sold. 


VI. Storage in default of prompt payment and calling for 
goods: Articles not paid for in full and either not called for by 
the purchaser or delivered upon his or her order by noon of the 
day following that of the sale will be turned over by the Associa- 
tion to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the 
cost of such cartage and storage will be charged against the pur- 
chaser and the risk of loss or damage occasioned by such removal 
or storage will be upon the purchaser. 


NOTE: The limited space of the Delivery Rooms 
of the Association makes the above requirements 
necessary, and it is not alone for the benefit of the 
Association, but also for that of its patrons, whose 
goods otherwise would have to be so crowded as to 
be subject to damage and loss. 


VII. Shipping: Shipping, boxing or wrapping of purchases 
is a business in which the Association is in no wise engaged, and 
will not be performed by the Association for purchasers. The 
Association will, however, afford to purchasers every facility for 
employing at current and reasonable rates carriers and packers ; 
doing so, however, without any assumption of responsibility on 
its part for the acts and charges of the parties engaged for such 
service. 


VIII. Guaranty: The Association exercises great care to 
catalogue every lot correctly and endeavors therein and also at 
the actual time of sale to point out any error, defect or imperfec- 
tion, but guaranty is not made either by the owner or the 
Association of the correctness of the description, genuineness, 
authenticity or condition of any lot and no sale will be set aside 
on account of any incorrectness, error of cataloguing or imper- 
fection not noted or pointed out. Every lot is sold “as is” and 
without recourse. 


Every lot is on public exhibition one or more days prior to its 
sale, and the Association will give consideration to the opinion of 
any trustworthy expert to the effect that any lot has been incor- 
rectly catalogued and in its judgment may thereafter sell the lot 
as catalogued or make mention of the opinion of such expert, who 
thereby will become responsible for such damage as might result 
were his opinion without foundation. 


IX. Buying on order: Buying or bidding by the Associa- 
tion for responsible parties on orders transmitted to it by mail, 
telegraph or telephone will be faithfully attended to without 
charge or commission. Any purchases so made will be subject to 
the foregoing conditions of sale except that, in the event of a 
purchase of a lot of one or more books by or for a purchaser who 
has not through himself or his agent been present at the exhibi- 
tion or sale, the Association will permit such lot to be returned 
within ten days from the date of sale and the purchase money will 
be refunded if the lot in any manner differs from its catalogue 
description. 


Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstand- 
ing. Not only should the lot number be given, but also the title, 
and bids should be stated to be so much for the lot, and when the 
lot consists of one or more volumes of books or objects of art, the 
bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit should 
be sent or reference submitted. Shipping directions should also 
be given. 

Priced Catalogues: Priced copies of the catalogue or any 
session thereof, will be furnished by the Association at charges 
commensurate with the duties involved in copying the necessary 
information from the records of the Association. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


FIRST AFTERNOON’S SALE 


TUESDAY, APRIL 26, 1921 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O'CLOCK 


Catalogue Numbers i to 203, inclusive 


SPANISH POTTERY OF THE SIXTEENTH, SEVENTEENTH 
AND EIGHTEENTH CENTURIES 


I1—Tatavera La Reyna Bow1 Seventeenth Century 
5 Cushion-shaped, invested with a white glaze and painted, in col- 
ors, with a hunt of dogs, deer and hare, and with lions. 


Height, 4 inches; diameter, 7 inches. 


2—THree Tatavera La Reyna PHarmacy Vases 
/ e. Seventeenth Century 
Pear-shaped bodies with straight necks. Invested with a white 
glaze and decorated, in blue, with scrolled escutcheons enclosing 
the names of the drugs and surmounted by Marquis’ Coronets. 


Heights, 9 inches. 


2a—Two Tatavera La Reyna Bowt1s Seventeenth Century 
Pa 4 - Coupe shape. Invested with a white glaze and decorated, in 
colors, one with a dog and trees, one with a bird and trees. (One 


cracked.) 
Heights, 6 inches and 41% inches; diameters, 10°, and 8% inches. 


First Afternoon 


3—Pair or Frencu Farence PHarmacy Jars AnD Covers 
| Eighteenth Century 
/ oa- Cylindrical bodies and domed covers. Invested with a white 
glaze, and decorated, in colors, with floral wreaths and the names 


of the drugs. 
Heights, 8%, inches. 


3a—Parr oF FRENCH FarencE PHARMACY JARS AND COVERS 


/ ie Eighteenth Century 


Similar to the preceding. 


4—Partr oF Tatavera La Reyna PHarmMacy ALBARELLI 
hes Seventeenth Century 
/ x Cylindrical shape, incurved sides, domed covers and circular 
finials. Invested with a white glaze and decorated, in blue, with 
scrolled shields, enclosing the names of the drugs and surmounted 


by crowns. 
Heights, 10% inches. 


5—Four Frencu Farence PHarmacy Jars Seventeenth Century 


Cylindrical bodies. Invested with a white glaze, and decorated, 
din colors, with floral wreaths and the names of the drugs. 


Heights, 84%, inches. 


6—TureEE Atcora ALBARELLI Seventeenth Century 
LE Cylindrical shape with incurved sides. Invested with a white 
~ glaze and decorated, in colored enamels, with scrolled pear-shaped 


escutcheons charged with coats-of-arms. 
Heights, 9% inches. 


“—Parr or Ancora PHARMACY VASES Seventeenth Century 


Pear-shaped bodies, domed covers and pointed finials. Invested 
{ ‘es - with a white glaze and decorated, in colors, with circular scrolled 
medallions enclosing the names of the drugs and with lines of 


blue. (One chipped.) 
Heights, 9 inches. 


S—THrREE Tanavera La Reyna Arparettt Seventeenth Century 


~ Cylindrical shape with incurved sides. Decorated in solid blue. 


ie (Some chipped.) 
Heights, 1114 and 1014 inches. 


First Afternoon 


9—ARAGONESE FateNcE BENITIER Sixteenth Century 
ie Rectangular wall plate with scrolled and voluted sides. Invested 
with a white glaze and decorated, in blue, with scrolled leaves 

and crosses. Coupe-shaped holy water font, decorated, in blue, 


with scrolls. 
Height, 1014 inches; width, 414, inches. 


10—TeERvEL BENiTIER Early Sixteenth Century 
~- Rectangular wall plate, invested with a white glaze and decorated, 
| 1 ‘in relief and colors, with the Crucifixion and the figures of the 
Virgin and St. John, under a shell-shaped canopy. Coupe- 
shaped holy water font decorated, in blue, with gadroonings. 


Height, 13 inches; width, 6 inches. 


11—Tervet Benirier Sixteenth Century 
Rectangular wall place, invested with a white glaze and dec- 

oe 0° orated, in relief and colors, with Crucifixion and figures of the 
Virgin and St. John, under a shell-shaped canopy. Coupe-shaped 

holy water font, decorated, in blue, with floral colorings and band 


of interlacement. 
Height, 12 inches; width, 6 inches. 


12—Atcora Disn anv Cover Eighteenth Century 
Oval shape, with straight sides, ear handles and domed cover 

/ _= with looped handle. Invested with a white glaze and decorated 
with quatrefoil medallions of floral sprays on a puce-colored 


speckled ground. 
Height, 6 inches; length, 16 inches; width, 101% inches. 


13—Two Hispano-MavresavuEe Lustrep-ware DisHEs 
Seventeenth Century 
LS: Coupe-shaped, invested with a cream-colored glaze and decorated, 
in copper lustre, one with carnations and leaves, one with a bird 
and branches of carnations. Both with borders of loops and 


scrolls. (Repaired and cracked.) 


Heights, 4 inches; diameters, 151% and 141% inches. 


14—Parr oF Tatavera La Reyna Pitrcuers Seventeenth Century 
Pear-shaped bodies, curved spouts and looped handles. Invested 

~ with a white glaze and decorated, in blue, with scrolled escutch- 
eons surmounted by crowns and charged with the royal coats-of- 


arms of Castile and Leon. 
Height, 15 inches. 


First Afternoon 


15—Spanish Guazep TErra-corrA AMPHORA-SHAPED VASE AND 
STAND Siateenth Century 

4. S- Pear-shaped vase with spreading neck and molded rim of red 
terra-cotta, invested with a brown and green glaze. Stand of 


three volutes of wrought-iron bars. 
Height, 20 inches. 


16—Triana Farence Grazev Trerra-corra Fountain 
Seventeenth Century 
lxee Pear-shaped body with ringed neck, two looped handles modeled 
as lizards, stamped with Saracenic cartouche. Faucet hole at 


bottom. Invested with a green glaze. 
Height, 18 inches. 


17—Masouica Pitertm’s Borris Seventeenth Century 
Flat pear-shaped, spirally fluted body, with ring handles. In- 

/ 4 - vested with a white glaze and decorated, in colors, with an 
escutcheon surmounted by a coronet and charged with a coat- 


of-arms. 
Height, 121%, inches. 


18—Itrauin Magsgorica PuatTTer Seventeenth Century 
Oval shape, with fluted rim and scalloped edge. Invested with a 
white glaze and decorated, in colors, with an oval leaf-bordered 
medallion. 


Length, 21 inches; width, 1744 inches. 


19—Manises Fountain Seventeenth Century 


Straight incurved sides, pinnacle neck, ring handles, masked 

3 Db -spout and domed cover. Invested with a white glaze and dec- 

orated in relief with floral festoons and lines of blue. Finial 
missing. 

Height, 23%, inches. 


20—Manises Fountain Siateenth Century 


nid Straight spreading sides, pinnacle neck, domed cover with brass 
O ‘finial, ringed handles and masked brass spout. Invested with a 
white glaze and decorated, in relief and in blue and orange, with 

scrolled leaves and flowers, deer, birds, bands of key patterning 

and floral sprays. ; 

Height, 2134, inches. 


First Afternoon 


21—Parr or TVatavera La Reyna Vases Seventeenth Century 
Pear-shaped bodies, spreading necks and straight looped handles. 
Me Invested with a white glaze and decorated, on both sides, in blue, 
with scrolled escutcheons charged with coats-of-arms and _ sur- 


mounted by Cardinals’ hats. | 
. Height, 20% inches. 


22—SpanisH ‘Trerra-coTra VasE Seventeenth Century 
Pear-shaped body with gauffered rim, looped handles, incurved 

6 - neck and foot. Invested with an irregular brown glaze and dec- 
orated, in relief and dark green, with cherubim and pear-shaped 
pendants, branches of scrolled leaves and with bands of round 


arches and cherubim. 
Height, 31 inches. 


SPANISH TILES OF THE SIXTEENTH AND EIGHTEENTH 
CENTURIES 


23—Ser or THreE Atcora TILEs Eighteenth Century 
Terra-cotta tiles, decorated, in colored enamels on white grounds, 
“two with figures of fruit peddlers, and one with figure of Turk 
with turban. Height, 7%4 inches; width, 7% inches. 


First Afternoon 


24—Parr oF ALcAzAR TILES Sixteenth Century 


Terra-cotta tiles, decorated, in relief and in blue, green, yellow 

<4 - and brown enamels on a white ground, with circular laurel leaf 
wreaths enclosing portrait heads of Roman emperors. Scrolled 
leaves and ribbons in the angles. Framed. 


Height, 914, inches; width, 101% inches. 


25—Four Atcora TILEs Sixteenth Century 


S - Terra-cotta tiles, decorated, in blue and green enamels on a 
white ground, with scrolled acanthus leaves and rosetted circular 
medallion. Framed. 


Height, 91% inches; width, 9% inches. 
26—Axcora TILE Eighteenth Century 


9) D- Terra-cotta tile, enameled in blue on a white ground with pointed 
figure surmounted by circular medallion of Amorini on a scrolled 
base with hangings and lambrequin of drapery. Framed. 


Height, 914 inches; width, 7 inches. 


27—Fovur Atucazar TILEs Sixteenth Century 

Terra-cotta tiles, decorated, in relief and in blue, green, brown 

and yellow enamels, with scrolled leaves and circular rosettes. 
Framed. 

Height, 1014 inches; width, 10% inches. 

28—Six ANpDALUSIAN TILES Sixteenth Century 


Terra-cotta tiles, decorated, in relief and in blue, green and yel- 

& low enamels, with interlaced strapwork forming circular medal- 
lions, enclosing leaf rosettes and grotesque mask, with leaf 
rosettes and quatrefoils between. Framed. 


Height, 174%, inches; width, 111% inches, 


29—E Leven Ororpesa TILEs Sixteenth Century 


JS dTerra-cotta tiles patterned, in colors on white and blue grounds, 
} se — with various designs. 


Various sizes, 


30—Set oF ELeven Curerpa Seca Ties Sixteenth Century 


JD Terra-cotta tiles. Decorated, on one side in blue, green and 
I’ ‘~ amber-colored enamels, on a white ground with scrolled and leaf 
borders, and on one side with a leaf and rosette border. 


zak = Sie S } 
hee 
ee . S, 


aes 


Various sizes. 


First Afternoon 


31—SerET oF SEVENTY-FIVE Atcora TILEs Eighteenth Century 


Terra-cotta tiles, decorated in colors on a white ground with 
Se ircalar medallions of animals, portraits, landscapes and floral 


sprays. 
Height, 2°, inches; width, 2% inches. 


32—VALENCIA TILE PAanEL Exghteenth Century 


35° In the center, in an oval piscina formed of beads, is the figure of 
the Virgin crowned, wearing a yellow robe with blue mantle, 
holding a rosary in one hand and supporting with the other the 
draped Child Christ crowned and holding a rosary. Below is a 
reversed crescent, while all around are clouds and cherubim. 
Border of scrolled acanthus leaves in yellow, green and brown 
with quatrefoil leaf medallions at angles. Framed. 


Height, 201% inches; width, 14% inches. 


30—THREE PaNnELs oF Atcora TILEs Eighteenth Century 


Two formed of six and one of nine rectangular tiles. Painted, 
in colors, in the style of Carnicero, with portraits of ladies in 

[ IS “eighteenth century costumes, with elaborate headdresses, one 
with a plumed hat. One is making chocolate on a portable 
brazier, one is carrying two cups of chocolate in cup holders, one 
is holding a dish of “‘bizcochos.” Surrounded by meander borders 
of leaves and flowers. 


Heights, 25 inches; widths, 25 inches and 16 inches. 


Note: These panels came from the dining-room of Don Dario Chicote, 
Professor of Fine Arts at the University of Valladolid. 


MISCELLANEOUS ART OBJECTS FROM THE SIXTEENTH 
TO THE EARLY NINETEENTH CENTURY 


34—Capro pi Monte Porcetain Tomer Box Lighteenth Century 


Oval shape, with straight sides and top pierced with circular 

/ Oe opening. Invested with a white glaze and decorated in colors 
and gold with rectangular panels occupied by view of a Bridge 
and Castle and the Island of Ischia surrounded by a gilt border 
of roundels and on a ground marbled in purple and brown Ital- 
ian inscription with names of views on bottom. Mark, Crowned 
“N,” painted in blue. 


Height, 3 inches; length, 3°4 inches; width, 2°4 inches. 


First Afternoon 


35—Encusn Cut-citass Bowi anp Cover Eighteenth Century 
Coupe-shaped bowl, domed cover with flat circular finial. Cut 
/J - with shuttle-shaped medallions of diamond diaper and fans and 


with radiating grooves. 
Height, 4°, inches; diameter, 3%4 inches. 


36—SpanisH Printed Satin RETICULE Eighteenth Century 


ie - Spade shape. Of white satin printed, in black and colored, with 
figures of men and women in eighteenth century costumes, seated 
and flanked by pendants of flowers and leaves. Bordered with 
gold cord and finished with cut-steel tassels. 


Length, 8 inches; width, 6% inches. 


387—SpanisH Carvep, PainTtepD anp GittT Woop Pax 
Seventeenth Century 
/ ‘eS Round-arched frame, carved with scrolls, molded base and 
scrolled and voluted handle at back. Paneled with painting of 
anu bietar. 
Height, 7° inches; width, 6 inches. 


88—Portion oF Frencu Fan Mount Eighteenth Century 


rb Oval medallion, painted, on vellum, in water colors, with a figure 

of Leda seated, surrounded by Amorini, one of them playing a 

lyre. The swan in foreground, landscape background. Mount 
shows traces of sticks. Framed. 


Height, 5% inches; width, 7% inches. 


39—FrencH Ormotu anp Intaip Waxtnut Iyxstanp 
Early Nineteenth Century 
qe O~ Inlaid rectangular stand with bowed front. In center, candle- 
stick with incurved stem and two ram’s-headed rhytons with cut- 
glass ink and pouncet receptacles. In front are two taper 


holders. 
Height, 41/, inches; length, 10 inches; width, 51% inches. 


40—EnecusH Girt Bronze Writinec Desk GarnituRE 
Seventeenth Century 
U5 Central figure of Atlas supporting starred spheres, enclosing a 
watch movement with silver dial; flanked by similar figures sup- 
porting vase-shaped candle-sockets. Circular bases of white 
marble. Watch dial inscribed “Markwick.” Britten, p. 707, 


“James Markwick, C. C. 1666-98.” 
Height, 8 inches. 


First Afternoon 


41—Frencu Portasite SuNDIAL Eighteenth Century 
3 5- Shaped as a cube on hinged stem, engraved with hour numerals, 
eagle and crossed bow and quiver. On rectangular molded and 


painted stand with glazed compass inserted. 
; Height, 7 inches. 


42—Parr oF Spanish Vetvet Pistrot Horsters 
a Seventeenth Century 
Pistol shape. Of green velvet with shield-shaped flaps bordered 
with yellow satin. Cylindrical bodies with ends mounted with 
pierced and repoussés gilt metal scrolls. Straps and buckles. 


Length, 13% inches. 


43—Partr oF VENETIAN LacquERED Tin CacHE-pors 
Ly | Eighteenth Century 
Straight sides with looped wire handles, decorated with gold 
bands on a red ground and with quatrefoil panels lacquered in 


gold and colors with Chinoiseries. 
Height, 5 inches. 


44——Pair oF Frencu Paintep Trin JARrDINIERES 
. Early Nineteenth Century 
3S. Rectangular shape with straight and curved sides, honey- 
suckle and paw feet and rectangular bases. Painted, in colors, 
with trees and figures of man and woman in Scottish and Turk- 
ish costumes of the early nineteenth century. Removable liners. 


Height, 9 inches, 


45—SpanisH Gitr Copper GOBLET Seventeenth Century 


Egg-shaped bowl, surrounded by three applied terminal figures. 
2. S- Vase-shaped stem, supported by three curved and voluted brack- 
ets. Molded circular foot, repoussé with band of flowers and 


leaves. 
Height, 9 inches, 


46—Frencu LacquEerep Leap VaAsE Eighteenth Century 


Hemispherical body on tripod stand of three tapering terms with 
oe, b- lion heads and paw feet. Hemispherical cover having seated 
widow as finial. Painted, in gold and colors on a red ground, 
with scrolled leaves and with band of black decorated in gold and 
colors with acanthus leaves. Lions’ masks and paws gilt and 


terms painted black. 
Height, 8 inches. 


First Afternoon 


47—AvGcsBURG SILVER TANKARD Seventeenth Century 
Cylindrical shape, with straight sides. Repoussé with bands of 

13 — oval masks and medallions engraved with leaves and _ scrolls, 
ee domed hinged and engraved lid with finial modeled as figure of 
Amorino, scrolled thumbpiece and looped handle decorated with 

a cherub and circular foot. Maker’s mark: “C. R.” crowned. 


(Caspar Rissenfels, 1677-1712.) 
Height, 7 inches. 


48—STRASBURG SiLveR NEF Early Nineteenth Century 
Shaped as a square-rigged ship with three masts and high poop. 
0-Scrolled stem, pear-shaped base and three trefoil feet. Stras- 


burg mark of 1810. 
Height, 8 inches. 


49—Patr oF SPANISH SILVER-PLATED ALTAR VASES 
Eighteenth Century 
rae S- Pear-shaped bodies, repoussés, with scrolls and medallions. Flat 
handles pierced and repoussés with C-scrolls and diapers and 


domed feet repoussés with scrolls and medallions. 
Height, 9 inches. 


50—Pain or Frencn Sitver Canpiesticks 
Early Nineteenth Century 
Stems modeled as the figures of standing women supporting fluted 
“vase-shaped candle-sockets. Cylindrical pedestals appliqués with 


baskets of flowers. Rectangular bases. 
Height, 8 inches. 


51—Parr or EncuisH Otp SHeErrietp Piatep CanpLEsTicks 
Eighteenth Century 
ol 0 Oval, tapering, fluted stems, vase shaped candle-sockets, with 
oval reeded bobéches. Oval reeded and fluted feet. 


Height, 91% inches. 


52—Pair Otp Frencu Suerrietp Piatep CanpLEsticKs 
Eighteenth Century 
WS-Tapering fluted stems and fluted vase-shaped candle-sockets, with 
shuttle-shaped bobéches and fluted shuttle-shaped feet. 


Height, 101% inches. 


First Afternoon 


53—Pair or Frencu Brass anp Marsie Canpiesticks 
of . Empire Period of the Early Nineteenth Century 
Stems molded as figures of Chinamen holding cornucopize ending 
in vase-shaped candle-sockets. Cylindrical white marble pedes- 


tals and circular brass bases. 
Height, 12 inches. 


54—Frencu Brass anp Marsie Canpiestick Empire PeEriop 
= Early Nineteenth Century 
/ 2 - Stems molded as the standing figure of a Putto holding a branch 
with vase-shaped candle-socket. Cylindrical white marble ped- 

estal, festooned with chains and circular black marble base. 


Height, 121% inches. 


55—Patr SwepisH SILVER-PLATED CANDLESTICKS 
= Tapering square stems with lozenge-shaped bobéches and bases. 
ao- Molded with bands of leaves and berries Maker’s mark, “‘Norr- 


koping,” and date “1802.” 
Height, 14 inches. 


56—Ser or Four Spanish SILveR-PLATED PRICKET CANDLESTICKS 
Eighteenth Century 

i bf ) -Hexagonal vase and baluster stems, circular tasseled bobéches, 
on tripod stands with voluted brackets appliqués with shells at 

the angles and with scrolled medallions surrounded by cherubim 


between. (Parts missing. ) 
Height, 30 inches. 


57—FrENCH EnaMELED Hot-watTer URN Eighteenth Century 
Spherical body, enameled in red, with wing handles and sup- 
4 J. ported on four tapering fluted legs with paw feet. Incurved 
rectangular base, cushion feet and removable lid with mushroom 

finial. Straight spout with handle of twisted serpents. 


Height, 16 inches. 


58—SPpanisH SILVER-PLATED FINIAL Eighteenth Century 
Fluted vase shaped, with pierced handles, repoussés with volutes 

4 > and star rosettes, body with band of engraved roundels, appliques 
with star rosettes and with festoons of pointed leaves below. Cir- 


cular molded foot. 
Height, 17 inches. 


First A fternoon 


59—Pair oF SPANISH SILVER-PLATED ALTAR CANDLESTICKS 
Eighteenth Century 
- Fluted columnar stems, appliqués with festoons of leaves, beaded 
and gadrooned bases. Cylindrical and pear-shaped stands, re- 
poussés with oval medallions and with three rectangular voluted 


legs. Cushion feet. 
Height, 36 inches. 


60—AnvatusiaAn Tin VAsE Eighteenth Century 


Hexagonal pear-shaped body, pinnacle cover with circular finial, 


IS- two looped handles and molded foot. 
Height, 18 inches, 


61—Venetian WrovcuHt-iron aND WoopEeNn BirpcacE 

Exghteenth Century 

3 0 - Shaped as a house, with windows jalousied with voluted scrolls of 

iron and canopied doorway. At ends are two pavilions with 

pinnacled roofs of voluted iron scrolls. Pinnacled top with 

wooden balconies, two sloping arched wings of voluted iron scrolls 

and glazed pedimented angles. Rectangular base with scroll- 
paneled balustrade of iron. 


Height, 48 inches; length, 29 inches; width, 154% inches. 


62—SPaANIsH SILVER-MOUNTED ‘ToRTOISE-SHELL Box 
Eighteenth Century 
Hinged lid. Tortoise-shell with silver scrolled paw-feet, applied 
dey: quatrefoil medallions, hinges and angle pieces secured with silver 
nails. Looped carrying handles. 


Height, 244 inches; length, 5% inches; width, 34, inches. 


63—SpanisH LEATHER Box Sixteenth Century 


Hinged dome lid, gold tooled with oval medallion and border, 
Hs fs sides gold tooled and inlaid with lozenges of black leather. Brass 
hooks and wire looped handle. 


Height, 34% inches; length, 51% inches; width, 3 inches. 


64—SpanisH LEATHER Box Sixteenth Century 


Hinged dome lid, blind-tooled with rectangular panel, sides gold- 
/oL- tooled with rectangular panels. Brass hooks, keyhole escutch- 
eon and looped handle. 


Height, 31% inches; length, 5% inches; width, 4 inches. 


First Afternoon 


—  65—Irarian Woopven Box Seventeenth Century 
=9. _Rectangular hinged lid, covered with Hungarian point embroid- 
ery worked in a characteristic zigzag design and secured with 
brass-headed nails. Interior lined with stamped cotton. Brass 
looped carrying handle, swinging looped front handle and pierced 

keyhole escutcheon. 
Height, 8 inches; length, 1414 inches; width, 10°4 inches. 
66—SpanisH Pino Woop Box Siateenth Century 


Rectangular hinged lid, the edge in blue velvet secured with brass- 

Z) . © headed nails. Sides in blue velvet embroidered, in gold thread, 
with imbrications and secured with brass-headed nails. Wrought- 
iron keyhole escutcheon. 


Height, 51%, inches; width, 9 inches; depth, 5% inches. 
67—FrencH Brass ann Exony Box Eighteenth Century 
Rectangular hinged domed lid, fitted with rectangular box with 
fs sliding lid, molded base and cushion feet. Sides paneled and ap- 
pliqués with oval brass plates engraved with Amorini and labels 

with inscriptions in French. 


Height, 9°4, inches; width, 181% inches; depth, 7 inches. 


68—VeENeETIAN Découpace Guiass Box Eighteenth Century 
5 Rectangular shape with hinged sloping lid. Of glass with paneled 
centre decorated with cut out colored engravings of trees and fig- 

ures. Interior with glass compartment with hinged lid. Edges of 

wood carved with scrolls and medallions and gilt. Cushion 

feet. Height, 6% inches; width, 101% inches; depth, 9 inches. 


69—SranisH PaintED and GiLtT Woop snp Gesso Box 
Fifteenth Century 
2 b6-Rectangular shape. The front of gesso work in a design of 
two lions, the back of towers, a balcony and scrolls, the ends 
with animal, bird and scrolled leaves. Painted red and gilt. Lid 


missing. Height, 7% inches ; length, 121% inches; depth, 9 inches. 


“0—Irauian Carvep Watnut Box Sixteenth Century 
Rectangular shape, with hinged lid fretwork carved with check- 
3 O° ered diaper. Front carved with panels of double-headed eagles, 
trees and towers, ends carved and engraved with figures of kneel- 
ing Amorini blowing horns, back with David bearing the head 

of Goliath, and with kneeling Amorini above. 


Height, 10% inches; length, 17 inches; width, 91, inches. 


First Afternoon 


71—SpanisH EmpromrreD VELVET Box Seventeenth Century 


Rectangular hinged lid, covered with blue velvet, embroidered 
— ®- in gold thread and coral beads with vase of flowers and scrolled 

floral border. Sides of blue velvet similarly embroidered with 

bands of floral scrolling. Guilt wooden circular cushion feet. 


Height, 8 inches; length, 1914 inches; width, 12 inches. 


(2—VENETIAN DéEcoupace Oax Box Eighteenth Century 


Rectangular shape, with domed hinged lid, decorated with décou- 
J. S- pages of colored engravings of men, animals, insects and trees 
on a painted white ground. Wrought-iron looped carrying 
handle. 
Height, 81% inches; length, 16 inches; width, 9%, inches. 


73—-Hispano-MavresauE Intaip Watnut Box Stxteenth Century 


Rectangular hinged lid with inner surface inlaid, in light and 
ie dark woods, with quatrefoil medallion of geometrical interlace- 
7 ments enclosing a cross and with panels of octagonal stars. In- 
terior fitted with three compartments arranged with drawers 
with inlaid fronts surrounded by bands of inlay. Brass knobs. 


Height, 914 inches; width, 14% inches; depth, 10%4 inches. 


74—SpanisH Wautnut anp Esony Box Seventeenth Century 


Rectangular hinged sloping lid with molded, bead-carved and 

3 SZ. fluted edge, straight sides with carved angles, carved base and 
cushion feet. Lid and sides glazed and paneled with needlework 
pictures worked in colored silks and gold and silver threads, the 
lid with Christ addressing the woman taken in adultery in land- 
scape with background of city and the sides with landscapes, 
bridges, buildings and figures. 


Height, 9 inches; width, 1914 inches; depth, 141% inches. 


75—SpPanisH Watnut Box Sixteenth Century 
S$» Rectangular hinged lid with molded edge, paneled front with 
GT oe band carved with cherub, birds, buildings and trees, flanked by 
carved caryatids supporting baskets of fruits and with turned 
spindles at angles, pear-shaped feet. Interior fitted with re- 
movable lid covered with red silk damask. 


Height, 13 inches; width, 24 inches; depth, 18 inches. 


First Afternoon 


BRONZES AND BRASS OF THE FIFTEENTH, SIXTEENTH 
AND SEVENTEENTH CENTURIES 


76—Frencu Bronze Mortar Sixteenth Century 
5? Incurved sides with looped lion’s heads and voluted handles. Sides 
3 =: ~ decorated, in relief, with shield-shaped escutcheons supported by 
eagles, surmounted by helmets and coronets and charged with 
coats-of-arms. Above is a band of French inscription in Lom- 

bardic characters with name and date “1576.” 


Height, 5 inches; diameter, 4° inches. 


7(—Irauian Bronze Morrar Sivteenth Century 
a4 Incurved sides with molded foot. 

=] ; Height, 334 inches; diameter, 5 inches, 
78—Irauan Bronze Morrar Sixteenth Century 


0 Incurved sides, with leaf-ornamented rim, looped handles and 
24° - molded foot. Sides decorated, in relief, with balusters symmet- 
1 rically disposed. 


Height, 3°, inches; diameter, 514 inches. 


79—Itatian Bronze Morrar Sivteenth Century 


0. Incurved sides with molded rim and foot. Sides decorated, in 


relief, with cherubim. 
Height, 4°, inches; diameter, 51% inches. 


80—SpanisH Bronze Bett and STAND Sixteenth Century 


Bell with incurved sides and pear-shaped handle, the body modeled 
)5- in relief with oval portrait medallions and scrolls, a band of 
inscription and date “1565.” Circular stand, of later date, 


with leaf decorated molded rim. 
Height, 5% inches. 


81-——Spaniso Bronze Mortar anp Pestie Seventeenth Century 


Mortar with straight sides and curved rim, decorated in relief 


oL 0- with female masks. Cylindrical knopped pestle. 


Height, 3°, inches; diameter, 3 inches. 


82—Spaniso Bronze Morrar and Prestte Seventeenth Century 


°y) o- Mortar with straight sides and curved rim, decorated in relief 
with female masks. Cylindrical knopped pestle. 


Height, 3% inches; diameter, 3 inches. 


First Afternoon 


83—Swiss Gitt Brass Crock Eighteenth Century 
Modeled as the figure of an Amorino supporting a spherical clock- 
JSD case with dial inscribed “Coulin a Genéve.” On rectangular red © 


elie css marble pedestal and black base. Britten, p. 642. “Coulin 


Fréres, 1780.” 
Height, 101% inches. 


BRASS OF THE FIFTEENTH, SIXTEENTH AND 
SEVENTEENTH CENTURIES 


84—SpanisH Brass IncENsE BuRNER Fifteenth Century 


Acorn shape, with four voluted winged feet. Decorated with 
/J - oval settings surrounded by engraved scrolls. Completely gilt. 


Height, 314 inches. 


85—Four Castirian Brass CANDLESTICKS Sivteenth Century 


Turned baluster and vase-shaped stems, cylindrical candle-sock- 4 
a Be 7s ets, rectangular bases with paw feet. 
Heights, 8, 9, 914 and 9% inches. ‘ 
86—SpanisH Brass PLtarep LimosnERo Sixteenth Century 
/ R Coupe-shaped stand with flat rim, with flat shield-shaped stem in . 
center surmounted by a cross and occupied with figures, in re- 
hef, of St. Michael and soul in torment below. 


Height, 6 inches; diameter, 7% inches. 


87—Pair oF SpanisH Brass Pricker CAaNDLESTICKsS 
3 - Seventeenth Century 
Vase baluster-shaped stems, saucer-shaped bobéches and prickets. 
Triangular stands, with sides molded and engraved with cherubim 

and with three paw feet. 
Height, 11 inches. 
88—ANDALUSIAN Brass Brazier Sixteenth Century 
Coupe-shaped bowl with two twisted and masked looped handles, 
20 m - tapering ringed stem and molded foot. 


Height, 13 inches; diameter, 18 inches. 
89—Pair oF SpanisH Brass Pricker CANDLESTICKS 
Seventeenth Century 


60 ~ Baluster stems with molded saucer-shaped bobéches, tapering 
incurved pedestals, molded bases and ball feet. Brass prickets. 


Height, 17 inches. 


First Afternoon 


90—Parir oF SpANisH Brass CaNDLESTICKS Sixteenth Century 


Cylindrical stems, the lower portions of straight-sided fluted vase 

2 &- shape, saucer-shaped bobéches, vase-shaped candle-sockets and 
circular feet. 

Height, 19 inches. 


91—Castizian Brass Taste Lectern Seventeenth Century 
Rectangular sloping reading desk of brass, pierced with scrolls 
=U 0- and the sacred monogram surmounted by a cross. Molded base 
and circular cushion feet. 
Height, 11 inches; width, 11%, inches, 
92—SpanisH Brass Veton, or Taste Lame Seventeenth Century 
Cylindrical vase and baluster shaped stem with pear-shaped ad- 
2. pd- justable oil-receptacle and four wick nozzles. Finial pierced as 
a double-headed eagle and twin round arched shade holder. 
Height, 26 inches. 
93—CastitIAN Coprer and WrovcHtT-iron Brazier 
Fifteenth Century 
ah S Coupe-shaped bowl with straight sides of copper rimmed with 
wrought-iron band, swinging ring handles of wrought-iron and 
three straight wrought-iron legs. 


Height, 111%4 inches; diameter, 16 inches. 
94—Pair oF SPANISH Brass ANDIRONS Seventeenth Century 


cals Vase-shaped supports, with pear-shaped finials and curved, arched 


feet of strap iron. Wrought-iron bars. 
Height, 12%, inches. 


LATIN BOOKS OF THE SIXTEENTH, SEVENTEENTH AND 
EIGHTEENTH CENTURIES 


95—Manuscript ANTIPHONAL Book Sixteenth Century 


Latin text. Written on old paper with musical notes of Gregor- 

Sg Q-ian chant. ITluminated and rubricated initials. Title page with 

sacred monogram in gold. Contemporary blind tooled leather 
binding with remains of leather clasps. 

Length, 1734 inches; width, 114% inches. 

96—LatTin Breviary Eighteenth Century 

In four volumes. Rubricated and illustrated with copper-plate 


ot S- engravings. Bindings of red morocco, elaborately tooled in gold. 
Two with brass clasps. Printed by Plantin at Antwerp in 1738. 


Height, 9 inches; width, 5% inches. 


First Afternoon 


97—SpanisH Inutaip Ivory AxtTar Boox Seventeenth Century 

_ Two rectangular hinged leaves, exteriors of oak, inlaid in dark 

if 0- and light woods with panels, interiors of ivory plates inlaid, in 

ebony, with sentences from the Mass referring to the body and 

blood of Christ in Roman characters, with scrolled initials, 
panels of interlaced scrollings and C-scrolled borders. 


Height, 174% inches; width, 30% inches. 


98—Manuscriet ANTIPHONAL Book Sixteenth Century 

Latin text. Written on 86 pages of vellum with elaborately il- 

: )- luminated and rubricated initials. Bound in leather with brass 
borders; pierced brass angles and bossed medallion center. 


Height, 33 inches; width, 24 inches. 


SPANISH SAMPLERS OF THE SEVENTEENTH, 
EIGHTEENTH AND NINETEENTH CENTURIES 


99—SPaNIsH SAMPLER Seventeenth Century 
Coarse linen worked, in colored silks, with bands of ornament 
‘). — and with a panel of open and drawn work. 


Length, 2 feet 6 inches; width, 1 foot 91% inches. 


100—SranisH SAMPLER Early Nineteenth Century 
Rar) Coarse linen worked, in colored silks, with bands of ornament, 

. floral sprays and figure and inscribed with the name of the 
worker and the date 1807. 


Length, 1 foot 6% inches; width, 1 foot 514 inches, 


101—SpanisH SAMPLER Early Nineteenth Century 
Linen. Worked, in colored silks, with floral sprays, trees, chair, 

7 - birds and sacred initials, bands of ornament, with the name of 
the worker and the date “1815.” Stained. 


Length, 1 foot 10 inches; width, 1 foot 10 inches. 


102—-Four SaLaMANncAa EMBROIDERED LINEN SQuaREs 
Seventeenth Century 
Fine and coarse linen. Embroidered, in colored silks, with floral 
/ D- sprays and ornamental borders. Finished with silk fringe and 


scalloped lace. 
Various sizes. 


First Afternoon 


103—SpanisH SAMPLER Early Eighteenth Century 


Coarse linen, worked, in colored silks, with a vase of flowers, 
mar as birds and stars, surrounded by ornamental borders and _ in- 
) scribed with the name of the worker and the date 1707. 


Length, 1 foot 111% inches; width, 1 foot 10 inches. 


104—SpanisH SAMPLER Eighteenth Century 


70 Coarse linen, worked, in colored threads, with bands of alpha- 
29 A. ~ bets, numerals, a vase of flowers, floral sprays and ornamental 
borders. Inscribed with the name of the worker and date 1791. 


Length, 1 foot 101% inches; width, 1 foot 91% inches. 


105—SpanisH SAMPLER Early Nineteenth Century 


Rectangular shape. Coarse linen worked, in colored silks, with 

/9. - bands of alphabets and numerals, a monstrance, trees, animals, 

7 birds, buildings, floral sprays and with name of worker and 
date 1817, 

. Length, 14% inches; width, 14144 inches. 


106—SprantsH SAMPLER Seventeenth Century 
Coarse linen, worked in horizontal bands of open and drawn 
work and embroidered in colored linen thread with deer, scrolls, 
leaf sprays and ornaments. 


Ja ~ 


Length, 2 feet 8 inches; width, 1 foot 61% inches, 


107—SpanisH SAMPLER Eighteenth Century 
Rectangular shape. Of linen embroidered, .in white, with bands 

J? of floral meanders and, in colored silks, with bands of men, women, 

| ek: animals, vases of flowers and floral meanders. At bottom two 


bands of drawn-work squares. 
Length, 20 inches; width, 15 inches. 


108—SpranisH NEEDLEWORK PICTURE Eighteenth Century 


Rectangular shape, embroidered on white silk in colored silks 

J and satin stitch with pavilion having two doves in pointed pedi- 
/ ment and floral festoon, inscribed “El Amor” (Love), flanked by 
trees, flowers and a sarcophagus inscribed “Muerte” (Death). 
Surrounded by a meander border of vine leaves and grapes. Black 


and gilt glass passe-partout. 
Height, 261% inches; width, 33 inches. 


First Afternoon 


109—SpanisH NEEDLEWORK PicTURE Eighteenth Century 


Rectangular shape. Worked, on white satin in colored filoselles 
with a basket of flowers at the foot of a tree entwined with ivy. 


_ 
LA Border of leaf and berry sprays. 
Height, 44 inches; width, 28 inches. 


110—SpanisH NEEDLEWoRK PicTuURE Eighteenth Century 


Embroidered on a white silk ground in colored silks and satin 

yo = stitch, with vase of flowers, a group of fruits on a napkin, a ~ 
butterfly and a bird, surrounded by a floral border and inscribed 
“M. P.” Black and gilt glass passe-partout. 


Height, 231% inches; width, 351% inches. 
SPANISH ENGRAVINGS OF THE EIGHTEENTH CENTURY 


111—SpanisH CoLorep ENGRAVINGS Eighteenth Century 


|S Set of fifteen. Marine Views and Palaces with figures. 


112—SpanisH Cotorep ENGRAVINGS Eighteenth Century 
Set of ten. Perspective Charts, including one of the Misissippi. 

IDs 

1183—SpanisH Cotorep ENGRAVINGS Eighteenth Century 


2 2 Set of eleven. Gardens with figures. 


114—SpanisH Cotorep ENcrRAvINGS Eighteenth Century 
IS- Set of ten. Palaces with figures. 


115—SpanisH Cotorep EncRraAvINGs Enghteenth Century 
9 Set of six. Churches with figures. 
116—SpanisH CoLorep ENGRAVINGS | Eighteenth Century 


Set of twelve. English and Italian Churches with figures. 


Pf 4 


~ ome ae rina 7 
117—SpanisH CoLoreD ENGRAVINGS Eighteenth Century 


hes 


Set of ten. Classic Ruins and Public Squares with figures. 


First Afternoon 


118—Pair or Encusn Mezzotints Printep 1x Corors 
Eighteenth Century 
~ § “Animal Affection,” engraved by Bonnefoy after Miller; and 
“The Favorite Rabbit,” engraved by C. Knight after J. Rus- 
sell, R.A. 
Height, 164% inches; width, 19 inches. 


119—Par or SpanisH Guass Pictures Eighteenth Century 


Painted, in gold on a black background, with trees, birds, fig- 
[S- ures and rock forms. In old molded and painted wood frames. 


Height, 514 inches; width, 101% inches. 


120—VeENETIAN Guass PAINTING Eighteenth Century 
Rectangular shape. “Daniel in the Lions’ Den” with Angel 
) - holding a figure by the forelock. Painted and gilt on glass. 


Height, 914 inches; width, 13 inches. 


121—Paie or Irauian Suate Pictures Eighteenth Century 
| Enameled in white with rectangular-shaped panels with incurved 
f D- angles decorated with transfer prints in carmine of architectural 
subjects with figures surrounded by green marbled borders. In 

old gilt molded wooden frames. 
Height, 9 inches; width, 12%, inches. 


Note: These pictures are produced in a very unusual manner. 


122—SpanisH FreatrHerR Picture Eighteenth Century 


Painted on paper in gold and gouache, heighted with feathers. 
J? The figure of a Saint holding the Child Christ and a rod with 
ek floral termination, by his side a disciple with a basket of fruits. 

Border of scrolls and lozenges. Contemporary molded wood 
frame. 
Height, 151%, inches; width, 1134 inches. 


First Afternoon 


123—Seascare anp LANDscaPE Eighteenth Century Italian School 
Painted in gouache, one with view of seaport, with pavilion, ships, 
[St ge figures and rocks. One with a landscape with ruins, a stairway — 


and figures. 
Height, 3°4 inches; width, 614 inches. 


124—Turee Pictures Eighteenth Century Italian School 


One rectangular, two circular. Painted in blue on a white ground | 


(pele with landscapes and buildings. 


Height, 51% inches; width, 8 inches; diameter, 614, inches. 


125—Lanpscare By S. A. Lowman 
Swiss, Eighteenth and Nineteenth Centuries 
(fae - Painted in water colors with a view of a road in a mountainous 
country with figures. Above is an arched rock and in the dis- 


tance mountains. . 
Height, 12 inches; width, 16 inches. 
Signed, S. A. Louman. 


126—Fovr Lanpscapes spy Luict Fucora 
Italian, Eighteenth and Nineteenth Centuries 
b- Views of Naples from Posilipo and Capo di Monte and of Poz- 


zuoli. 
Height, 13 inches; width, 1914 inches. 


One signed, Luie1 Fucora, and dated 1814. 


First Afternoon 


127—Turee Spanish AND Irauian Pictures Eighteenth Century 
P _ Oval shape. One, painted in colors on panel, with a bridge, 
buildings and men fishing. Two Italian, painted, en camaieu, 

with landscapes, buildings and figures. 


Heights, 13% inches and 91, inches; widths, 18 inches and 121/ inches. 


128—Foour Stizi-ure Pictures py G. Antonio FRANZONI 
Italian, Eighteenth Century 
§ D” Four paintings of pictures of Jockeys on horseback in the centers 
fastened by pins to striped walls, and surrounded by sheets of - 
paper secured by wafers and painted with illustrations, cards, 
portraits, calendars and a Crucifixion. 


Height, 14 inches; width, 18 inches. 


Signed, “G. Antonio Franzont, F.” 


129—Pair or “Views or NapueEs” 
Early Nineteenth Century Italian School 
_ 3 S-: Painted in gouache, one with a view of Naples from Cape Posilipo, 
with the Bay on the right, town and Mount Vesuvius in distance 
and figures in the foreground; one with a view of Naples with the 
Bay on the left, town on the right, and shore, with figures, in 


the foreground. 
Height, 15 inches; width, 201% inches. 


1380—Rutins Eighteenth Century French School 
Painted, in water colors, with views of classic ruins of arches and 

pat Be J + columns with buildings in the background. Sarcophagus, statue 
and vases with figures in eighteenth century costume in the 


foreground. 
Height, 16 inches; width, 101% inches. 


First Afternoon 


131—Porrrair Eighteenth Century French School 


Pastel bust portrait of a young woman in Russian peasant cos- 
/ O- tume with fur cap, brown bodice, lace sleeves and purple mantle. 


Dark background. 
Height, 2114 inches; width, 15% inches. 


132—Ser or Four Reticious SusseEcts 

Eighteenth Century Spanish School 
7 _ Paintings, in gouache, of the “Flight into Egypt,” with the Vir- 
gin holding the Child Christ and seated on a donkey led by St. 
Joseph; “Raising of Lazarus,” with Christ in a red robe and blue 
mantle; “Raising of Jairus’ Daughter”; “Christ Kneeling in the 
Garden of Gethsemane, with God the Father,” supported by 

angels above, and shepherds below. 


Heights, 14 and 111% inches; width, 191%, and 15 inches. 


133—LanpscaPE Eighteenth Century Swiss School 

Painted in water colors with a mountainous landscape. In the 

/ §- foreground a road curves over a bridge with a stream below. In 

the distance are rocks and trees, with a hut at the side of the 

road and figures of peasants in broad-brimmed hats. In (old 
frame, painted, on a cream-colored ground, in blue. 


Height, 19 inches; width, 24 inches. 


134—LanpscaPE Eighteenth Century French School 

-) Gouache painting of a landscape with groups of trees on a rocky 

ay 2 Gaas mound. Arched bridges in distance and classical portico with 

columns on left. In foreground, water and a peasant sitting on a 
wheelbarrow. Blue sky. 

Height, 23 inches; width, 30 inches. 


First Afternoon 


SPANISH GILT CARVINGS FROM THE SIXTEENTH TO 
THE NINETEENTH CENTURY 


135—Pair or Spanish Girt Woop Finrats Eighteenth Century 


Zi 5- Shaped as rococo-scrolled vases with shell feet. Semi-octagonal 


bases. 
Height, 20% inches. 


136—Pair or SpanisH Patintep anp Gittr NiIcHES 
Seventeenth Century 
ae Semi-octagonal niches with round-arched and carved-shell cano- 
ig pies. Painted, in colors, with arabesques of scrolls, birds and 
leaves. In the angles are carved cherubim. 


Height, 17 inches; width, 16 inches. 


1387—SpPpanisH Carvep, PainTepD anp Gitt Woop PAneEL 
Sivteenth Century 
Rectangular-shaped center, carved, in low relief, with strap- 
2 0- work forming ovals and rectangles, vase-shaped finials and es- 
cutcheon-shaped cresting supported by two Amorini. Molded 
border painted, in colors on a gold ground, with leaf scrolls and | 
pierced with oval medallions. Painted and gilt. 


Height, 15%, inches; width, 138% inches. 


188—Two SpanisH Carvep, PAInrED AnD GittT Woop Panets 
Sixteenth Century 


cry Rectangular shape. Carved with full-length figures of SS. Se- 
bastian and Mary Magdalene, the former tied to a tree, the 
latter with palm branch and vase. Painted and gilt. 


Height, 15 inches; width, 7 inches. 


189—TIwo SpanisH CARVED AND PaintepD PANELS 
Seventeenth Century 


ee Oval shape. Molded frames surrounded by carved scrollings 
ol and acanthus leaves. Interiors occupied with half figures of 
saints holding labels. Painted and gilt. 


Height, 15 inches; width, 12 inches, 


First Afternoon 


140—Parr or Frencu Carvep, Parnrep anp Girt Woop PaneEts 


Eighteenth Century 


ed _o- Rectangular shape, centers carved with crossed horns in wreaths 


of oak leaves and acorns, borders molded and carved with beads 


and leaves. 
Height, 121% inches; width, 14 inches. 


141—Parr or Spanish Patnrep Aanp Gitt Woopren NIcHEs 


S b- 


Seventeenth Century 


Round-arched semicircular niches, surmounted by carved and 
painted figures of Amorini holding festoons of fruits. 


Height, 21% inches; width, 8% icehes. 


142—Sert or THREE SPANISH CarvepD, PatnrEep aNp Gint Woop PANELS 


lee 


Sivteenth Century 
Center panel, with hinged round-arched door, carved with cross 
on Golgotha mound with the arms draped with scourges, sur- 
mounted by a vase and winged gryphons, side panels carved 
with voluted scrolls and round-arched niches. All three sur- 
mounted by panels carved with cherubim. 


Height, 30 inches; width, 111% inches. 


143—Parr oF SpanisH PAINTED anp Gitt Woop Panegts 


Seventeenth Century 


SS: Rectangular shape, decorated with oval medallions occupied with 


144— 


oP 
ak 


inscriptions from the Vulgate, on white ground and surrounded 
by scrolls, Amorini, half-female figures with leaf terminations 
and cherubim. Painted in colors on gold ground. 


Height, 1734 inches; width, 11 inches. 


SPANISH CarvebD, PatinteD anp Grrr Woop Mepatiion 

Eighteenth Century 
Carved in the center with a Sacred Heart, bearing the figure, 
in relief, of a kneeling saint, and surmounted by the figure of 
the Virgin surrounded by pierced and carved scrolled and acan- 
thus-leaf border. Apron as oval medallion painted ga de- 
faced inscription and date 1763. 


Height, 221%, inches; width, 191% inches. 


First Afternoon 


145—SpanisH Carvep AnD PatnteD Woop Pane 

i Seventeenth Century 
Rectangular shape. Carved with figure of Christ in red mantle 
holding in one hand a cross and arising from a tomb with kneel- 
ing figures of Roman soldiers below. 


Height, 281%, inches; width, 24 inches. 


146—SpanisH ParntED anp Girt Woop Ficure 
Seventeenth Century 
/ } = Standing figure of a saint in gold-lined and brocaded mantle, 
holding in one hand a Chalice and Host. Semi-octagonal molded 
base. Painted and gilt. Height, 8% inches. 


147—Pair or Spanish ParintED anp Gitt Woop Ficures 
Seventeenth Century 
a o- Standing figures of Saints with beards, in gold and gold-patterned 
robes and brocaded mantles. Painted and gilt. 
Height, 8°, inches. 
148—SpanisH Carvep, Parnrep anp Gitt Woop Ficure 
Sivteenth Century 
oa °° Kneeling figure of an angel in red tunic patterned in gold and 
blue skirt, with hands outstretched. Molded semi-octagonal 
base. 
Height, 9 inches. 
149—SpanisH Patinrep Woop STATUE Seventeenth Century 
Standing figure of a Bishop Saint wearing a mitre decorated 
J D- with a cross and wearing a loose robe. In one hand he holds an 
open book and extends the other. 
Height, 101% inches. 
150—Sraniso Carvep, Parntep anp Gitt Woop REeEtiaquary 
Sixteenth Century 
/F- Half-figure of a female saint with black curling hair, hood and 
: gold-brocaded robe. In the breast is an oval scrolled depression 
for reliquary. Rectangular molded base. 
Height, 111% inches. 
151—SpanisH Carvep, ParnteD anp Gitrt Woop Busr 
Sivteenth Century 
ot O- Bust portrait of a saint with bald head, curling forelock and 
long curling beard, in gilt robe with blue mantle. Painted and 


gilt. 
Height, 11 inches. 


First Afternoon 


152—Spaniso Carvep, Parnrep anp Girt Woop Ficure 
Se) Sixteenth Century 
J&R: Standing figure of Aaron in white surplice, blue robe and red 
brocaded coat, crowned, holding in one hand three loaves and in 
the other a pitcher. Semi-octagonal base. 


153—SpanisH Woop STaTuETTE | Seventeenth Century 
s—> Modeled as a kneeling angel with outstretched wings holding in 

ete Oe hand a pricket candlestick. Rectangular base. 
Height, 14 inches. 


154—SpanisH Carvep Woop STATUETTE Seventeenth Century 


J OKneeling figure of an angel with outstretched wings, curling 
Sd ke ~ hair and one hand extended. Irregular base. 
Height, 13 inches. 

155—Parr or SpantsH PainteD Woop STATUETTES 
9 igs Seventeenth Century 
Figures of seated angels, partially draped in red robes, with out- 
stretched wings and both hands extended. Irregular bases. (One 

wing missing. ) 

Height, 16 inches. 


156—SranisHh Watnut Woopven Ficure Eighteenth Century 
SJ OStanding figure of a nymph with flowing robe and looped hair, 

«i A’ ~ holding in one hand an arrow and with one arm outstretched. 
Height, 20 inches, 


157—SpanisH Carvep, Parntep anp Girt Woop Bas-RELIEF 
Sixteenth Century 
J? Carved with full-length figure of a Bishop Saint holding a crozier 
i ~ in one hand and an open book in the other, and wearing a mitre. 
Above is a scrolled oval escutcheon and two festoons of drapery; 
below a fluted vase supported by two C-scrolls. 


Height, 20% inches; width, 7 inches. 


158—SpanisH Carvep, Parntep anp Gitt Woop StTratur 
Seventeenth Century 
"a 5- Seated figure of a Pope with red robe and gold cope, wearing a 
tiara, the gloved left hand raised in act of benediction. On semi- 
octagonal base. Painted and gilt. | 
Height, 261%, inches. 


Height, 14% inches. — 


is, 
* 


First Afternoon 


159—Spanisn Paintrep Woop Ficurr Eighteenth Century 


Se Figure of a youth in square skirted blue coat and broad-brim- 
oy 7 — med hat with one side looped up, standing with one hand on breast 


and seated cow behind him. Irregular wooden base. 
Height, 25 inches. 


160—SpranisH PainTED anp GILT Ficure Seventeenth Century 


7? Standing figure of the undraped Child Christ with curling hair, 
ww; a: one hand raised in the act of benediction and one hand holding 


an orb. Height, 23 inches. 
161—Frencu Parintep Woop STATUETTE Seventeenth Century 
J? Standing figure of an angel with loose robe, outstretched wings 
2H ° ~ and raised hand. No base. Height, 231 inches. 
162—SpanisH Gitt Woop Attar Cross Seventeenth Century 


Cross with arms carved with scrollings, inset at intersection with 
QW. 6 - quatrefoil medallion of metal, the arms inset with lozenge-shaped 
mirror medallions. Height, 48 inches; width, 86 inches. 


First Afternoon 


163—NorruH Castinian Carvep AnD ParntED Woop SHRINE 
Sd Seventeenth Century 
54+ School of Churiguera. Pointed pediment, molded broken cor- 
] nice, supported by acanthus-leaved and voluted brackets ; round- 
arched niche carved with shell and shaped base. Painted in 
green, red and white. The niche with trees. 


Height, 321%, inches; width, 26 inches. 


164—SpanisH CarvED AND PatntrED Woop Paneu 
| Seventeenth Century 
Rectangular shape. Carved with angels and cherub holding 
a 0- branches of pointed leaves. Cloud forms below. 


Height, 24 inches; width, 18 inches. 


165—Frencu Carved anp ParntEp Woop Pane 
Eighteenth Century 
/d- Rectangular shape. Carved with oval portrait medallion of the 
profile head of a woman, supported by looped ribbon and with 


floral pendants. 
Height, 28 inches; width, 47 inches. 


166—Irauian Carvep, Pirrcep anp Gitr Woop Panen : 
Eighteenth Century 
ol 0- Rectangular shape. Carved and pierced with a Satyr’s head in 
center flanked by scrolled acanthus leaves and seated Grecian 


Sphinxes. Completely gilt. 
Height, 4 inches; length, 62 inches. 


167—Parr or Frencu Parntrep ann Girt CanpiesticKs 
Empire Period of the Nineteenth Century 
3 j- Stems molded as figures of Egyptian women in gilt tunics holding 
gilt curved candle-sockets. Incurved pedestals and molded bases. 


Height, 14 inches. 


168—Pair SpanisH Processionat Painrep Woop Torcuires 
Seventeenth Century 
ae Aone cylindrical stems carved with acanthus leaves and 
painted. Coupe-shaped metal bobéches, with scalloped edges, 


repoussés with C-scrolls and volutes. 
Height, 19 inches. 


gos rae (2) (asus) 


First Afternoon 


169—Pair or SpantsH Carved, PaIntED ano Gitr Woop Brackets 

Seventeenth Century 

ut D- Pear-shaped with molded shells, bodies carved with fluted gad- 

roons and floral leaf pendants, aprons with bands of beading and 
pear-shaped leaf pendants. Painted and gilt. 


Height, 13 inches; width, 13 inches. 


170—Parr oF FrencH Carvep, PAINTED ann Gitt Woop Appiievks 
Eighteenth Century 

ria - Shaped as herms with fluted tapering shafts, capitals carved as 
heads of satyrs crowned with laurel leaves and molded and leaf 


carved bases. Painted and gilt. 
Height, 1714 inches. 


171—Two Spanisu SitvereD Woop CanpiesticKs 
| Eighteenth Century 
a. § - Stems as C-scrolls carved with leaves and ending in circular 
fluted metal bobéches. On tripod stands, with C-scrolled brackets 
at the angles and voluted leaves between. Completely silvered. 


Heights, 30 and 29 inches, 


172—Pair oF SPANISH SILVERED Woop CANDLESTICKS 
Seventeenth Century 
]S5- Baluster and vase shaped stems carved with scrolls and flutings, 
saucer-shaped bobéches and vase-shaped candle-sockets. T'i- 
pod stands, with leaf-carved brackets at angles, leaf-carved pan- 


els between and voluted feet. Completely silvered. 


Height, 351, inches. 


173—Spaniso Carvep, Parnrep anp Gitr Woop Cerrine Roserre 
Seventeenth Century 

J d- Octagonal shape. Carved with a floral rosette in the center, sur- 
rounded by radiating panels carved alternately with crossed 


cornucopie and acanthus leaves. 
Diameter, 211% inches. 


/ bo ~ Qrwhta Ci ew ) 


ae 


eo. 


SPANISH LANTERNS 


There is one link, at least, which binds the American of to-day to 
the Spaniard of the seventeenth century. One finds it in the mutual 
desire for beautiful containers to hold their lights and in their love for 
light as an adjunct of decoration. It is for this reason that the almost 
bewildering number of lamps and lanterns, chiefly of the seventeenth 
century, but reaching back to Gothic days for their constructional 
details, is likely to prove something of a revelation to those desirous of 
brightening their rooms, their halls or their gardens with examples of 
the work of old-time craftsmen. These lanterns are of sizes varying 
from the enormous cathedral hanging lantern of nearly four feet and 
a half in height to the small domestic lanterns of a size of only eight 
inches, and include pole, hanging and standing lanterns. They repre- 
sent the most outstanding production of the Spanish workers in metal, 
and are especially noticeable from the skill with which the union of 
metal and glass is carried out. Especially interesting are those with 
projecting angles, in some cases having finials of wrought-iron flow- 
ers in token of their forming a part of the decoration of chapels 
dedicated to the Virgin, whose Spanish symbol so frequently was the 
Lily of the Annunciation. 

18 Bae! bs 


174—SpanisH Hancine Lanrern Eighteenth Century © 


~~ Octagonal glazed sides, molded cornice, shaped wire top, molded 
base and pear-shaped feet. 
Height, 23 inches. 


First Afternoon 


175—Pair oF SpanisH Pote LANTERNS Eighteenth Century 
ae Octagonal sloping shape with conical and pyramidal projecting 
angles, having cruciform finials. Pierced rectangular crestings 

and circular plates supported by curved brackets. Plain pole. 


Height, 16 inches. 


176—TIwo Parr or SpranisH Pote anp Haneine LANTERNS 


One pair of rectangular shape with sloping sides, circular plate 
J 0- supported by leaf brackets and plain socket, one pair of hex- 
agonal shape with sloping sides, scalloped plates supported by 

leaf brackets and pointed finials. | 
Heights, 12 and 18 inches. 

177—Two Parr or SpanisH Pott anp Hancine Lanterns 
uf O- Seventeenth Century 
One pair of rectangular shape with sloping sides, circular scal- 
loped plates, supported by leaves and plain sockets, one pair of 
hexagonal shape with sloping sides, circular scalloped plates sup- 
ported by leaves, and conical finials. 

Heights, 13 and 18 inches. 


178—Turee Spanish Pott LantTerns Eighteenth Century 


SPH exagonal sloping sides, one filled with patterned frosted glass, 
3 ] - ~ circular cresting and plates supported by curved brackets. One 


with molded base. Plain sockets. 
Heights, 17 and 12 inches. 


179—Nine SpanisH Pout ann Hancine LANTERNS AND WaLNuT POLE 


Rectangular and octagonal lanterns, some with colored glass 

¥ 7 ~ angles, crown shaped crestings and circular plates supported by 
curved brackets, two with flower finials. Horizontal pole, carved 
and pierced with voluted scrolls and leaves. 


Length of pole, 8 feet. 


180—Ser or THree SpanisH Pote Lanterns Seventeenth Century 


C Octagonal sides, scrolled pierced pinnacle tops, circular leaf 
O° repoussés crestings, fluted bases and plain pole sockets. 


Height, 19 inches. 


181—Two SpanisH Pott LANTERNS Seventeenth Century 


/ _ Quintagonal and hexagonal shapes with sloping sides filled with 
colored glass, one with pierced cresting, one with circular plate 
supported by curved brackets. Plain sockets. 

Heights, 15 and 10 inches. 


First Afternoon 


182—Fovr Spanish PoLtE LANTERNS Nineteenth Century 
One of hexagonal shape, with pierced cresting and domed top, 

A o- one of rectangular shape, with circular plate supported by leaves, 
one of hexagonal shape filled with patterned frosted glass with 

domed top and circular cresting, one of hexagonal shape with 

domed top and circular pierced cresting. All with plain sockets. 

Heights, 11, 11, 12 and 18 inches. 


183—SpanisH PoLE LanTEeRNS Seventeenth Century 
> Octagonal shape with sloping sides of patterned frosted glass, 
Vcore colored glass angles, rectangular pierced cresting, circular plate 
supported by curved leaves and conical finial. 

Height, 16 inches. 
184—SpanisH Haneine Lanrern Eighteenth Century 
$d Octagonal glazed sides, with pierced and molded cornice, shaped 

MG 1 - = wire top, shaped and pierced apron and bracket feet. 
Height, 23 inches. 


185—SpanisH Hancinc Lantern Eighteenth Century 
rete Octagonal glazed sides with repoussé and pierced cornice. Top 
of curved and molded iron bands, pierced spherical cresting, 
fluted base and bracket feet. 

Height, 30 inches. 

186—Two Pair or Spanish Pott anp Hanerne Lanterns. 
One pair of octagonal shape with sloping sides, colored glass 
ol § . angles, circular, scalloped plates supported by curved brackets 
and conical finials, one pair of hexagonal shape with hexagonal 
scalloped plates supported by curved brackets and conical finials. 
Heights, 13 and 18 inches. 


187—Two Pair Spanish Pott anp Hanetne Lanterns 

Seventeenth Century — 

et ol - One pair of hexagonal shape with sloping sides, hexagonal plates 

supported by curved brackets, conical finials and plain sockets, 

one pair of rectangular shape with sloping sides, circular plate 
supported by curved brackets and conical finials. 


Heights, 13 and 14 inches. 


188—SpanisH PoLte Lantrern Seventeenth Century 


§2 Hexagonal shape with sloping sides grazed with colored glass, 
atl = pierced cresting, curved leaf brackets supporting a circular scal- 
loped plate. Plain socket. Height, 17% inches. 


First Afternoon 


189—Parr oF SpanisH PoLte LANTERNS AND OnE Hancine LANTERN 

Seventeenth Century 

ed. Pair of octagonal shape with sloping sides, colored glass angles, 

pierced crestings and circular plates supported by curved leaves. 
Hanging lantern similar but with floral finials. 


Heights, 11 and 121, inches. 


190—Pair oF SpanisH PoLE LANTERNS Seventeenth Century 

Octagonal shape with sloping sides, colored glass angles, rec- 

5 ia - tangular pierced crestings, circular plates supported by curved 
leaves, pierced aprons and plain sockets. | 

Height, 16 inches. 

191—Pair oF SpanisH Pore Lanterns anp One Hanecine LANTERN 

ar) Seventeenth Century 

3 _ ~Octagonal shape with colored glass angles, circular plain and 

] scalloped plates supported by curved brackets. 


Heights, 1314, and 14 inches. 


192—Parr oF SpanisH Porte Lanterns Seventeenth Century 
Octagonal sides, pierced, domed tops and circular crestings cut 

35° with leaves, fluted bases and knopped pole sockets. 
Height, 19 inches. 


193—SpanisH Hancinc LANTERN Seventeenth Century 

Octagonal shape with projecting angles, having incurved tops 

JU°- ona pointed finials, octagonal cresting and scalloped plate sup- 

ported by curved brackets with scrolled escutcheons between. 
Looped handle as finial. 

Height, 18 inches. 


194—SpanisH Hancine Lantern Seventeenth Century 


Hexagonal glazed sides with round-arched top and rectangular 
detached angles ornamented with curved leaves and supporting 
/ 2 O- vases of flowers. Hexagonal top, the under portion glazed, the 
upper portion pierced, circular pierced, scrolled cresting and 

pierced apron with band of colored glass above. 
Height, 18 inches. 


195—Turee Spanish Pott LANTERNS Late Eighteenth Century 


J? Sloping rectangular sides, pinnacle shaped tops with scrolled 
Ty ~ pierced galleries, rectangular crestings, with flower finials, sup- 
ported by voluted brackets, scrolled bases and plain pole sockets. 


a fe ae eR Height, 20 inches. 
ney t oy, , 


f°" 


First Afternoon 


196—Pair oF Seiae Potr LANTERNS Seventeenth Century 


Octagonal glazed sides with curved leaves above and _ below, 
q D> scrolled leaf openwork tops, pierced cylindrical crestings, conical 


bases and plain pole sockets. 
Height, 20 inches. 


197—Four Spanish Porte LANTERNS Seventeenth Century 


One of rectangular shape with sloping sides, colored glass angles, 
e | - pierced cresting and scalloped plate supported by curved brack- 
ets, one of hexagonal shape with domed top, and pierced crest- 
ing, one of rectangular shape with scalloped plate supported by 
leaves, one of quintagonal shape filled with patterned frosted 
glass with embossed cresting and scalloped plate supported by 


curved brackets. Plain sockets. 
Heights, 16, 14, 2714 and 12 inches. 


198—SpanisH Hanernc LANTERN Seventeenth Century 


SO Hexagonal straight sides, with cresting pierced with balusters, 
pele circular plate supported by curved wires and leaf feet. 


Height, 27 inches. 


199—Pair or Spanish Porte Lanterns Eighteenth Century 


eee Sloping octagonal glazed sides, the angles filled with colored 
' glass, rectangular tops with colored glass sides, pierced rectangu- 
lar galleries with scrolled leaves supporting pierced, domed coy- 


ers. Fluted bases and cylindrical candle sockets. 
Height, 23 inches. 


200—Pair oF Spanish Hanernc Lanterns Eighteenth Century 


Bell-shaped bowls of blue glass, with white glass knobs, rims 
“oe y repoussés with beads and scrolled acanthus leaves. Suspended 
by three chains from beaded ring and with knotted cord of gold 
thread. 
Heights, 25 inches. 


201—Pair oF Spanish Runninc FoormMen’s Lanterns 

/ is Eighteenth Century 

a Cylindrical glass bodies with molded cornices, decorated with 

looped scrolls, pierced and repoussés leaves and rosetted festoons. 

Hinged, shaped tops, pierced and repoussés with scrolled acan- 

thus leaves and with repoussés leaf finials. Molded, tapering 
leaf-shaped bases with pole sockets. 

Height, 27 inches. 


First Afternoon 


202—Pair oF SpanisH Brass Carriace LANTERNS 

Early Nineteenth Century 
yO. Hexagonal sides, glazed with cut glass, cut in a pattern of 
quatrefoils and with brass angles cast in a pattern of oak leaves 
and acorns. Molded tops cast in a design of leaves and festooned 
fruits. Molded bases of brass cast with bands of scrolls and 
leaves. Cylindrical handles of black enamel above and of brass 

below cast with bands of scrolls, oak leaves and acorns. 


Heights, 271% inches. 


203—Pair oF SpaNnisH PRrocrssionaAL Swineinc Pott Lanterns 
Seventeenth Century 
3 5- Tapering hexagonal glazed sides with scrolled leaves above and 
below. Shaped and pierced tops, ball-shaped crestings, with cross 
finials. Shaped hexagonal bases and ball-shaped pendants. 
Swinging between two curved iron branches with floriated ends 


and with pole sockets below. 
Heights, 31 inches. 


SECOND AFTERNOON’S SALE 


WEDNESDAY, APRIL 27, 1921 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O'CLOCK 


Catalogue Numbers 204 to 434, inclusive 


204—Two Iraian Sirk, Damask AND VELVET AND BrocaTELLE Pro- 
CESSIONAL PoucHEs Sixteenth and Seventeenth Centuries 
/ 0 - Conical bag shape. One of crimson silk damask, patterned with 
scrolled leaves and paneled with crimson velvet; one of silk 
brocatelle patterned, on a yellow ground in rose-color, with 
scrolls, leaves and pear-shaped medallions. Both finished with 

netted silk fringe. 


Lengths, 2 feet 9 inches and 2 feet 101, inches; widths, 2 feet 4 inches 
and 2 feet 11 inches. 


205—SpanisH EMBROIDERED LINEN CuSHION Seventeenth Century 
Rectangular shape. Linen embroidered, in red silk, with a bor- 


— der of quatrefoils. 
/ a. Length, 29 inches; width, 15 inches. 


206—Pair or SpanisH Sitk Damask Cusnions Eighteenth Century 


Rectangular shape. Crimson silk damask, with linen cover dec- 
Lho- orated with bands of drawnwork and stamped for embroidery. 


Length, 49 inches; width, 141% inches. 


Second Afternoon 


207—SpanisH VELVET CUSHION Seventeenth Century 
J? Rectangular shape. Crimson velvet paneled and bordered with 

/2Q. ~ gold braid and finished with gold fringe. 
Length, 201% inches; width, 15 inches. 


208—Two SpanisH Sik EmBproiErRED MEDALLIONS 
Sixteenth Century 
/ i ~ Circular shape. Embroidered in colored silks, one with Virgin 
standing with clasped hands on cherubim and flanked by build- 
ings, a Monstrance and a Chalice, one with Virgin with folded 
hands standing on clouds and flanked by trees and floral sprays. 


Diameter, 5 inches. 


209—Pair oF SpANisH EMBROIDERED SATIN STRIPS 
Ne 3 Seventeenth Century 
Crimson satin appliqué-embroidered, in gold braid, with a rosetted 

and checkered diaper. Bordered with gold lace. 


Lengths, 4 feet 3% inches and 8 feet 6 inches; widths, 71% inches. 


210—Two Spanish EmBromeEreD S1tK LAMBREQUINS 
: Eighteenth Century 
Rectangular shapes, one with scalloped edges, embroidered, in 
colored silks and gold and silver threads on a yellow ground, with 
a basket of fruits and flowers, scrolled flowers and floral sprays. 
One of green silk, embroidered, in silver with floral sprays. 
Lengths, 3 feet 4 inches and 3 feet 2 inches; widths, 1 foot 7 inches 
and 1 foot 3 inches. 


211—Two Irauian Cut-vetver Srrips Seventeenth Century 


/ Ms _ One, rectangular shape, of crimson velvet cut, on a cloth-of-gold 
ground, with scrolled leaves and pomegranates; one, curved 
shape, of purple velvet cut, on a purple ground, with scrolled 
leaves. (One pieced.) 


Lengths, 5 feet 7% inches and 2 feet 10 inches; widths, 11144 inches 
and 814 inches. 


212—Iratian Emproiprerep Strip Seventeenth Century 


chs Crimson silk velvet. Appliqué-embroidered, in cloths of gold and 
0” silver, with scrolled medallions, occupied by quatrefoil figures 


with leaves. Length, 9 feet 8 inches; width, 1 foot 8Y inches. 


ee . She eae Ci sty | 
jo 


Second Afternoon 


213—Irarian Sitk Brocapep Hancine Siateenth Century 


Rectangular shape. Woven, on a white ground in red and white 
/ 0 silks, with a scrolled diaper enclosing floral sprays and with 
floral rosettes at the intersections. 


Length, 8 feet 8 inches; width, 3 feet 21% inches, 


214—Frencn Sirk Lampas CoverLet Eighteenth Century 


Rectangular shape, woven on a white ground in green and cream 

= color, with vases of flowers, floral festoons and scrolled ribbons. 
Bordered with lampas woven with oval medallions enclosing vases, 
curved leaves and palm trees. Worn. 


Length, 6 feet 7 inches; width, 4 feet 6 inches. 


215—Two Pisces FreNcH SILK Eighteenth Century 
- Rectangular shape. One of yellow with red and blue stripes, one 
of canary yellow finished with silk braid. 


Lengths, 7 feet 4 inches and 6 feet 6 inches; widths, 5 feet and 3 feet 
& inches. 


216—SpanisH SitK BrocapeEp Taste Cover AND STRIPS 
Seventeenth Century 


f O- Rectangular table cover, brocaded, on a cloth-of-silver ground 
in colored silks and gold and silver threads, with curved leaves, 
scrolls and floral sprays. Bordered with crimson silk damask. 
Strips woven, on cream-colored and copper-colored grounds, in 
colored silks, with scrolls, scrolled leaves, flowers and leaves. 
Paneled and bordered with varicolored silk fringe. 


Lengths, 3 feet 11 inches and 2 feet 10 inches; widths, 1 foot 11 inches 
and 2 feet 21% inches. 


217—I rattan Sixx Brocapep Square Seventeenth Century 
Woven, on a ribbed and cream-colored ground in colored silks and 

7. - gold and silver threads, with scrolled looped ribbons and bouquets 
of flowers and leaves. Length, 3 feet 11 inches; width, 8 feet 5 inches. 


218—Irauian Sitxk BrocaTELLeE Tas_e Cover Seventeenth Century 


J Rectangular shape. Woven, on a blue ground in cream-colored 
/- ~ silk, with scrolled pear-shaped medallions enclosing clusters of 
flowers and leaves, floral sprays and pointed oval leaves. Bor- 


dered with gold galoon. 
Length, 4 feet 10 inches; width, 3 feet 9 inches. 


Second Afternoon 


219—Turee SpanisH Sixx Brocapre anp Damask Taste Covers 
Seventeenth Century 
a A: - Rectangular shape. Woven, on a cream-colored and green 
grounds in colored silks and silver thread, with scrolls and 
scrolled leaves. One of yellow silk damask, woven with strap work 
enclosing floral and leaf medallions. Finished with varicolored 
silk fringe and bordered with crimson silk damask. 


Lengths, 9 feet 4 inches, 5 feet and & feet 2% inches; widths, 2 feet 
914, inches and 2 feet 3 inches. 


220—Frencu Vetvet Brocape Hancine Eighteenth Century 
52 Rectangular shape. Woven, on a ribbed silk ground in colored 

i ~ silks and black velvet, with floral sprays and dots. 
Length, 4 feet 8 inches; width, 3 feet 1 inch. 


221—Two Iranian Sitx Brocape Tasie Covers 
Seventeenth Century 
15 Rectangular shape. Woven, on ribbed and figured cream-colored 
silk grounds in colored silks, with bunches of flowers and leaves 
and with floral sprays. Finished with varicolored silk fringe. 


Lengths, 5 feet 4 inches and 4 feet 7 inches; widths, 4 feet 74% inches 
and 3 feet 6 inches. 


222—SpanisH SiuK Damask Taste Cover Seventeenth Century 


? Rectangular shape with chamfered angles. Light rose-colored 
/ ie — silk woven in white with scrolled leaves, flowers and pomegranates. 


Length, 6 feet 4 inches; width, 4 feet 10 inches. 


223—I rattan AND Frencu Brocapr Srrirs 


Seventeenth and Eighteenth Centuries 

ane One, French, woven in blue and rose-colored silks on a ribbed | 
ground, with a diaper of floral sprays; one, Italian, woven, in 

colored silks on a salmon-colored ground, with palmette-shaped 
medallions, occupied by groups of conventional flowers and leaves. 


( Pieced.) 


Lengths, 6 feet 7 inches and 5 feet41%, inches; widths, 1 foot 9 inches 
and 2 feet. 


224—SpanisH Eccresrastican BANNER Eighteenth Century 


gp Swallow-tail shape. Of crimson Genoese velvet embroidered, in 
/2- ~ gold thread, with a three-branched floriated cross. Finished 


with gold lace. Length, 3 feet 4 inches; width, 1 foot 9 inches. 


Second Afternoon 


225—SpanisH SitK BrocapE LAMBREQUIN AND EMBROIDERED ALTAR 
CovER Siateenth and Seventeenth Centuries 


ps. Rectangular shapes. Lambrequin, woven, on a_varicolored 
ground in colored silks, with scrolls and floral sprays. At the 
ends applied panels of sixteenth century brocatelle. Cover with 
center of white silk damask, with ends embroidered, in white silk, 
with crowned ‘‘M’s.” 


Lengths, 3 feet 4 inches and 7 feet; widths, 1 foot 8 inches. 


226—Pair oF SPANISH EMBROIDERED SATIN PANELS AND MANIPLES 
ST 
J Oo | Seventeenth Century 


/ oe’ “Maniples with spade-shaped ends, rectangular panels of crimson 
satin. Appliqué-embroidered, in gold braid, with scrolls and 
volutes. Bordered with gold and silk galoon and finished with 
silk cords and tassels. 


Lengths, 1 foot 11 inches and 1 foot 10 inches; widths, 1 foot 7 inches 
and 6144 inches. 


227—Parr SpanisH EMBROIDERED VELVET CUFFS 
Siateenth Century 


4 O- Cuff-shaped. Of crimson velvet, appliqué-embroidered, in colored 
silks and gold cord, with scrolled acanthus leaves. Finished with 
silk braid and fringe. Length, 2 feet 1 inch; width, 7 inches. 


228—Two SpanisH Sink BrocapE AND BrocatTELLeE Corr Hoops 
Seventeenth and Eighteenth Centuries 


IS- Spade shape. One of silk brocade, woven, on a crimson ground 
in colored silks, with vases of flowers and floral scrolls, bordered 
with silk galoon and finished with silk fringe. One, of silk damask, 
woven in yellow silk on a crimson ground with pear-shaped floral 
medallions and curved and scrolled borders. Finished with silk 
fringe. 

Lengths, 1 foot 8%, inches and 1 foot 10 inches; widths, 1 foot 8% 
inches and 2 feet 2 inches. 


229—SpanisH Sirk BrocaTELLE and Damask CuasuBLe 
Eighteenth Century 
oA 0 - Double spade shape. Center panel of yellow damask woven with 
scrolled flowers, side panels of crimson brocatelle woven with 
scrolled pomegranates and leaves. Bordered with crimson satin. 


Length, 7 feet; width, 2 feet 4 inches, 


Second Afternoon 
230—Two Spanish CHASUBLES Eighteenth Century 
~ Double spade-shaped. One, with center panel of green brocatelle, 
o D- woven in a pattern of floral scrolls, side panels of crimson silk 
damask, woven in a pattern of lozenge-shaped floral medallions. 
One, of green silk damask woven with scrolled flowers and pome- 


granates. 
Lengths, 7 feet 8% inches and 7 feet 2 inches; widths, 2 feet 4 inches 
and 2 feet. 
231—SpanisH Sirk BrocapE Corer Sixteenth Century 


FUSemicircular shape. Woven, on a blue ground in colored silks, 

i _ “= with scrolled leaves and flowers. Finished with a band of gold 
] lace and bordered with gold lace and fringe. 

Length, 2 feet 1 inch; width, 4 feet 2 inches. 


232—SPANISH SiLtK EccizestasticaL Carr Seventeenth Century 
/ 0- Cape shape. Woven, on a cream-colored ground in colored silks 
and silver thread, in a pattern of scrolled medallions and floral 
sprays. Length, 3 feet; width, 5 feet. 


233—SpanisH SitK BrocapE Caper Seventeenth Century 
Cape-shaped, woven, on an amber-colored ground in cream- 
/S - colored and red silks, with pomegranate medallions and scrolled 
leaves and fruits. Length, 2 feet 6 inches; width, 5 feet 8 inches. 


234—Frencu Sirk Brocaprt Rose Exghteenth Century 
Robe-shaped. Woven on a cream-colored ground figured with 

/ D-curved diapered bands and leaf sprays, in colored silks, with 
scrolled branches of flowers and leaves. ( Pieced.) 


Length, 6 feet 114% inches; width, 3 feet 1 inch. 


235—Ivrauian Sixx Brocarette AutTar FRrontar 
St? Seventeenth Century 
fob — Rectangular shape, with band at top of crimson silk damask, 
Ve bordered with gold galoon and silver braid and with a scalloped 
valance below of crimson silk woven in gold thread with scrolled 
flowers and leaves. The front of silk brocatelle woven, on a 
purplish-colored ground, with zigzag bands of scrolls and con- 
ventional sprays of flowers, leaves and berries. 


Length, 7 feet 11 inches; width, 3 feet 2 inches. 


- eS Pehl, ee 


eo eee eo 


Second Afternoon 


236—SPpanisH Srtk BrocapE Cops Stvteenth Century 
9 Semicircular shape. Woven, on a white ground in blue and yel- 
2- low silks, with scrolls, clusters of grapes and leaves. Finished 
with gold lace. Length, 8 feet 434, inches; width, 7 feet. 


237—FrRencuH Sirk Brocape Tasrte Cover Eighteenth Century 

Rectangular shape. Woven, on a rose-colored ground in colored 

tae silks and gold thread, with scrolls, serrated leaves and floral 
sprays. Bordered with gold braid. 

Length, 3 feet 6 inches; width, 3 feet 4 inches. 


238—SpanisH EMBRoOIDERD SiLk T'aBLe Cover 
Early Eighteenth Century 
Be Rectangular shape. Cream-colored silk embroidered, in colored 
silks and gold thread, in the center with a voluted cornucopia of 
flowers and a flying parrot, and at the angles with scrolled leaves 
and flowers. Bordered with gold lace and finished with gold and 
silk fringe. Length, 1 foot 10 inches; width, 1 foot 9 inches. 


239—SpanisH CLOTH-OF-GOLD STRIP Sixteenth Century 
0: 


Cloth-of-gold, woven in a pattern of scrolled leaves and flowers. 
Length, 3 feet 10 inches; width, 1 foot 8 inches. 


240—-SpanisH VELVET PANEL | Sixteenth Century 
tc Rectangular shape. Crimson velvet, bordered with silver galoon. 

ol Traces of original embroidery. 
Length, 4 feet 11 inches; width, 1 foot 6 inches. 


241—Irauian Sirk BrocaTELLeE PANEL Stvteenth Century 
SD Rectangular shape. Of green woven in white silk, with a pattern 

| — of scrolled leaves and flowers, forming a center panel, with five 
7]. horizontal bands and side panels of three vertical bands. 
( Pieced.) Length, 5 feet 6 inches; width, 1 foot 9% inches. 


242—VENETIAN PRINTED SILK COVERLET Eighteenth Century 

J Rectangular shape. Printed, on a white ground, in colors, with 

/2v: scrolled branches of blue bells and floral sprays. Bordered on 
three sides with silk ribbon. 

Length, 5 feet 10 inches; width, 4 feet 7 inches. 


Second Afternoon 


243—Irauian Sirk Damask Hancine Eighteenth Century 


5? Rectangular shape. Crimson silk woven in a pattern of scrolled 
c ~ flowers and fruits and floral medallions. 


Length, 7 feet 8 inches; width, 5 feet 6 inches. 


244—Frencu Sirk Damask CoverLET Eighteenth Century 


Rectangular shape. Blue silk woven in a pattern of scrolled 
~ branches of leaves and flowers and floral sprays. 


Length, 7 feet 10 inches; width, 5 feet 2 inches. 


245—THreE Frencno Warp Printep SILK STRIPS 
Eighteenth Century 


FG D - Rectangular shape. Canary yellow ground warp-printed, in 


colors, with horizontal zigzags. 


Length, 11 feet 2% inches; width, 1 foot 9 inches. 


246—Iratian Sirk BrocaTeLLeE Hancine Sixteenth Century 


f? Rectangular shape. Woven, on a rose colored ground in gold, 
pr with scrolled leaves and flowers enclosing floral medallions. 


Length, 5 feet 8 inches; width, 2 feet 3 inches. 


bo 


47—SPpanisH SILK AND GoLtpD EMBROIDERED VELVET PANEL 

J? Seventeenth Century 
/2- Rectangular shape. Black velvet appliqué-embroidered, in col- 
ored silks and gold thread, with a crucifix having a skull and nails 
below. Bordered with black velvet, appliqué-embroidered, in 
gold, with a floral meander and quatrefoils. 


Length, 15 inches; width, 10 inches. 


248—Parr oF SPANISH EMBROIDERED SATIN PANELS 
Seventeenth Century 
JO= Rectangular shape. Crimson satin, appliqué-embroidered in gold 
braid with checkered rosetted lozenges, enclosing scrolled escutch- 
eons embroidered, in colored silks, with the arms of Castile and 
with interlaced scrolls at the angles. 


Length, 1 foot 81% inches; width, 1 foot 2% inches. 


249—Parr oF SPANISH EMBROIDERED Satin PANELS 


Seventeenth Century 
ee Similar to the preceding. 


Second Afternoon 


250—SpanisH SILK AND Goutp EmpBrormpEerED Pane 
uf. Seventeenth Century 
o- Embroidered, in colored silks and gold thread, with a round- 
arched niche, supported by green columnar pilasters and with 
scrolls on a dark blue ground above, and with the full-length figure 
of St. Bartholomew with red robe, blue mantle, symbolic knife in 
one hand and book in the other. 


Length, 20 inches; width, 9 inches. 


251—SpanisH EmpromEereD VeLveET LAMBREQUIN 
— Sivteenth Century 
Rectangular shape, of green velvet appliqué-embroidered, in yel- 
low silk and cord, with band of scrolled acanthus leaves between 
borders of quatrefoils and scrolls. Finished with silk fringe. 
Length, 3 feet 5% inches; width, 1 foot 1 inch. 


From the collection of the Marqués de Valverde. 


252—Pair or SpanisH EmprormpeERED VELVET Requiem Mass Currs 
Seventeenth Century 
3 OD - Crimson velvet, appliqué-embroidered, in colored silks, with oval 
scrolled medallions occupied by cross-bones, scrolls, volutes and 

leaves. Finished with silk braid, fringe and tassels. 
Length, 2 feet; width, 6% inches. 


253—Frenco Warp PRINTED Satin STRIP 
Louis XVI Period of the Eighteenth Century 
/ 0- Rectangular shape. Woven, on a satin ground with vertical 
stripes of plain green, of white warp-printed with a floral me- 
ander pattern in colors and of white printed with checkered and 
diagonal patternings in brown. 


Length, 6 feet 4 inches; width, 3 feet 7 inches. 


254—VatENcIAN Sink Damask Haneitne Late Seventeenth Century 
J? Rectangular shape. Crimson silk, woven in a pattern of curved 

2H - pointed leaves and floral medallions. ( Pieced.) 
Length, 6 feet 6 inches; width, 5 feet 2 inches. 


255—VaALENCIAN Sritk Brocapr Hancrne Late Seventeenth Century 


Crimson silk, woven in a design of floral medallions and curved, 
J ) ~ pointed and serrated leaves. Finished, on three sides, with black 
and crimson silk fringe. Length, 6 feet 10 inches; width, 5 feet. 


Second Afternoon 


256—Frencn Sivk Pexry Fartte Hancine Eighteenth Century 
s? Rectangular shape. Woven, on a canary yellow colored ground 

4 ] * in colored silks, with vertical varicolored stripes. 
Length, 6 feet 7 inches; width, 4 feet 10 inches. 


257—Frencu Sirk Damask Hancine Eighteenth Century 
- Rectangular shape. Blue silk, woven in a pattern of fleuretted 
ol J - vertical stripes, with border above and below of fountains, scrolls 


and floral festoons. 
Length, 6 feet 6 inches; width, 5 feet 3 inches. 


258—Parr or SpaANisH EmBroipERED VELVET PANELS 
Sixteenth Century 
+ D- Rectangular shape. Of black velvet, appliqué-embroidered, in 
colored and painted silks, with scrolled leaves forming a central 
quatrefoil medallion and with branches of pomegranates and 
leaves, surrounded by twistéd ribbon borders. 
Length, 3 feet 4 inches; width, 1 foot 81% inches. 


From the collection of the Marquis de Valverde. 


259—Frencu Sirk Damask CovERLET Eighteenth Century 


_JSdRectangular shape. Blue silk woven in a pattern of vertical 

a ’ ~ Jeaf stripes, scrolled bands and floral sprays. Finished on three 
sides with silk fringe. 

Length, 6 feet 10 inches; width, 6 feet 8 inches. 


260—VaLENCIAN S1LkK Damask Hancine Eighteenth Century 
3 o- Rectangular shape. Crimson silk, woven in a pattern of scrolls, 
vases of flowers and floral medallions. 


Length, 6 feet; width, 4 feet 10 inches. 


261—Frencu Sitk Brocaprt Hancine Seventeenth Century 


s pRectangular shape. Woven, on a cream-colored ribbed and fig- 

24. ured silk ground in colored silks, with scrolled branches of flow- 
ers and leaves. 

Length, 6 feet 914 inches; width, 4 feet 2 inches. 


262—FreNcH SitK BrocapE Hancine Eighteenth Century 


Tape Rectangular shape. Of white silk, woven with blue and black 
stripes and, in colored silks and gold thread, with floral sprays 


and fleurettes. 
Length, 6 feet 8 inches; width, 4 feet 11 inches. 


Second Afternoon 


263—SpanisH SiLK Prexin Farnite Covertet anp Brocaprt Hancine 
Eighteenth Century 

nae Rectangular shape. MRose-colored silk, woven in a pattern of 
satin stripes, floral sprays, balustradings and waterings. Hang- 


ing embroidered “L.P.R.A.N.” 


Lengths, 6 feet and 5 feet 3% inches; widths, 5 feet 9 inches and 
2 feet 111% inches. 


264—SpanisH SitkK BrocapE Strip Seventeenth Century 
J? Woven, on a salmon-colored satin ground in colored silks, with 

34: scrolled flowers and leaves and floral sprays. 
Length, 6 feet 7 inches; width, 3 feet 11 inches. 


265—SpaANisH EMBROIDERED LAMBREQUIN “Seventeenth Century 


Rectangular shape. Black silk damask woven with flowers, and 

a7: - embroidered, in gold thread, with vases of conventional flowers 
and quatrefoils. Bordered and paneled with gold galoon and 
finished with gold fringe. 


Length, 6 feet 2 inches; width, 1 foot 9 inches. 


266—SpanisH EmpromEerep ALTAR CLOTH Seventeenth Century 
Rectangular shape of black silk damask, woven in a pattern of 

2 JS'- flowers, and appliqué-embroidered, in gold thread, with branches 
of conventional flowers and leaves, leaf medallions and quatre- 


foils. Paneled with gold galoon. Worn. 
Length, 5 feet 9 inches; width, 3 feet 6 inches. 


267—SPANIsH S1ItK BrocaTELLE Cover Sixteenth Century 


SV Rectangular shape. Woven, in crimson silk on a yellow silk 


Ha- ~ ground, with scrolled leaves and floral medallions, surrounded by 


a leaf meander border. Length, 6 feet; width, 5 feet. 
268—Frencu Sirk Brocape Hancine Eighteenth Century 


Rectangular shape. Woven, on a cream-colored ribbed and fig- 
§. ured ground in colored silks, with scrolled branches of flowers 
and leaves, floral sprays and rock forms. (Stained and pieced.) 


Length, 7 feet 2 inches; width, 6 feet 8 inches. 


269—Vatencian Sirk Damask Covertet Late Seventeenth Century 


f Rectangular shape. Crimson silk, woven in a pattern of curved, 
J pointed leaves and floral medallions. Bordered with silk braid. 


Length, 7 feet 5 inches; width, 5 feet 1 inch. 


Second Afternoon 


270—Frencn Sitk Hancine Eighteenth Century 
Rectangular shape. Woven in colored silks with vertical bands 


phe - of yellow and white, divided by stripes of green, bordered with 
red. The white figured in a moiré pattern with red and green. 


Length, 7 feet 10 inches; width, 6 feet 2 inches. 


271—FrencH Sirk Brocapt Hancine Eighteenth Century 


50 Rectangular shape. Woven, on a blue satin ground in colored 
sei ~ silks, with vertical stripes, scrolled diapered and scalloped bands 


and scrolled branches of flowers and leaves. (Stained.) 


Length, 7 feet 3 inches; width, 3 feet 41% inches. 


272—SpanisH S1uK BrocapE TABLE Cover Seventeenth Century 


Rectangular shape. Woven, on a rose-colored ground in colored 

oP ) - silks and gold and silver threads, with scrolled leaves and flow- 
ers, scrolls and floral sprays. Bordered with scalloped and open- 
work gold galoon and finished with gold fringe. 


Length, 6 feet 10 inches; width, 2 feet 10 inches, 


273—FRENcH SILK AND Satin Hancine Eighteenth Century 
live. Blue silk woven in alternate stripes of satin and ribbed silk. ; 


Length, 8 feet 3 inches; width, 5 feet. 


274—ItTauian Sirk Brocapt Haneine Seventeenth Century 


Sd) Rectangular shape, woven, on a cream-colored ground in colored 
4 45 — silks, with scrolled flowers and leaves, enclosing vases of flowers 
and leaves. 


Length, 7 feet 7 inches; width, 7 feet 5 inches. 


275—Iratian EmpromwEreD VELver Paneu Sixteenth Century 


Rectangular shape. Appliqué-embroidered, on crimson Genoese 
GS ~ velvet in cloth-of-gold and silver, with arabesque of scrolls, 
vases, leaves, festoons and pendant. 


Length, 3 feet 6 inches; width, 8 inches. 


276—SpanisH Sitk BrocatTELLE Hancarne Siateenth Century 


- Woven, on a yellow ground in crimson silk, in a pattern of floral 


‘< " voluted scrolls, scrolled leaves and floral medallions. 


Length, 9 feet 5 inches; width, 1 foot 9 inches. 


Second Afternoon 


277—Two VaLenciAN S1LK Damask CovERLETs 

i an Seventeenth Century 
Rectangular shapes. Yellow silk, woven in a pattern of scrolled 
flowers and leaves. Bordered with silk galoon and finished with 
silk fringe. One lined with old patchwork. 


Lengths, 7 feet 10 inches and 7 feet 2 inches; widths, 5 feet 6 inches 
and 4 feet 10 inches. 


278—SpanisH SitK BrocaTeELLE Hanerne Seventeenth Century 


Woven, on a yellow ground in crimson silk, in a pattern of 
3 D- scrolled voluted leaves and flowers and floral medallions. 


Length, 9 feet 4 inches; width, 2 feet 1 inch. 


279—FrencH Sitk Damask Hancine Stvteenth Century 
Dark blue silk. Woven in alternate stripes of ribs and floral 
25 
meanders. 
Length, 11 feet 10 inches; width, 2 feet 10 inches. 
280—Vatencian Sirk Damask Haneine Eighteenth Century 


$7 Rectangular shape. White silk, woven in a pattern of curved, 
cm * © pointed leaves and floral medallions. 


Length, 9 feet 6 inches; width, 5 feet 4 inches. 


281—SpanisH Sitx BrocapE Hancine Seventeenth Century 


Rectangular shape. Woven, in colored silks on a figured light 
aa D- blue ground, with bands of flowers in vases, floral sprays and 
branches of flowers and leaves. 


Length, 10 feet 41% inches; width, 3 feet 1 inch. 


282—Friounce SpanisH NEEDLE-PoINT Lace Eighteenth Century 


Rectangular shape. Patterned with scrolls and quatrefoils and 


Jane = bordered with checkered pattern and scallops. 


Length, 3 yards 16 inches; width, 3 inches. 


283—SpanisH EmproipERED LINEN CAPE Siateenth Century 


Semicircular shape. Coarse linen, embroidered, in blue wool, 
/ §- with scrolled flowers and leaves and floral sprays. 


Length, 3 feet 10 inches; width, 2 feet 314 inches. 


Second Afternoon 


284—Parr oF SALAMANCA EMBROIDERED LINEN CUSHIONS 
Eighteenth Century 


0- Rectangular shape. Coarse linen, embroidered, in black wool, 
with conventional scrolled leaves, flowers and primitive animals. 
Finished with woolen braid. 


Length, 1 foot 101% inches; width, 1 foot 31% inches. 

285—Two SpanisH Emproierep Linen Taste Covers 
Eighteenth Century 
/ S- Rectangular shape. Coarse linen, embroidered, in colored silks 


and linen threads, with ornamental bands, floral sprays and quat- 
refoil rosette. 


Lengths, 3 feet 1 inch and 3 feet 4 inches; widths, 2 feet 5 inches 
and 2 feet 2 inches. 


286—AtsaTian Linen Hancine Eighteenth Century 


3 Rectangular shape. Printed, in colors, with fruits and groups of 
O- a man and woman in eighteenth century costumes under trees. 


Length, 3 feet 10 inches; width, 2 feet 6 inches. 
287—SpanisH EmproierepD Net Hancine Seventeenth Century 


> Rectangular shape. Linen net embroidered, in colored silks, with 
‘ bands of diamonds enclosing floral sprays and medallions. Fin- 
ished below with netted silk fringe. 


Length, 4 feet 5 inches; width, 2 feet 8 inches. 


Second Afternoon 


288—Turee Srcovia Empromerep Linen Tasie Covers 
Eighteenth Century 
i Rectangular shape. Coarse white linen embroidered, in black 
378 : and blue thread, with panels and square surrounded by borders of 
voluted scrollings and floral sprays and with initials and crosses. 
Finished with wool fringe and tassels. 


Lengths, 4 feet 5 inches, 4 feet and 2 feet 8 inches; widths, 2 feet 
2 inches, 2 feet and 1 foot 9 inches. 


289—Two Spanish EmproweEereD Linen Taste Covers 
Early Seventeenth Century 
of. 2- Rectangular shape. Coarse linen, embroidered, one in colored 
the other in blue linen threads, with bands of meanders and con- 
ventional floral sprays. One finished with Van Dyck linen lace, 
one with embroidered border. 


Lengths, 4 feet 7 inches and 4 feet 4 inches; widths, 2 feet 3 inches 
and 2 feet. 


290—Two Srcovia Empromerep Linen Taste Covers 

| Eighteenth and Early Nineteenth Centuries 
ot ih - Rectangular shape. Coarse linen, embroidered, in black wool, 
with bands of floral and leaf meander, quatrefoils, floral sprays, 
squares inscribed with initials and floriated crosses, one with 
date 1805, surrounded by borders of floral and leaf meander. 

Finished with wool fringe and wool lace. 
Lengths, 5 feet and 4& feet 6 inches; widths, 2 feet 2 inches. 


Note: One of these is peculiar, for the reason that the two halves are 
worked in reverse fashion. 


291—THrEE SALAMANCA EmBRoIpERED Linen Hancines 
Eighteenth Century 
Coarse white linen, embroidered, in colored silks, with panels 
L ®- of a vase of flowers, scrolled flowers and leaves, birds, lions, a 
toothed border. One finished with a flounce of printed cotton, 
one with silk fringe. 


Lengths, 6 feet 9 inches and 6 feet 6 inches; widths, 2 feet 3 inches 
and 1 foot 8 inches. 


292—-SpanisH EmpromEereD Linen Strip Sixteenth Century 
Of closely woven linen embroidered, in colored wools, with a 
15: scrolled diamond diaper enclosing stars and rosettes. The ends 


are paneled with crimson linen embroidered, in colored and gold 
threads, with a diamond diaper enclosing scrolled quatrefoils. 


Second Afternoon 


293—Siciztian NEEDLEWORK PANEL Sixteenth Century 
Rectangular shape, in two panels. Embroidered, in colored silks 

J? and in point au passe, on linen canvas, with vases of flowers, 
/2° ~ scrolls and floral sprays, divided by quatrefoil and leaf borders. 

Finished with knotted silk fringe. 

Length, 5 feet 2 inches; width, 2 feet 4 inches. 


294—PortTuGUESE CHINTZ COVERLET Eighteenth Century 
Rectangular shape. Printed, on a cream-colored ground in vivid 

es colors, with vases of flowers, scrolled ribbons and floral sprays. 
Length, 6 feet 11 inches; width, 6 feet 5 inches. 


295—Sraniso Linen BrocapE Taste Cover Eighteenth Century 
Rectangular shape, woven, on a red ground, in blue and white, 

cS 0- with floral scrolls and medallions. Lined with silk brocade, 
woven on a gray satin ground, in purple, with floral and barred 

stripes. Length, 6 feet 7 inches; width, & feet 8 inches. 


296—SaLaAMANCA EmBRomDERED Linen Haneine Eighteenth Century 
Rectangular shape. Of fine linen embroidered, in colored wools, 
Seb ene with vases of flowers and leaves, birds, curved serrated leaves 
and figures of women and with a scalloped and flower and leaf 
scrolled border. Finished with a linen flounce, embroidered with 

a meander, floral rosettes and stars. 
Length, 6 feet 10 inches; width, 2 feet 6 inches. 


From the collection of Setor Valleurca, Alcalde of Logrofo. 


297—Two Spanish Printep Linen anp Corron CovEertLets 

Eighteenth Century 
Rectangular shape. One of linen, printed in brown and purple 
with a pattern of oval portrait medallions, birds, fruits, leaves 
and scrolls. One of cotton, printed in purple with an oval 
scrolled medallion enclosing a monogram, coats-of-arms, of Cas- 
tile and Leon, and musical and flag trophies. 


LS 


Lengths, 7 feet 5 inches and 6 feet 11 inches; widths, 5 feet 9 inches 
and 5 feet 6 inches. 


298—PortucvuEse Cuintz CoverLet Eighteenth Century 


o. Rectangular shape. Printed, on a yellow ground in colors, with 
curved branches and scrolled flowers and leaves. Bordered, on 


three sides, with flouncing. Length 8 feet; width, 6 feet. 


Second Afternoon 


299—Two Spanish EMBROIDERED LINEN STRIPS 

so Early Seventeenth Century 
/ “Coarse linen. Embroidered, in light brown linen thread with 
bands of scrolled volutes and scrolled borders. One finished with 
linen lace. 


Lengths, 7 feet 2 inches and 2 feet 9 inches; widths, 1 foot 11 inches 
and 1 foot 8 inches. 


3800—Pair oF SpanisH Emproiperep Liven Bopicrs 
Seventeenth Century 
2 > ~- Of coarse linen. One embroidered, in colored wools, with vases 
of flowers and leaves and floral sprays. One embroidered, in 
crimson thread, with scrolled branches of volutes and birds and 
with scrolled bands. 


301—Two AnpDALUSIAN EMBROIDERED Linen Bopices 
Sixteenth Century 
AS Of coarse linen, embroidered, at the neck and shoulders, in green 
and dark rose-colored linen thread, with scrolled bands and quat- 
refoiled and voluted borders. ‘The sleeves of one with crowned 
Paschal lambs. ‘Trimmed with linen lace. 


302—Lron EmproipERED Linen Bopicr Seventeenth Century 


Of coarse linen, sleeves and cuffs embroidered, in colored wools, 


LD with bands of diamonds, scrolled flowers and leaves, animals 
and birds. 
303—SpanisH LINEN BrocapE CovERLET Eighteenth Century 


yt Rectangular shape. Woven, on a red ground in colors, with 
22° ~- diapered and floral meanders and semé with trefoils. Bordered 
on three sides with cotton flouncing. Length, feet; width, 5 feet. 


304—PortucvuEsE CHINTZ COVERLET Eighteenth Century 
Rectangular shape. Printed, on a white ground in colors, with 

J D> Chinoiseries of figure groups and scrolled flowers and leaves. 
Length, 8 feet 2 inches; width, 7 feet 10 inches, 


305—PortucuEse Cuintz CovERLET Eighteenth Century 
JO Rectangular shape. Printed, on a white ground, in colors, with 
‘a “ vases of flowers. Bordered, on three sides, with similarly pat- 
terned chintz flouncing. Length, 8 feet; width, 8 feet. 


Second Afternoon 


306—SaLAMANCA EMBROIDERED LINEN Cover 
Early Nineteenth Century 


<2. 5~- Rectangular shape. Of coarse linen embroidered, in colored 

silks, with central oval medallion enclosing double-headed eagle 

and scrolled flowers and leaves on a ground embroidered with 
scrolled leaves and flowers. Finished with a flounced border. 

Length, 7 feet 8 inches; width, 5 feet 6 inches. 


307—LEVANTINE EMBROIDERED Sink ALTAR FRONTAL 
Seventeenth Century 


aJ- Rectangular shape, paneled with blue silk flanked and divided 
by strips of linen. Embroidered in a fifteenth century pattern- 
ing and in red silk, with hooked floral scrolls, trefoils and leaves. 
Finished with silk fringe. 
, Length, 8 feet 4 inches; width, 2 feet 10 inches. 


308—PortucuEsE CuiIntz CovERLET Eighteenth Century 


Rectangular shape. Printed, on a white ground, in colors, with 
£ , Chinoiseries of Chinamen in boats and on horseback and with — 
~ flowers. Bordered, on three sides, with flouncing. 


Length, 7 feet 10 inches; width, 6 feet 5 inches. 


309—PortucvEsE Cuintz Bep Draperies Eighteenth Century 


Rectangular-shaped coverlet and hangings. Printed, on a white 
2». ground, in colors, with shuttle-shaped medallions, scrolled acan- 
thus leaves and roses. Coverlet bordered, on three sides, with 


flouncing. Lengths, $ feet and 8 feet; widths, 6 feet and 9 feet. 


310—SpanisH Grazep Cuinrz Coveritet Early Nineteenth Century 


A Rectangular shape. Printed, in colors on a white ground, with 
branches of roses, fuchsias and other flowers. Finished with 


looped and plaited silk braid. —_ Length, 8 feet; width, 6 feet 4 inches. 


3811—Fiemisu Tarrstry Paner Sixteenth Century 
Profile portrait head in browns and yellows on white ground. 

; Height, 121% inches; width, 10% inches. 
312—Portion oF Fiemisu Tapestry Borprer Seventeenth Century 
Cee Figure of a female surrounded by leaves and with panel of fruit 
and leaves below. Height, 8 feet 8 inches; width, 1 foot 9 inches. 


ma ‘ Coren ht 


J - 


Second Afternoon 


313—Set or THREE SpPANIsH ParnreD AND EmMBpromERED MEDALLIONS 
; Sixteenth Century 
ie ‘ “Oval scrolled medallions, occupied with painted and embroidered 
| figures of the Virgin standing upon a crescent, crowned, support- 
ing the Child Christ holding an orb and with a rosary in one 
hand, and of two saints, one in a monk’s robe with a cluster of 
lilies in one hand, one in a nun’s robe with folded hands. Mounted 
on crimson silk and framed. 


Lengths, 17 inches and 14 inches; widths, 15 inches and 11 inches. 


314—SpanisH Vetvet Priz-Diev CusHion Seventeenth Century 
Rectangular shape. Crimson velvet, quilted on one side with a 

zs) 6 - floral medallion and scrolls, and finished with looped silk fringe. 
Length, 2 feet 2 inches; width, 1 foot 8 inches. 


315—SpanisH VELVET CusHION Seventeenth Century 

J? Rectangular shape. Red velvet with traces of embroidery, border 

a: | ‘ _ appliqué-embroidered, in colored silks on red satin, with diagonal 
billets and scrolled leaves. Finished with silk tassels. 


Length, 31 inches; width, 16 inches. 


316—ITALIAN EmpromwEerRED VELVET Hoop, Banp anp Curr 

SD Sixteenth Century 
JS a, ~ Spade-shaped hood, rectangular band and shaped cuff. Of 
crimson Genoese velvet, appliqué-embroidered, in colored silks, 
the band with circular medallions originally enclosing skulls and 
separated by scrolled flowers and leaves and crossed thigh-bones, 
the hood with a circular medallion enclosing a skull surmounted 

by scrolled and voluted leaves and with scrolled leaves below. 


Lengths, 8 feet 8 inches, 1 foot 8 inches and 1 foot 8 inches; widths, 
81%, inches, 1 foot 5 inches and 7 inches. 


317—SpanisH EMBrormERED Hoop Siateenth Century 

Spade shaped. Appliqué-embroidered, in colored silks and gold 

Y _ thread, with figure of the Virgin in red robe and blue mantle, 

holding on her lap the draped Child Christ, in a triple round 
Gothic arched niche. Finished with silk fringe. 

Length, 1 foot 9 inches; width, 1 foot 7% inches. 


318—Parr Spanish Datmarics Seventeenth Century 
re, Double spade shape with shoulder pieces. Black velvet bordered 
with silver galoon. Length, 6 feet 7 inches; width, 4 feet 6 inches. 


Second Afternoon 


319—SpanisH Sik EMBROIDERED AND BrocapED CHASUBLE, CHALICE 
SD Cover, VEIL AND STOLE Eighteenth Century 
Af: - Double spade-shaped chasuble, stole with spade-shaped ends, 
rectangular chalice cover. Chasuble bordered and paneled with 
silk galoon, the center panel of silk brocade woven in colored 
silks on a figured blue ground with scrolled bands and floral 
sprays. The side panels of chasuble, and the stole chalice cover 
and veil embroidered, in colored silks, with scrolled branches of 

leaves and flowers on white satin grounds. | 
Lengths, 7 feet 3 inches, 8 feet Ye inch; 7 feet 8 inches and 1 foot 


914, inches; widths, 2 feet 3 inches, 81% inches, 6 inches and 1 foot 
8 inches. 


320—T wo Portions SpanisH EMBROIDERED SILK ECCLESIASTICAL 

GARMENTS Sixteenth Century 
Spade shape. One appliqué-embroidered, in colored silks and 
gold thread, with scrolled leaves, volutes and birds; one, with 
inserted panel embroidered, in colored silks on a white ground, 
with scrolled flowers and leaves and insects, bordered and pan- 
eled with silk braid, and with side panels appliqué-embroidered 
with scrolls and birds. 


Lengths, 4 feet 3 inches and 2 feet 6 inches; widths, 3 feet and 2 feet 
2 inches, 


ad: 


321—To.Lepan Sitver BrocapE CHasuBLe Sixteenth Century 

Double spade shape. Woven, in silver thread on a figured sal- 

$* mon-colored ground, with scrolled branches of flowers and leaves. 
Bordered and paneled with silver galoon. 

Length, 6 feet 10 inches; width, 2 feet 2 inches. 


322—Two VALENCIAN SitK BrocapE AND Damask CHASUBLES 
Seventeenth Century 


3d: Double spade shape. One woven, on a purple satin ground in 
colored silks, with scrolls, flowers, leaves and fruits. One, in green 
on a purple ground with leaves, crowns and medallions. 


Lengths, 7 feet 11 inches and 7 feet 9 inches; widths, 2 feet 4 inches 
and 2 feet 21% inches. 


3823—SPANISH EMBROIDERED Stink DaLMaATIc Seventeenth Century 


Double spade shape, with shoulder pieces. Embroidered, on a 
21 <2 white silk ground in colored silks, with scrolled leaves and flowers. 

1) Finished with silk fringe. 
Length, 7 feet % inch; width, 8 feet 3 inches. 


Second Afternoon 


324—Two SpanisH Sitrx Brocape CHasusies, SToLE anp ManipLe 
oid Seventeenth Century 
+ a° “Double spade-shaped chasubles, stole and maniple with spade- 
shaped ends. Woven, on figured green and blue grounds, in col- 
ored silks, with scrolled diapered bands, scrolled branches, floral 
sprays, vases and pineapples. Paneled and bordered with gold 

and white silk galoon. 


Lengths, 8 feet 4 inches and 7 feet 2 inches; widths, 2 feet 31% inches 
and 2 feet 2 inches. | 


325—SPANISH SILK BrocapE Crasuste anp Two Datmatics 
Eighteenth Century 
oe Double spade shape, the dalmatics with shoulder pieces. Center 
panels woven, on a cream-colored ground in colored silks, with 
floral sprays and leaf stripes. Side panels woven with strips 
of checkered pattern and leaf meander. Bordered and paneled 
with silk galoon. 


Lengths, 7 feet 21% inches and 7 feet 8 inches; widths, 4 feet 41/4, inches 
and 2 feet 2 inches. 


326—SpanisH EmpromEerep Satin EcciestasticaL Capt anp LINEN 
ALTAR FRONTAL Seventeenth and Eighteenth Centuries 
J o- Shaped cape and rectangular altar frontal. Cape embroidered, 
on a cream-colored silk ground in colored silks and satin stitch, 
with detached floral sprays and vases of flowers and flower and 
leaf scrolled borders. Frontal of linen embroidered, in colored 

silks, with a rayed sun, scrolled flowers and butterflies. 


Lengths, 5 feet 6 inches and 5 feet; widths, 2 feet 10 inches and 
2 feet 10 inches. 


3827—VaLENCIAN SrukK BrocapEt EcctesiastTicaL Carr 
Eighteenth Century 


. Semicircular shape. Woven, on a purple ground, with horizontal 
Jus stripes of black satin, with leaf sprays in white and with quatre- 
foils in dark purple. — Length, 5 feet 8 inches; width, 2 feet 10 inches. 


328—Spanisu Sitk BrocapEp EcciesiasticAL CAPE 
Sixteenth Century 


o- a : 
A Semicircular shape. Woven, on a silver and cream-colored ground 
in colored silks, with scrolled leaves and flowers. Bordered with 
silk lace. Length, 2 feet 5 inches; width, 8 feet 6 inches. 


Second Afternoon 


329—SpanisH Satin Damask Core Seventeenth Century 
Semicircular shape with band and spade-shaped hood. Of fawn- 
Ir ~ colored satin woven, in white silk, in a pattern of floral sprays, 
scrolls, birds, lions and other animals. Finished with varicolored 

silk fringe. 
Length, 3 feet 9% inches; width, 3 feet 11% inches. 


8830—Itatian SrtK AND Goxup BrocapE Corr Stateenth Century 


c= Semicircular shape. Woven, on a cream-colored ground in col- 
oe _ = ored silks and gold thread, with floral sprays, scrolls and scrolled 


leaves. Bordered with silver galoon. 


Length, 3 feet 3% inches; width, 7 feet 2 inches. 


331—Iratian SitK BrocapE Copr Late Seventeenth Century 
Semicircular shape. Woven, in light colored silks on a dark 


& ; . © plue figured ground, with meander scrolls and floral sprays. 
Length, 5 feet; width, 8 feet 4 inches. 


332—SPANIsH SitK BrocapE Copr Seventeenth Century 

Semicircular shape, with band and spade-shaped hood. Woven, 

ub son a figured cream-colored ground in colored silks, with floral 

4) sprays and baskets of flowers and leaves. Bordered with gold 
galoon. 


Length, 4 feet 5 inches; width, 8 feet 10 inches. 


333—SPANISH EMBROIDERED VELVET ALTAR FRONTAL 
Eighteenth Century 
SO Rectangular shape. Of crimson velvet, paneled with blue velvet 
ago t strips and embroidered, in raised gold, with vases of scrolled 
leaves and oval scrolled medallions. Above is a scrolled leaf 
cresting of blue velvet embroidered in gold. Below a band of blue 
velvet embroidered, in gold, with scrolls. Finished with gold 

braid and gold and silk fringe. 


Length, 4 feet 6% inches; width, 3 feet 5 inches. 


d34—SPANIsH VELVET CoprE Seventeenth Century 
4 Semicircular shape, with band and spade-shaped hood. Black 
~ O° Velvet, bordered with silver galoon. Clasp of parcel gilt silver, 
with two plates appliqués with silver plates pierced and repous- 

sés with cherubim and scrolls. 


Length, 9 feet 6 inches; width, 4 feet 5 inches, 


Second Afternoon 


3385—SPaNisH EMBROIDERED VELVET C1LoAk Eighteenth Century 


JS? Cape-shaped. Dark purple Genoese velvet, embroidered, and ap- 
a ‘a ~ pliqué in colored silks and satin stitch, with floral and leaf 
sprays and a border of detached floral sprays. Finished with 


gold lace. Length, 8 feet 3 inches; width, 2 feet 4 inches. 


From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


336—SPpanisH SiLK BrocaTELLe Core Seventeenth Century 
SD Semicircular shape. Red brocatelle, woven in a pattern of scrolls, 


1g |e flowers and leaves and finished with gold fringe. 


Length, 9 feet 4 inches; width, 4 feet 7 inches. 


337—Urrer Portion or Iraian Sirk BrocapEe Cope 
fo Eighteenth Century 
2 2° ~~ Semicircular shape. Woven, on a cream-colored ground in col- 
ored silks, with floral sprays and scrolled bands. Finished with 
gold lace. Length, 4 feet 4 inches; width, 9 feet 2 inches. 


338—SPANISH SILK BrocaTELLE BANNER Sivteenth Century 
i: _ Rectangular shape, with spade-shaped panel. Woven, on a crim- 
son ground in gold thread and yellow silk, with scrolls and pome- 
granate-shaped medallions. Finished with silk fringe and silk 

and gold thread tassels. 
Length, 3 feet 2 inches; width, 1 foot 11 inches. 


339—SPANIsH EMBROIDERED ECCLESIASTICAL BANNER 
Eighteenth Century 
a 0° Swallow-tail shape. Of crimson velvet, embroidered, in colored 
silks and gold thread, with circular medallion containing floral 
and scrolled figure and with sun and moon in angles above. 


Finished with gold lace. 


Length, 5 feet 2 inches; width, 3 feet 2 inches. 


340—SPANISH SILK AND SILVER BrocaTELLE Cover 

Sixteenth Century 
GS. Rectangular shape. Woven, on a yellow ground in crimson silk 
and silver thread, in a pattern of curved branches of leaves form- 
ing diamond-shaped medallions enclosing vases of flowers and 


finished with netted silk fringe. ( Pieced.) 


Length, 4 feet 1 inch; width, 3 feet 11 inches. 


Second Afternoon 


341—Itatian Cut GENoEsE VEL- 
VET PANEL 

/ Ds Fifteenth Century 
Rectangular shape, with 
rounded angles. Blue vel- 
vet, cut in a pattern of pal- 
mette-shaped medallions en- 
closing floral and leaf figures 
and surmounted by pine- 
apples with scrolled leaves. 
Partially finished with netted 
silver fringe. (Pieced.) 


Length, 4 feet 11 inches; width, 
1 foot 10 inches. 


342—Frencu VELVET HanciInG 
ony Eighteenth Century 


2A’ Rectangular shape. Apri- . 
cot velvet. Finished with sil- 
ver fringe. ( Pieced.) 

, 


Length, 5 feet 2 inches; width, 
5 feet. 


343—FrencuH Sirk BrocapE Cov- 
ERLET 
¢ Oe Eighteenth Century ——— 
Rectangular shape. Woven, 
on a dark blue ground in col- 
ored silks, in a pattern of a scrolled leaf diaper. Bordered on 
three sides with a blue silk flounce. 


341 


Length, 6 feet 10 inches; width, 5 feet 9 inches. 


344—SpanisH Siuk Damask Canopy Seventeenth Century 


fi Oval shape, surrounded by shaped tabs, four of which are di- 
~/ 0° vided in the center, and with circular center. Silk damask, woven : 
in a pattern of scrolled and curved leaves and flowers. 


Length, 5 feet 8 inches; width, 4 feet 11 inches. 


Second Afternoon 


345—Itauian Sirk BrocapE Hanaine . Seventeenth Century 
a Rectangular shape. Woven, on a figured white satin ground in 
A colored silks, with vases of flowers and scrolled leaves and flowers. 
Length, 6 feet; width, 5 feet 2 inches. 


346—VaLENCIAN Sirk Brocapre Hancine | 
Louis XVI Period, Eighteenth Century 
= © Rectangular shape. Woven on a slate colored silk ground in 
colored silks, with a diaper of leaf sprays and dots. 
Length, 6 feet 81% inches; width, 5 feet 10 inches. 


347—SpanisHh EmproweErep Sirk Lampreavuin Seventeenth Century 
gm Rectangular-shaped with scalloped lower edge. Crimson silk 

/7 _. damask, appliqué-embroidered in colored silks bordered with filo- 
selle braid, with voluted scrolls and birds. Finished with silver 

fringe. Length, 7 feet 2 inches; width, 1 foot 4% inches. 


348—Frencu Sitx Brocapr Hancine Eighteenth Century 
Rectangular shape. Brocaded, in gold thread, with floral sprays 

a on a ground striped with lines of gold and silver dots. 
Length, 7 feet 1%, inches; width, 4 feet 21% inches. 


349—ITauian Sirk BrocaTeLLe Strip Sixteenth Century 

fy Rectangular shape. Woven, on a green ground in yellow silk, 

_ + in a diapered pattern of scrolls and floral medallions. Worn 

ol A and pieced. Length, 12 feet; width, 1 foot 10 inches, 


350—SpanisH Sik BrocapE Strip Eighteenth Century 

fy) Rectangular shape. Woven, on a changeable ground of blue 

/ 7. — and yellow in colored silks, with branches of flowers and leaves 
and conventionalized toad-stools. 

Length, 8 feet; width, 2 feet 10 inches. 


351—Frencu Cur Vetver Hancine Early Nineteenth Century 
Rectangular shape. Of black velvet, semé with cut fleurettes and 

4 0-cut with a border of round arched pavilions surmounted by 
scrolled shields charged with coats-of-arms and occupied by tro- 

phies and with a round arched arcading between hung with five- 
branched candelabra. Borders of balustraded chain and twisted 
ribbon. Length, 12 feet 1 inch; width, 3 feet 1 inch. 


Second Afternoon 


352—-ALMERIA SILK BrocaDE STRIP Eighteenth Century 
: Woven, in colored silks on a watered purple silk ground, with 
4S. fleurettes and horizontal meander bands of flowers and leaves. 


Length, 12 feet; width, 3 feet. 


353—Frencu Sirk BrocapE Strip Eighteenth Century 
42? Woven, on a cream-colored ground piqué with purple dots, in 
7 * © colored silks and gold, with scrolled floral sprays and quatrefoils. 


Length, 10 feet 3 inches; width, 3 feet 11 inches 


354—ToLEDAN SitK BrocaTELLE Hancine Sivteenth Century 


Rectangular shape. Woven, on a crimson satin ground in a 
JY J lighter color, with a diaper of conventional floral sprays. 


Length, 10 feet; width, 6 feet 6 inches. 


355—SpanisnH Sirk BrocaTELLeE PaneL Larly Sixteenth Century 


J? Rectangular shape, with scalloped end. Woven, in red and yel- 
4 79.» ~ low on a white ground, with vases of flowers, birds, checkered 

] medallions enclosing crowned M’s, and bands of leaves enclosing 
lizards and cornucopie. 


Length, 3 feet 1 inch; width, 1 foot 11 inches. 


356-—GENOESE VELVET HANGING Seventeenth Century 
Rectangular shape. Green velvet, bordered, on two sides, with 


& SF silver lace. (Pieced. ) 


Length, 5 feet 6 inches; width, 4 feet 10 inches. 


357—Two Pair VALENCIAN SiLK Damask CurRTAINS AND LAMBREQUIN 
> Late Eighteenth Century 


Rectangular curtains and shaped lambrequin. Amber-colored 
silk, woven in a pattern of scrolled leaves and flowers and floral 
medallions. Curtains partially finished with silk looped braid. 
Lambrequin finished with silk fringe and tassels. 


Lengths, 8 feet 4 inches; widths, 3 feet 3 inches and 1 foot 8 inches. 


Lambrequin: Length, 6 feet 10 inches; width, 2 feet 9 inches. 


358—SpanisH VELVET HANGING Seventeenth Century 


bore 


Rectangular shape. Of black velvet. 


Length, 8 feet 4 inches; width, 3 feet 5 inches. 


Second Afternoon 


359—Varencian Sitk Damask CoverLet Eighteenth Century 


¥? Rectangular shape. Yellow silk, woven in a pattern of curved, 
3 AX’ pointed and acanthus leaves and pomegranates. Bordered with 


silk galoon. Length, 8 feet 8 inches; width, 6 feet 11 inches. 


| 


360—SPpanisH SiLK EmprormERED COVERLET Eighteenth Century 


a Rectangular shape. Embroidered, in colored silks on a white 
— satin ground, with a scrolled, rosetted center, enclosed by scrolled 

a. leaves and flowers, ornamented with diapers and surrounded by 
a broad border of scrolled strapwork medallions, rosettes, leaves 

and floral scrolls, and by two narrow borders of floral rosettes 

and leaves and curved scrolls with leaves and quatrefoils. Fin- 


ished with silk tassels. Length, 8 feet 6 inches; width, 7 feet 1 inch. 


Second Afternoon 


361—Pair or Spanish Empromerep VELveT PaNnets | 
Seventeenth Century 

LE D ~ Rectangular shape. Of black velvet, appliqué-embroidered, in 
_ colored silks and gold and silver threads, with oval panels sep- 

arated by quatrefoil strapwork medallions enclosing quatrefoiled 

leaf figures. The angles occupied by scrolled leaves. Finished 

with silk braid and fringe. Lengths, 4 feet 7 inches; widths, 101% inches. 


362—FrencH Paintep Sirk Hancine Eighteenth Century 
SY White silk stamped, in colors, with military trophies and scrolled 


QQ bands of ribbons and floral sprays. | 7 
Length, 14 feet 4 inches; width, 2 feet 7 inches. 


363—Two Spanish Empromerep VELVET Banners 
Sixteenth Century 
Udo Rectangular shape. (Of green velvet, apphiqué-embroidered in 
colored silks, one with checkered pattern, one with scrolled 
escutcheon, charged with a coat-of-arms and with checkered pat- 
tern, the squares at angles enclosing the lion of Leon, the castle 
of Castile and bees, surrounded by a trefoiled border. Both 
bordered with gold galoon and finished with silver fringe. 
Length, 1 foot 11 inches and 1 foot 9% inches; width, 1 foot 61% 
inches and 1 foot 91% inches. : 


From the collection of the Marqués de Valverde. 


(Illustrated) 


364—SpanisH Emproierrep Sirk Lampreeuin Seventeenth Century 
Rectangular shape, with rounded angles. Appliqué-embroidered, 
mee in colored silks and gold and silver thread, with two oval es- 
cutcheons, charged with coats-of-arms, mantled with ermine and 
surmounted by a ducal coronet. Surrounded by scrolls, floral 
sprays and diapers, appliqué-embroidered in cloth-of-silver, edged 

with silver braid and with silver spangles on a blue ground. 
Length, 3 feet 10 inches; width, 2 feet. 

From the collection of the Marqués de Valverde. 


365—SpanisH Sirk Vetiver Banner Seventeenth Century 


meds _ Banner, of swallow-tail shape, of cream-colored velvet, showing 
traces of appliqué embroidery. 


Length, 5 feet 3 inches; width, 3 feet 1 inch, 


OES ROPERS 


-: 


i We NNN Ripa RN 


¢ 
. 
Mocat Gg: 


Oy Nor ak Me ee ort ea Nate Newt Nt 
ty - THEE, a: 


No. 363—Two SpanisH EMBROIDERED VELVET BANNERS 


(Sixteenth Century) 


Second Afternoon 


366—Parr or Spanish EmBrorpERED SATIN CuSsHIONS 
Sixteenth Century 


S a. ) - Rectangular shape. Embroidered, in colored silks and gold and 
white thread, with scrolls, vine leaves and grapes, ears of wheat, 
scrolled leaves and flowers, and lambrequined festoons. Finished 
with silk fringe. Length, 30 inches; width, 21 inches. 


367—Parr or Spanish EmpromwereD VELVET ORPHREYS 
Seventeenth Century 
/ J D- Rectangular shape. Of crimson velvet appliqué-embroidered, in 
colored silks and gold cord, with scrolls, cornucopiz, birds, beads 
and volutes and with circular scrolled medallions embroidered, 
in colored silks, and satin stitch, with a Crucifixion, the Arch- 
angel Michael with the scales of the Last. Judgment, the figure 
of a Saint and a Maltese Cross. 


Length, 3 feet 9 inches and 3 feet 2 inches; width, 7% inches. 


368—FrencH Gop AND SitkK BrocapE CHASUBLE 
Eighteenth Century 
JF 0 ~Double-spade shape. Woven on a cloth-of-gold ground with 
a rosetted diamond diaper and floral sprays and paneled with 
gold galoon. Embroidered with initials and the date 1796. 


Length, 6 feet 5 inches; width, 2 feet 3 inches. 


369—Two SpanisH EmBprormERED SILK CHASUBLES 
Seventeenth Century 
Be Double-spade shape, appliqué-embroidered, on crimson satin 
; grounds in colored silks, with scrolled leaves and quatrefoil ros- 
ettes, one with circular medallions occupied with the Sacred and 
Virgin’s monograms. Finished with silk galoon and fringe. 


Lengths, 7 feet 8 inches and 7 feet 11 inches; widths, 2 feet 10 inches 
and 2 feet 3 inches. 


370—SET oF SPANISH SitK BrocapEp CHASUBLE AND Pair or Dat- 


MATICS , Seventeenth Century 
2 Double-spade shape, the dalmatics with shoulder pieces. Of 
Mem h brown silk brocade, woven in a pattern of floral medallions on 


a ribbed ground. Paneled with gold galoon. 
Lengths, 7 feet and 7 feet 4% inches; widths, 4 feet 4 inches and 
2 feet 3 inches. 
From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


Second Afternoon 


371—Two Totepan Gop anv Sirk BrocapE CHAsuBLES 
ei Fe Seventeenth Century 
Double-spade shape. Woven, on cream-colored grounds in col- 
ored silks and gold thread, with scrolled sprays of flowers and 
birds. Bordered with gold galoon. 


Lengths, 7 feet 8 inches and 7 feet 5 inches; widths, 2 feet 7 inches 
and 2 feet 5 inches. 


372—Spanisn Emprowrered VELVET CHAsuBLE Seventeenth Century 
Double-spade shape. Crimson velvet cross-shaped orphrey em- 
ft So broidered, on cloth-of-silver in gold and silver threads, with 
floral scrolls and a circular medallion of the Virgin with crossed 

arms, wearing a red robe and blue mantle. 


Length, 7 feet 6 inches; width, 2 feet 3 inches. 


Second Afternoon 


373—SPpaNIsH SILK-EMBROIDERED CHASUBLE AND STOLE 
Eighteenth Century 
Fe, OE ae Double-spade shaped chasuble, stole with spade-shaped ends. 
Embroidered, in colored silks and gold thread on a white satin 
ground, with scrolled flowers and leaves. Bordered and paneled 
with gold galoon. 


Lengths, 6 feet 7 inches and 6 feet 11 inches; widths, 2 feet 7 inches 
and 634 inches. 


374—SpanisH VELVET RoBE Seventeenth Century 
- With exceptionally wide sleeves and square collar and lapels. 
Plum velvet. In original condition. Length, 4 feet 11 inches. 
375—SpanisH Sitk Damask Corr Sixteenth Century 


a. £~ Semicircular shape. Of dark rose-colored silk, woven in a pat- 
tern of a pear-shaped floral diaper. 
Length, 5 feet; width, 10 feet 4 inches. 


376—To.epan Sitx Brocapep AuTar Frontar 
aed a | Early Eighteenth Century 
Rectangular shape. Woven, on a figured gray ground in colored 
silks and silver thread, with scrolled branches of leaves and flow- 
ers, tassels and floral medallions. Paneled with gold galoon. 
Length, 3 feet 6 inches; width, 10 inches. 


377—Pair or VALENCIAN SitK Damask AtTrar FRONTALS 


Eighteenth Century 

ub p- Rectangular shape. Blue silk, woven in a pattern of curved, 
pointed and acanthus leaves and pomegranate medallions. Pan- 

eled with silk galoon. Length, 4 feet 2 inches; width, 8 feet 2 inches. 


378—SpanisH EmpromEerep VetveT ALTar FRONTAL 
Seventeenth Century 
(i b- Rectangular shape. Of crimson, paneled with dark green, velvet 
embroidered, in colored silk and gold and silver thread, with a 
cross with a figure of Christ hanging thereon, a mount with 
skull and cross-bones below, flanked by a church and tree in 
stump work. Surrounding the cross are stars, and on either 
side above, the sun and moon. 
Length, 5 feet 101, inches; width, 2 feet 8 inches. 


From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


CS 


Second Afternoon 


379—SpanisH EMBROIDERED BANNER Early Eighteenth Century 
Rectangular shape, with shaped pendant. Embroidered, on dark 
purple velvet in colored silks and gold thread, with an oval 
aes and scrolled medallion, formerly occupied by an escutcheon, 
with baskets of flowers at the angles and with a scrolled and 
floral border. Pendant embroidered with floral scrolls and fin- 
ished with silk tassels. Surrounded by an embroidered border 

and silk fringe. 
Length, 3 feet 2% inches; width, 2 feet 10 inches 


From the collection of the Marqués de Valverde. 


380—SpanisH Sirk Brocape Attar Frontau LEighteenth Century 
Rectangular shape. Woven, on a cream-colored ground in col- 
ae D red silks and gold and silver thread, with scrolled branches of 
leaves and flowers and scrolled meander bands. Bordered with 


gold galoon. 
Length, 7 feet 6 inches; width, 4 feet 6 inches, 


Second Afternoon 


381—SpantsH Gonp AND S1LuK EMBROIDERED CHasuBLE, Missa Cover, 
Currs, THree Manipries, Two SToLes aNnD CHALICE COVER 
Seventeenth Century 
y os Double spade-shaped chasuble, rectangular chalice cover, man- 
iples and stoles with spade-shaped ends. Paneled and bordered 
with gold galoon and embroidered in colored silks and gold thread 
on a white satin ground, with scrolled leaves, floral sprays, clusters 
of grapes and vases of flowers. | 
Lengths, 7 feet 5 inches, 104% inches, 1 foot 10 inches, 2 feet 10 inches, 


7 feet 10 inches and 1 foot 8 inches; widths, 2 feet 2 inches, 10% 
inches, 734, inches, 7 inches, 71% inches, 1 foot 714 inches. 


Note: This, and the three following pieces, came from the Church of SS. ~ 


Nicola el Real de Medina of Huete, Diocese of Cuenca, built in the sixteenth 
century. The church needed funds for repairs, for which reason, with the 
permit of the Bishop of Cuenca, these objects were sold by auction in 1920. 


382—Parr oF SPANISH GOLD AND SitK EMBROIDERED DaLMATICsS 
Seventeenth Century 


yh S o— Double spade-shape, with shoulder pieces. To match the pre- 
ceding. 
Length, 7 feet 6 inches; width, 4 feet 10 inches. 


383—SPpanisH GOLD AND SitK EmproipEerRED CopPrE 
Seventeenth Century 
| XL © Sermicireular shape, with band and hood. ‘To match the pre- 
ceding. 
Length, 8 feet 10 inches; width, 4 feet 5 inches. 


384—SpanisH GoLpD AND SILK EMBROIDERED ALTAR FRONTAL 
Seventeenth Century 


AO ° Rectangular shape. Paneled and bordered with gold galoon. To 


match the preceding. 
Length, 6 feet 7 inches; width, 3 feet 10 inches. 


(lilustrated) 


No. 384—SpanisH Goutp anp SitK EMBROIDERED ALTAR FRONTAL 


(Seventeenth Century) 


Second Afternoon 


385—SpanisH EmprormErReD VELVET ALTAR FRONTAL 
Sixteenth Century 
Rectangular shape. Crimson velvet, appliqué-embroidered, in 
cloths of gold and silver and colored silks, with a scrolled rect- 


/ 20 - angular escutcheon, surmounted by scrolled leaves, flanked by 


flaming vases and pendants of drapery with masks at angles and 
festoons of drapery below, containing the figure of St. Andrew 
holding a book in one hand, a palm branch in the other and with 
his symbolic cross behind. Paneled with silk fringe and banded 
with knotted silk fringe. 


Length, 5 feet 2 inches; width, 2 feet 91% inches. 


From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


386—FremisH Tapestry Pane _ - Stateenth Century 
, D - Woven in browns with figures of Greek warriors supporting the 
body of Patroclus. Architectural background. Scrolls above 


and below. 
Height, 2 feet 3 inches; width, 3 feet. 


387—Two Frencu Petir anp Gros Point CHair Covers 
Seventeenth Century 
/ /O- Chair shape. Worked, in colored silks and wools, with shaped 
scrolled medallions enclosing figures in petit-point stitch, one of 
a Chinaman sitting under a tree with a pool in front and play- 
ing a pipe, one of a youth in seventeenth century costume danc- 
ing and playing a horn, flanked by branches of flowers and leaves 
and surrounded by varicolored flowers and leaves on dark green 
grounds. One with birds above, one with lions below, in petit- 
point stitch. 


Lengths, 2 feet 4 inches and 2 feet 1 inch; widths, 1 foot 8 inches 
and 1 foot 7 inches. 


(Illustrated) 


£ 
‘ 


(hanquay yzuaajzuaaay) 


SUMAOT) YUIVH() LNIOG SOUL) UNV LILA HONG OMT—L88 “ON 


Second Afternoon 


388—FrencH Gros-PoINtT SETTEE COVER Sivteenth Century 


ae 


389— 


iS - 


Settee-seat shape. Worked, in colored wools, with a scrolled 
panel enclosing two figures of men and one figure of a woman 
in sixteenth century costume. One man is seated, one man and 
the woman are dancing. Background of buildings, water and 
trees. Surrounded by varicolored scrolled strapwork, leaves and 
festoons on a dark brown ground. 


Length, 5 feet 5 inches; width, 2 feet 5 inches. 


(Illustrated) 


FreNcH PaintTED SILK SETTEE Coverine Kighteenth Century 


Shaped and in several pieces. Crimson silk centers, painted, in 
gouache, with scrolled oval medallions occupied by Classic fig- 
ures and Amorini. Green silk borders, similarly painted with 
scrolls and rectangular medallions. Mounted. | 


oo te 


(hanquag *yqU2azxI1g) 


YUaAOD) FAaLLAg LNIOd-SOuXt) HONAUY—8§§8§ “ON 


Second Afternoon 


390—FrencH NEEDLEWoRK PANEL Fifteenth Century 


Worked, in colored wools and in cross stitch, with a fountain in 

ees} the center, decorated with a cherub and supported by two uni- 

/ corns, on a dark ground patterned, in colors, with leaves, fruits, 
flowers and birds. 

Height, 2 feet 7 inches; width, 6 feet 7% inches. 


(Illustrated) 


391—Set or Five Frencn Sitx BrocapE Hanernes 
Seventeenth Century 
50 Woven, on a figured gray silk ground in colored silks, with vases 
4 ‘ “of leaves and flowers and floral festoons. Some mounted with 
scrolled silk frogs and tassels. 


Length, 5 feet 4 inches; width, 1 foot 9 inches. 


392—Frencu VetveT HarpsicHorp Cover Eighteenth Century 


Rectangular shape, with two rounded angles. Apricot-colored 
& 4 - velvet, with vertical stripes lamés with gold. Finished with 


looped silk braid. 
Length, 10 feet 6 inches; width, 4 feet. 


393—Two Iratan Sirk BrocatTELteE Hancines 
5 Seventeenth Century 
¥ | d Woven, in crimson silk on a yellow ground, with medallions 
formed of scrolled, voluted and diapered leaves, flowers and 
fruits and enclosing clusters of leaves and flowers. 


Lengths, 14 feet 7 inches and 11 feet 6 inches; widths, 3 feet 11 inches 
and 3 feet 5 inches. 


(fanjuag yyuezfr7) 


TANVG MUOMATGIAN HONAYT—OGE “ON 


Second Afternoon 


394—AumMeRiIA SaTIn Damask Hancinc Late Seventeenth Century 


TF 0 


Rectangular shape. Woven, on a green satin ground in crim- 
‘son satin, with a design of scrolls, flowers, fruits and leaf me- 


dallions. 
Length, 8 feet 9 inches; width, 5 feet 6 inches. 


395—Frencu Cur Vetiver Hancines Seventeenth Century 


© 0 


Rectangular shape. Dark brown velvet, cut on a cloth-of- 


‘gold ground with scrolled quatrefoil floral medallions, diapers 


and scrolls. Bordered with black velvet. 
Length, 9 feet; width, 3 feet 6 inches. 


From the collection of the Marqués de Valverde. 


396—-ToLEDAN GoLp AND SitK BrocapEp HaneciIne 


id: 


Eighteenth Century 


Rectangular shape. Woven, in colored silks and gold and silver 
thread on a figured claret-colored ground, with scrolled branches 
and vases of leaves and flowers. Paneled with silver galoon. 


Length, 11 feet; width, 3 feet 6 inches. 


397—SPanisH SILK EMBROIDERED BANNER Seventeenth Century 


16 


Swallow-tail shape. Crimson damask, woven in a pattern of vases 
of flowers and scrolled leaves and appliqué-embroidered in col- 
ored silks and gold and silver thread, with a shaped escutcheon, 
and charged with coats-of-arms, mantled with ermine and sur- 
mounted by a ducal coronet, a helmet, a crest and a scrolled label 


inscribed: ‘‘Mas bale Bolando.”’ 
Length, 7 feet 8 inches; width, 5 feet 1 inch. 


398—SPANIsSH EMBROIDERED ECCLESIASTICAL BANNER 


wep 


Seventeenth Century 


Swallow-tail shape. Of crimson velvet embroidered, in gold and 
‘silver thread with a scrolled medallion containing a Papal tiara 
and cross-keys, and with floral sprays. Finished with gold 
braid. 

Length, 6 feet 8 inches; width, 3 feet 5% inches. 


Second Afternoon 


Phe ee eee 
ae ‘ 


AN 


= a“ ‘ B a PRS reaper rN 
‘ = A ew ard 7" 
+ i 


oy ‘ fe » 


399—SpanisH EmBromErED BANNER Fifteenth Century 


fea Escutcheon-shaped appliqué-embroidered, on white silk in colored 
Lh “silks and gold and silver thread, with figure of a knight in armor 


and a machicolated castle with round arched entrance. (Worn.) 


Length, 2 feet 5 inches; width, 2 feet 5 inches, 


From the collection of the Marqués de Valverde. 


400—Two SpanisH Sirk ann Go~tp EmprorpERED FicurEs 
Seventeenth Century 
ep - Embroidered in colored silks, cloth-of-gold and gold thread, 
one with figure of the Virgin in yellow robe and gold mantle sup- 
porting on her left arm the draped Child Christ, one with figure 
of the Virgin in brown robe and gold mantle lined with blue, ex- 
tending her arm to St. Elizabeth in gold robe with yellow and 
green mantle and wearing a pouch at her girdle. Mounted on 
old crimson velvet. 


Lengths, 23 inches and 21 inches; widths, 13 inches and 10 inches. 


From the collection of the Marqués de Valverde. 


Second Afternoon 


401—Encuish Emprowerep Cuasuste Cross Fifteenth Century 


Embroidered, in colored silks, velvets, and gold and silk threads, 

, with Gothic trefoil arched niches containing rayed figure of the 

/ Pf 0- Virgin holding the undraped Child Christ in her arms, flanked by 

two Saints. Below are round Gothic-arched niches containing 

full-length figures of saints with colored silk and gold thread 
backgrounds, one holding a netted pouch. 


Length, 4 feet; width, 1 foot 7 inches. 


402—SpanisH EmBromEreD VELVET CHurcH CusHIoNn 

Siateenth Century 
Rectangular shape. Crimson velvet, embroidered, in colored silks 
and gold and silver thread, with an oval scrolled medallion occu- 
ae 5?) - pied by the figure of the Virgin, woven in tapestry and embroid- 
ered, in red robe and blue mantle, standing upon a crescent and 
clouds and supported by four angels on clouds. Above her are 
the half-length figures of God the Father and Son, holding a 
crown over her head, with the Spiritus Sanctus in the form of a 
dove hovering above. This medallion is on a ground semé with 
embroidered quatrefoils and is surrounded by six emblems of. the 
Virgin, each with an inscription on a scrolled label below. In 
the upper left-hand corner is a portrait, below it a fountain and 
below that again an open sepulchre. In the upper right-hand 
corner is a tower, below that a pedestal, and below that again 
a city gate with domed tower and pinnacles. Border of scrolled 
strapwork set with jewels in raised silver-gilt mounts set in em- 
broidered quatrefoils. Reverse side embroidered in gold thread 
with circular starred medallion enclosing scrolls and the Virgin’s 

crown and with scrolled quatrefoils at angles. 


Length, 2 feet; width, 1 foot 814 inches. 


Note: This cushion, which comes from the collection of the Marqués de 
Valverde, is an example of the famous peintures daiguille known to us as 
Needlework pictures. They were worked in the Monastery of El Escorial. 


the latter being the Palace built by King Philip II and the burial place of 
succeeding Spanish kings. 


(Illustrated) 


mS. eae 
Finan geen rm 
; 


No. 402—SpanisH EMBROIDERED VELVET CHURCH CUSHION 


teenth Century) 


(Sia 


Second Afternoon 


403—Pair or Sirk Spanish EmproipereD EccLesiasticaL BANNERS 
Eighteenth Century 

Rectangular shape, with shaped pendants. Embroidered, on a 

crimson silk ground in colored silks and gold and silver threads 

ped, ib 9 - with scrolled escutcheons containing a figure of St. Barbara with 
tower and palm branch,and the martyrdom of St. Catherine, 

who kneels in front of headsman, with a palm branch in glory 

above her, and with scrolled leaf angles and floral sprays. ‘The 

pendants embroidered with floral sprays and finished with gold 

tassels. Bordered with embroidered twisted ribbon and silk braid. 


_ Height, 3 feet 2 inches; width, 2 feet 21% inches. 
(Illustrated) 


404—Ser or Spanish Sirk Damask EccuestasticAL VESTMENTS AND 
STRIP Siateenth and Eighteenth Centuries 
Double spade-shaped chasuble, dalmatics with shoulder pieces 
pak. O- and semicircular cope. Rectangular strip. Of silk damask, with 
crimson and rose-colored grounds, patterned in white with scrolled 
flowers and leaves, floral medallions and fountains. Vestments 
bordered and paneled with gold galoon. 
Lengths, 7 feet 4 inches, 7 feet, 4 feet 6 inches and 4 feet 4 inches; 
widths, 2 feet 41% inches, 4 feet 81% inches, 9 feet 8 inches and 
1 foot 10 inches. : 
From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


405—Pair oF SPANIsH Sirk Brocapr Datmartics 
Seventeenth Century 
Hho Double-spade shape with shoulder pieces. Woven, in colored 
silks on a white ground, with scrolled leaves and flowers and 
floral medallions. Paneled and bordered with gold galoon. 


Length, 8 feet 3 inches; width, 5 feet 4 inches. 


406—SpanisH Sirk Brocapr Core Sixteenth Century 

Semicircular shape with band and spade-shaped hood. Woven, 

9 -on a white ground in colored silks and silver thread, with leaf 

stripes and floral sprays. The band and hood semés with floral 

sprays woven in colored silks and gold thread. Bordered and 
paneled with gold galoon. 


Length, 4 feet 5% inches; width, 8 feet 8 inches. 


(hunquag yzuaazybrry ) 
SUUNNVG ‘IVOILSVISHIOOY GXUAdIOUMW'T HSINVdS WIIG 40 YUlVgG—E0PF “ON 


Second Afternoon 


407—SpanisH EmpromEerep VELVET ALTAR FRONTAL 
Sixteenth Century 
yi / 0- Rectangular shape. Embroidered, on dark crimson velvet, in 
cloth of gold and silver, colored silks and gold and silver thread 
with a full-length figure of the Virgin holding the draped Child 
Christ under a Gothic-arched canopy supported by spirally 
twisted columns and flanked by two angels holding crowns and 


swords. . 
Length, 6 feet 8 inches; width, 2 feet 10 inches. 


From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


408—Iratian APPLIQUE AND EMBROIDERED VELVET DALMATIC 
Seventeenth Century 
2, 4 0 Double-spade shape, with shoulder pieces. Crimson velvet, em- 
broidered, in colored silks and gold and silver threads, with 
paneled apparels of scrolls and leaves. 


Length, 7 feet 8 inches; width, 4 feet 10 inches. 


409—ARAGONESE EMBROIDERED VELVET CHASUBLE 
Fifteenth Century 


Double-spade shape. Of wine-colored velvet, vertically paneled 

_ with strip, embroidered, in colored silks and gold and silver 
thread, with Gothic-arched niches supported by spirally twisted 
columns having machicolated bays below pierced with arches and 
containing bust-length portraits of saints with curling yellow 
hair and green, blue and red robes. Scroll-embroidered with gold 
and bordered with silk fringe. 


Length, 7 feet 10 inches; width, 2 feet 4 inches. 


410—Parr oF SpanisH EMBROIDERED VELVET DALMATICS 
Sixteenth Century Embroidery and Seventeenth Century 
Velvet 


; Double-spade shape, with shoulder pieces. Of crimson velvet with 
rectangular apparels appliqué-embroidered, in yellow and gold 
cord, with quatrefoiled scrolls, vases of fruits, and leaf meanders. 
One panel embroidered, in colored silks and satin stitch, with the 
figure of S. Sebastian, and one with a Maltese Cross. 


Length, 7 feet; width, 4 feet 4 inches. 


Second Afternoon 


411—SpanisH EmpromEereD VELVET CuHasusBLE Sixteenth Century 

Double-spade shape. Of crimson velvet, with vertical center panel 

» - appliqué-embroidered with arabesques of scrolls, vases, cornu- 

copie and cherubim and with figures of the Virgin holding on her 

left arm the Child Christ, and of St. Andrew with symbolic cross, 
between borders of scrolled trefoils. Finished with silk fringe. 


Length, 7 feet 11 inches; width, 2 feet 4 inches. 


From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


Second Afternoon 


412—Spanisu Srtxk BrocaprE anp Tapestry ALTAR FRONTAL 

Seventeenth Century 

Rectangular shape. Woven, on a figured cream-colored ground 

i 0O0- in colored silks, with clusters of flowers and fruits, the center 
with an oval medallion of tapestry surrounded by a border of 

scrolled leaves in gold thread and colored silks, woven with a fig- 

ure of the Virgin with light-colored robe and blue mantle, stand- 

ing on a crescent with clasped hands. Paneled with gold looped 

braid. Length, 3 feet 3 inches; width, 5 feet 3% inches, 


413—SpanisH Sirk BrocapE anp Taprestry ALTAR FRONTAL 

Seventeenth Century 
6 O-Rectangular shape. Woven, on a figured cream-colored ground 
/ in colored silks, with clusters of flowers and fruits, the center with 
an oval medallion of tapestry surrounded by a border of scrolled 
leaves in gold thread and colored silks and woven with a figure of 
the Virgin with light-colored robe and blue mantle, standing, with 

clasped hands, on a crescent. Paneled with gold looped braid. 
Length, 3 feet 2 inches; width, 5 feet 6 inches. 


414—SpanisH Sirk Brocape Cope Sivteenth Century 
Semicircular shape, with band and spade-shaped hood. Woven, 
B o- on a silver thread and rose-colored ground, in white silk,. with 
scrolled floral diaper. Finished with gold and silver galoon, 

gold lace and gold fringe. 
Length, 4 feet 5% inches; width, 9 feet 6 inches. 


415—SpanisH EMBROIDERED VELVET COPE Sixteenth Century 


Semicircular shape, with band and spade-shaped hood and 
/ embroidered in colored silks and gold and silver threads. The 
oL'o 0- band appliqué-embroidered with arabesques of scrolls, vases, 
cornucopi# and cherubim, and with figures of St. Andrew with 
symbolic cross and a Bishop-Saint, between borders of scrolled 
trefoils. The hood with the figure of the Virgin standing on a 
crescent with a background of sky semé with stars. The hood 
finished with silk fringe and a silk tassel with silk and gold thread- 
embroidered ball and cords. 
Length, 4 feet 8 inches; width, 9 feet 10 inches. 


From the collection of Don Adriano Lanuza, President of the 
Banco de Crédito, Madrid. 


(Illustrated) ; 


(hanjuag yzusajxig) 


adO() LAHATAA CGauadIOUEW', HSINVdS—C[Pp “ON 


Second Afternoon 


416—SpanisH EmproipeRED VELVET AND SILK BrocaTELLE CoPE 

Sixteenth Century 

/ / ®- Semicircular shape, with spade-shaped hood and rectangular = 
band. Of green brocatelle, woven with a diaper of interlaced 
quatrefoils, the band and hood of crimson velvet appliqué- 
embroidered, in colored silks, with voluted scrolls, flowers and 

leaves and with tendrils. Bordered with silk galoon. The hood | 

finished with silk fringe. “ 


- Length, 8 feet 10 inches; width, 4 feet 8 inches. 


417—Venetian Sirk Brocape Corr Eighteenth Century 
Semicircular shape, with band. Woven, the body on a yellow 

7 )- ground in colored silks and silver thread, in a pattern of voluted 
cornucopiz, vases of flowers, and broken arches, the band, on a 
white ground, with branches of flowers, rocks and trunks of trees. 
Bordered and paneled with silver galoon. 


Length, 9 feet 4 inches; width, 4 feet 7 inches. 


418—Iratian EmpromErRED VELVET COPE Fifteenth Century 

Semicircular shape, of dark blue velvet with band appliqué- 

embroidered, in colored silks on a blue silk ground, with scrolls, 

yk ) J Ovases of fruits and circular medallions, occupied by the sacred 
monogram and scrollings. Traces of embroidery of scrollings. 


Length, 9 feet 4 inches; width, 4 feet. 
(Illustrated) 


419—SpanisH EmBRompERED anp Apprigué VeLvET REPOSTERO 
Seventeenth Century 
200: Rectangular shape. Of crimson velvet embroidered, in colored 
silks and silver and gold thread, with a scrolled escutcheon bor- 
dered with flower and leaf meander, surmounted by a crown and 
charged with a coat-of-arms quartered with the royal arms of 
Castile and Leon. Paneled with gold galoon and bordered with 
scrolls, medallions, twisted strapwork and leaves at angles em- 
broidered in colored silks. 


Length, 8 feet 4 inches; width, 4 feet 8 inches. 


(hanquag yquaaz {rg ) 


Ad Or) LAATA A GaddadloudWN yy NVIIVILT 


SIP ON 


Second Afternoon 


420—ARAGONESE EMBROIDERED VELVET CHURCH HANGING 
Sixteenth Century 


Ws ~ Rectangular shape. Center panel of crimson velvet embroidered, — 
in colored silks and gold thread, with a figure of the Virgin in 
brocaded robe and mantle, supporting on one arm the draped 
Child Christ holding an orb, and holding in her other hand a 
lily, and of St. Bartholomew holding a closed book and his sym- 
bolic knife, surrounded by a broad border of green velvet, with a 
rectangular panels occupied by embroidered figures of SS. Chris- , 
topher, Bartholomew, Andrew and Michael, with figure of a saint 
below and an irregularly-shaped medallion occupied by the ‘bust 
of an angel above. Paneled with gold and silk braid and finished 
with gold fringe and with gold netted fringe below. 


Length, 8 feet 31% inches; width, 5 feet 6 inches. 
From the collection of the Marqués de Valverde. 


(Illustrated) 


421—Five Pieces GENOESE VELVET Seventeenth Century 


Various shapes. Of purple velvet. : 
/ DO- Various sizes, 


422-SPECIMENS OF FIFTEENTH CENTURY TEXTILES 


Various pieces mounted for display. Various origins, materials, 
patterns and sizes. 


423—SPECIMENS OF SIXTEENTH CENTURY TEXTILES 


e eons: to the preceding. 


424——SPpECIMENS OF SEVENTEENTH CENTURY TEXTILES 
0 - Similar to the preceding. 


425—SPECIMENS OF EIGHTEENTH CENTURY TEXTILES 
J - Similar to the preceding. 


426—QUANTITY OF SPANISH Sirk Damask Seventeenth Century 


Rectangular shape. Crimson damask woven in two patterns of 


i GS. curved pointed leaves and floral medallions. 
About 110 yards. 


a 
3 ea = Cary, 


agit Bb ins 


pire, 


pe ete oe oe 


BESS. 


PP By, 


No. 420—ARAGONESE EMBROIDERED VELVET CHURCH HANGING 


(Sirteenth Century) 


Second Afternoon 


427—VaLENcCIAN SitK Damask Cover Eighteenth Century 
Rectangular shape. Canary yellow silk, woven with a pattern 
of curved, pointed leaves and floral medallions. Finished with 


silk looped braid. 
Length, 8 feet 10 inches; width, 8 feet 6 inches. 


428—Trarian Satin Damask CovERLET Eighteenth Century 
Rectangular shape. Of yellow silk woven, on a satin ground, in 

ie a pattern of oval scrolled and voluted medallions enclosing 
clusters of flowers. Finished with silk looped braid and fringe. 


Length, 9 feet 8 inches; width, 9 feet. 


429—Frencu Stuk BrocapE Bep Draperies LKighteenth Century 
Rectangular shape. Yellow satin woven, in colored silks, with 
uf sae Chinoiserie pattern of scrolled flowers and leaves, forming 
lozenge-shaped panels, with Chinese figures holding birds and 
seated on branches and with birds supporting clusters of pointed 
leaves. Set consists of canopy and three hangings. From the 

looms of Lyon. 


Lengths, 5 feet 5 inches and 6 feet 10 inches; widths, 5 feet, 5 feet 
3 inches and 1 feet. : 


430—Two Vatencian Sirk Damask Hancrnes Seventeenth Century 


Rectangular shape. Blue damask woven in a pattern of curved 
/ 7 O- serrated leaves with floral medallions. 


Lengths, 10 feet 6 inches; widths, 5 feet 4 inches. 


431—Patr or Portucurse Sirk EmprorErEep Porrimres 

Seventeenth Century 
/ Fo . Rectangular shape, with shaped lambrequins. Light rose-col- 
ored silk damask woven in a pattern of scrolls, volutes and 
bunches of flowers, paneled and lambrequined with gray silk ap- 
pliqué-embroidered, in colored silks and cloth-of-gold, with hex- 
agonal medallions, enclosing quatrefoil rosettes. Bordered with 

silver galoon, the lambrequins finished with gold fringe. 


Lengths, 10 feet 1 inch; widths, 5 feet 1 inch. 


Second Afternoon 


432—SpanisH EmpBrompErReED Sitk Damask Baxtpaeuin Canopy 

J00- Sixteenth Century 
Crimson silk damask, woven in a diapered pattern of curved, 
diapered leaves and floral medallions and appliqué-embroidered 
in colored silks and gold and silver threads, the center with an 
oval scrolled medallion enclosing two angles holding a mon- 
strance, the valances with oval scrolled medallions enclosing chal- 
ices and hosts and sacred and crowned Virgin’s monograms. Fin- 


ished in silk fringe. 
Length, 7 feet 5 inches; width, 7 feet 2 inches. 


433—Pair oF Iranian Sirk Damask Canopies Sixteenth Century 


g) D - Rectangular shape. Crimson silk damask, woven in a pattern 
of vases of conventional flowers and scrolled leaves. Paneled 
with silk galoon and mounted with scrolls of silk braid and silk 
tassels and buttons. 


Lengths, 11 feet 2 inches and 11 feet 11 inches; widths, 7 feet 11 
inches and 8 feet 2 inches. 


434—SPaANIsH S1LK BrocapE Canopy Early Eighteenth Century 


Rectangular shape. Woven, on a white ground in colored silks, 

~ with detached floral sprays and scrolled diapered bands. Deep 
paneled borders. Finished with netted silk fringe, lined with 
apricot-colored satin. 


&> 


Length, 10 feet 41% inches; width, 9 feet. 


Note: From the Church of S. Nicola el Real de Medina of Huete, Diocese 
of Cuenca. 


EVENING SALE 


WEDNESDAY, APRIL 27, 1921 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O CLOCK 


Catalogue Numbers 435 to 520A, inclusive 


SEVENTEENTH CENTURY ANDALUSIAN SCHOOL 


435—MATER DOLOROSA 


of p- (Copper) 


Height, 41% inches; width, 314 inches 


Bust-LenetH figure of the Virgin, with red robe, blue mantle and white 
hood, with hands clasped, in eighteenth century Venetian frame of 
twisted glass rods, mirror panels and gilt bronze mounts. 


SIXTEENTH CENTURY 


436—SPANISH CARVED AND PAINTED WOOD PANEL 
[5 = Height, 17 inches; width, 1134 inches 


Rovunv-arcHep panel with molded and leaf-decorated border enclosing 
the head of St. Veronica, who holds a veil on which is seen the head 
of Christ with long hair and beard and cruciform nimbus. Reverse 
painted with napkin streaming with blood. Originally forming door 
of tabernacle with pierced keyholes and lock mortise. 


Evening Sale 


FIFTEENTH CENTURY 


437—ARAGONESE PAINTED WOOD PANEL 
wee Height, 15% inches; width, 8 inches 
Rowunp arch, supported by spirally twisted pilasters, paneled with | 


figure of the Virgin, in red robe and green mantle, and with folded 
hands. Gold background. 


FIFTEENTH CENTURY CASTILIAN SCHOOL 


438—FOUR ALTAR PANELS 


( Panel) 
Height, 11 inches; width, 714 inches 


Recrancutar panels with Gothic trefoiled arches painted with half- 
length figures of the four Evangelists holding books and with gold 
incised backgrounds. | 


SIXTEENTH CENTURY 


439—SPANISH CARVED AND GILT ALABASTER PANEL 
4 ol is Height, 9 inches; width, 8 inches 


Recrancuar shape. Carved with a subject of the Annunciation, the 
Virgin kneeling at a prie-Dieu, the Angel Gabriel standing and a Spir- 
itus Sanctus Dove above. Wooden frame, molded and gesso-decorated 


with pendants of fruits and ribbons, painted and gilt. Carving height- 
ened with gold. 


Evening Sale 


SEVENTEENTH CENTURY SPANISH SCHOOL 


440—VIRGIN AND CHILD 

12 oe (Panel) 

/ Height, 1514 inches; width, 1014 inches 

FuLui-LencTH figure of the Virgin crowned, wearing a red robe and 


mantle, standing on a crescent and carrying in her arms the half-draped 


figure of the Child Christ. Surrounded by a rayed piscina in yellow. 


SIXTEENTH CENTURY 


441—SPANISH PAINTED GESSO PANEL 
LD Height, 1014 inches; width, 814, inches 


RecTaNncuxar shape, modeled, in low relief, with the head of Christ, 
having dark hair and beard and wearing a crown of thorns, with a 
rayed and fleur-de-lis decorated nimbus. Contemporary molded wood 
frame. 


LEONARD FRANCOIS LOUIS 
Dutcu: 1698—1786 


442—PAIR OF POULTRY PICTURES 


Y a (Panel) 


Height, 5 inches; width, 51% inches 
One with rooster, hen and chickens, one with two hens and nest of eggs. 


Landscape backgrounds. 


Evening Sale— 


EIGHTEENTH CENTURY FRENCH SCHOOL . 


443—POULTRY 
(Panel) 


ed) | | 
/ x: Height, 414 inches; width, 534 inches 


; PCS : 
Hens and rooster. Landscape background. 


FIFTEENTH CENTURY CASTILIAN SCHOOL 


444—TWO ALTAR PANELS 


Lae (Panel) 


Height, 11 inches; width, 18% inches 


eg Se 


Recraneuar panels with Gothic arches and tracery in relief and gilt. 
Painted with bust-length figures of SS. Bartholomew and Andrew, one 
holding a knife, the other a cross with diagonal arms. Incised haloes 
and backgrounds. 


SIXTEENTH CENTURY SPANISH SCHOOL 


445—ST. VERONICA’S VEIL | | | Ge: 


AG (Panel) 


Height, 1614 inches; width, 1414, inches 


REPRESENTATION of the veil of St. Veronica with the head of Christ 
seen in full face with dark hair and beard. | 
2a 


a ae eas 
Nie 


Evening Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 


446—VIRGIN AND CHILD 
es 


a (Panel) 
a A 


Height, 924 inches; width, 71/4 inches 
THREE-QUARTER-LENGTH figure of the Virgin in red robe lined with 
black, holding on her lap the draped Child Christ, who turns the leaves 
of a book. On either side are boy angels playing musical instruments. 


Dark background with green curtains and lambrequin. Cluster of 
grapes and apple in foreground. 


LEONARD FRANCOIS LOUIS 
Dutcu: 1698—1786 


447—PAIR OF POULTRY PICTURES 
(Panel) 
an 3. Height, 74/4, inches; width, 9 inches 


One of a white turkey and hens. Rocky background. One of hens and 
a rooster with white hen on nest. Landscape background. 


LEONARD FRANCOIS LOUIS 
Dutcu: 1698—1786 


448—PAIR OF POULTRY PICTURES 
(Panel) 
Height, 8 inches; width, 1114 inches 


a 


Groups of roosters, hens and chickens; one with fence, one with wicker 


coop. Landscape backgrounds. 


Evening Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 


449—MADONNA AND CHILD 


SD (Copper) | 
ol A: Height, 9 inches; width, 7 inches 


Ficure of the Virgin with long hair and in red robe embroidered with 
gold and blue mantle, seated and holding in her lap the draped Child 
Christ. On either side are seen houses bordering a street in an old 
Italian city. Both figures have rayed haloes in gold. as 


LUIS DE MORALES, known as EL DIVINO 
EstreEMApuRA: 1510—1586 


450—ECCE HOMO 
(Panel) 


ee ; ray Height, 13 inches; width, 9 inches 


Rounp-arcuep panel, painted with the head of Christ crowned with 
thorns and with bloodshot eyes, and wearing a red robe. Gilt back- 
ground. 


FIFTEENTH CENTURY SIENESE SCHOOL 


451—PRESENT ATION 
i) (Panel) 
eo oko Height, 13 inches; width, 11 inches 


Tue High Priest with beard stands in the door of the Temple, whose 
roof is surmounted by a vase, holding the draped Child Christ. In 
front of him stands the Virgin in blue robe and red mantle, and 
behind her, SS. Elizabeth and Joseph, the latter holding two doves. In 
the background is a curtained baldaquin, supported by four columns 
and on the left a gate with two drawbridges. Blue background. All 
figures with gold haloes. In old carved and giltwood frame. 


Evenng Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 


~452—VIRGIN AND CHILD 


ie. (Panel) 
Height, 181% inches; width, 1234 inches 


HaLF-LencTH figure of the Virgin, with red robe, blue mantle and white 
hood with head inclined, holding with her right hand the draped figure 
of the Child Christ, His feet resting upon a book, and holding in one 
hand a cross with two nails, in the other a nail. Dark background. 


SIXTEENTH CENTURY VALENCIAN MASTER 


453—VIRGIN AND CHILD 
yao 


Hatr-Lenetu figure of the Virgin, with long hair, purple robe and dark 
purple mantle, crowned and holding, on a cushion in front of her, the 
undraped Child Christ, who presses his mother’s breast with his hands. 
Gilt background. Contemporary molded and gilt wood frame. 


(Panel) 
Height, 151% inches; width, 1034 inches 


Note: A picture by the same master is in the Museum at Valencia. 


SEVENTEENTH CENTURY SPANISH SCHOOL 


454—ASSUMPTION 
(Panel) 


tI 
/ ) ; Height, 251% inches; width, 1614 inches 


Furi-Ltencru figure of the Virgin, in white robe and dark mantle, 
standing on a crescent with folded hands, while above her are two 
angels with crown, above these again are figures of God the Father in 
tiara, God the Son and the Holy Ghost, the latter as dove, flanked by 
sun, moon and stars. Surrounding the figure of the Virgin are cheru- 
bim, and on either side are pendants of circles occupied by buildings, 
altars and chalices. Below is a figure of Satan as a dragon and devils 
shooting arrows. 


Evening Sale 


FIFTEENTH CENTURY ITALIAN SCHOOL 


455—VIRGIN AND CHILD AND ST. FRANCIS 
(Panel) | 
als 0 O- Height, 724 inches; width, 614 inches 
ReEcTANGULAR panel, painted on the one side with Virgin in green robe 
holding with her left hand the undraped Child Christ. Landscape 
background. On the other side is painted a portrait of St. Francis of 


Assisi holding in one hand a rustic crucifix. Old molded and gilt wood 
frame. 


From the collection of Don Bonifacio Diez Montero of Burgos. ~ 


PS Breton’ 


cetean o 


Mie - 
ee ee eee 


ayer! 
: 


Evening Sale 


© 


SEVENTEENTH CENTURY ANDALUSIAN SCHOOL 
456—F LOWERS 

(Canvas ) od | 

/ oan Height, 191% inches; width, 25 inches ne 


Group of flowers, fruits and birds on a rectangular stone slab. Dark 
background. . 


LIGHTEENTH CENTURY GERMAN SCHOOL 


457—CATTLE 
(Canvas) 


Height, 171% inches; width, 1584 inches 


Two cows, standing under a tree with an old woman milking one. At re 
her side stands a peasant girl in a red bodice carrying a basket on her 
head. Landscape background. ; 


SEVENTEENTH CENTURY SPANISH SCHOOL 


458—A COURTYARD OF THE ESCORIAL 


SO (Canvas) re) } 
JX 


Height, 25 inches; width, 33 inches 


View of courtyard with round-arched arcading on one side and paneled 
wing surmounted by arched pediment in the background. Figures in 


seventeenth century costume and dog. Contemporary molded wooden 
frame. 


Evening Sale 


C. DITTRICH 


Frencu: 181TH Century 


459—PORTRAIT OF A RACEHORSE 
} } S? (Canvas) 
Height, 24 inches; width, 31 inches 
STanpinG figure of a saddled chestnut horse with bushy tail, held by 
an old man in eighteenth century costume. Behind him is an open 


doorway. A stone on the left is inscribed: “L’Ami.” Landscape back- 
ground. 


SEVENTEENTH CENTURY SPANISH SCHOOL 


460—STILL LIFE 
(Canvas) 


a D e Height, 38 inches; width, 281 inches 


Vase filled with flowers and standing upon a table. Dark background. 


SEVENTEENTH CENTURY FLEMISH SCHOOL 


461—F LOWERS 
(Canvas) 


hy, ok a Height, 26 inches; width, 35 inches 


Group of flowers with bird in front bending down his head while he 
pecks at a blossom. Scattered flowers in front. Dark background. 


Evening Sale 


OUR LORD IN SPANISH ART 


The Society of Patrons of Spanish Art celebrated, in 1913, 
the anniversary of the birth of the Emperor Constantine with 
an exhibition showing the evolution, in painting and sculpture, 
of representations of our Lord and the Cross. This exhibition was 
held at the Royal Archeological Museum, Madrid, and Nos. 462, 
463, 464 and 465 here catalogued, were therein included. 


SIXTEENTH CENTURY ARAGONESE SCHOOL 


eae A 
462—HEAD OF CHRIST ee 
( Panel) 


Height, 17 inches; width, 13 inches 


Heap of Christ with dark hair and beard, seen full face on a brown 
background with scrollings and leaves of gold and the initials A. R. and 
H. S. Contemporary molded gilt frame. 7 << 


- SIXTEENTH CENTURY SPANISH SCHOOL 


463—CRUCIFIXION 
Re oy) (Panel) 
y a: Height, 1614 inches; width, 1114 inches 


Ficure of Christ hanging on the cross, with an I. N. R. I. label. Em- 
bracing the foot of the cross is Mary Magdalene in yellow and red robe 
with the symbolic vase of ointment at her side. On one side stands 
the Virgin, in purple robe and green mantle, holding a fold of her 
neckerchief to her eyes. On the other side stands St. John, in a red 
robe, and holding a book. Landscape background, with towers and 
buildings of a city. Dark sky. 


Evening Sale 


SIXTEENTH CENTURY 


464—SPANISH CARVED WALNUT PANEL 


J Height, 111% inches; width, 101% inches 


RecTancutar panel, with banded laurel-leaf wreath enclosing the head 
of Christ with long hair and beard, crowned with thorns. In the 


angles are scrolled ribbons. Originally forming door to tabernacle 
with pierced keyhole and lock mortise. 


Evening Sale 


SEVENTEENTH CENTURY CASTILIAN SCHOOL 


465—CRUCIFLXION 
(Panel) 


ae 7. Height, 7% inches; width, 534 inches 


Curist hanging on the cross, with the Virgin in a dark robe and St. — 
John in a red robe standing on either side. Landscape background = 
with towers of city in distance. . a. 


R. KELLNER | _ 
Frencu: 187TH CENTURY 


466—OLY MPUS : 
ise. (Canvas) 


a oe Height, 101% inches; width, 1444 mches — 


PartnTEpD en camaieu, with a scene in Olympus. Chronos with sickle and 
hour-glass seated in center, with Neptune and Cupid in the foreground. 
On the right is seated Juno, while Hebe pours wine into a cup held by 
Jupiter behind. On the left are Apollo, Mercury and Pan. _ 


Signed: R. Kevuner, Pruyxirt. 


EIGHTEENTH CENTURY FRENCH SCHOOL 
467—SITX VIEWS OF RUINS 


Canvas 
Tee Soe | 
Height, 14 inches; width, 181% inches 


Views of ruins of classic porticoes, arches and columns with landscape 
backgrounds and figures, in eighteenth century costumes, and animals 
in the foregrounds. In old carved and gilt wood frames. (Rebacked.) 


Evening Sale 


SEVENTEENTH CENTURY FLEMISH SCHOOL 


468—STILL LIFE 
I) (Canvas) 
as, a. Height, 13% inches; width, 9 inches 


Vase of flowers in center, with porcelain dish on the right and scattered 
flowers in the foreground. Landscape background. 


Evening Sale 


L. M. J. WYRSCH 
_ Frencu: 1732—1798 


469—PORTRAITS OF TWO CHILDREN 
(Canvas) 
Height, 181% inches; width, 15 inches 


ROK 


Ficvres of a girl in a blue dress trimmed with pink, holding a basket 
of fruits and seated on a goat, and of a boy in a skeleton suit of blue 
standing behind. Both have powdered hair. Landscape background. — 
Back inscribed with names of sitters (Antoine and Gabrielle de 
Bouzies); their ages and heights, and the date 1772. Rea fs" 
Note: Jean Melchior Joseph Wyrsch was the founder and first professor of 


the Academy of Painting and Sculpture at Besancon, France, and was killed in the 
Massacre of Stantz, September 9, 1798. 


Evening Sale 


ee 


ALONSO SANCHEZ COELLO 
SPANISH: 1531—1588 


470—PORTRAIT OF DON CARLOS, INFANTE OF SPAIN 
ie Meh (Canvas) 
Height, 1284 inches; width, 1084 inches 


Heap of the youthful Don Carlos, son of Philip II, with fair hair, seen 


in three-quarter view and looking to the front. He wears a black gold- 
embroidered jerkin and a ruff. Dark background. 


Eien 
ee 


Evenng Sale 


FELIPE DE LIANO 
SpanisH: 1556—1625 


471—PORTRAIT 
(Panel) 


JO 
J a: Height, 11 inches; width, 7°4 wmches 


Bust portrait of a lady in late sixteenth century costume with cambric 
ruff, velvet-plumed hat and black dress embroidered with gold. Dark 
background. Old tortoise-shell frame. 


Evening Sale 


EIGHTEENTH CENTURY DUTCH SCHOOL 


472—PAIR OF LANDSCAPES 


ee Ses: (Panel) 


Height, 151% inches; width, 111% inches 


One with a woman, child and goat on bridge. id the foreground a a 
woman and child fishing. Mountainous landscape and Audra ae in_the 
distance. One with two women, a dog and a waterfall. 
landscape and buildings. — 


Evening Sale 


EIGHTEENTH CENTURY FRENCH SCHOOL 


473—PORTRAITS OF CHILDREN 
(Canvas) 
Height, 1 9 inches ; width, 2114 inches 


Oe 


Ficures of two young girls in Oriental costume, standing by an altar 
crowned with a vase having three Putti as a stem. On the steps are 
seated a young Moor and a girl in a turban, while behind a girl steals 
forward. Rocky ads: Houmas! with the figure of a girl with 
a arms. 


EARLY NINETEENTH CENTURY ENGLISH SCHOOL 


474—PORTRAIT OF A LADY 
Rea! Da (Canvas) 
J . Height, 141% inches; width, 111% inches 
THREE-QUARTER-LENGTH portrait of a lady, with white dress, blue 


shoulder shawl and falling ringlets, standing by a parrot’s cage. Dark 
background. 


SCHOOL OF NICHOLAS BERGHEM 
Dutcu: 1624—1683 


475—PAIR OF LANDSCAPES 
ely re Ci (Panel) 
Height, 1234 inches; width, 17 inches 


One with ruins, mountainous landscape, goats and cattle, one with 


ruins, lake, youth seated on steps of a fountain, fighting cattle and 
goats. 


Evening Sale 


FIETEENTH CENTURY SPANISH SCHOOL 
Onn , 
476—_S. SEBASTIAN 
(Panel) 


Height, 20 inches; width, 15 inches 


Bust-LenctuH figure of S. Sebastian with curling hair, head on one 
side, eyes uplifted, hands folded in front and body pierced with arrows 
from which stream drops of blood. Landscape background with towers 
and dome with blue sky. In old molded, painted and gilt wood frame. 


Evening Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 


477—VIRGIN AND CHILD 
JO (Panel) 


. 4 — . ad 
ot Height, 1014 inches; width, 74/4 inches 

SeaTED figure of the Virgin in red robe, lined with black, holding in her 
arms the draped Child Christ, who turns the leaves of a book. On 
either side are boy angels playing musical instruments. Dark back- 
ground with brown curtains and lambrequin. Old carved and gilt wood 


frame. 


Evening Sale 


SIXTEENTH CENTURY ITALIAN SCHOOL 


478—VIRGIN AND CHILD 
FT D- (Panel) 


Height, 18 inches; width, 12 inches 


Haxr-Lenctu figure of the Virgin, with long fair hair, and wearing 
a red robe, blue mantle and white hood. She holds in her arms the 


undraped Child Christ, with curly golden hair, who grasps a bird in 
His hands. 


From the collection of Don Bonifacio Diez Montero, Burgos. 


Evening Sale 


SIXTEENTH CENTURY CASTILIAN SCHOOL 


479—PAIR OF ALTAR PANELS 


(Panel) 
3 b- 
Height, 40 inches; width, 17 inches 


Rounpb-arcHED tops, painted with full-length figures of saints. One,a 


youth, holding a battle-axe, with a landscape, tower and bridge in the 
distance, and one a Bishop, with jeweled mitre and red cope with — 
jeweled border, holding in one hand a crozier and in the other an open 
book. Landscape background. 


Note: Count de las Almenas purchased an entire retablo, parts 
of which are still in his collection. Six pieces are in this collection 
(Nos. 479, 480, 481 and 482) and one was accepted as a gift by the 
Museo del Prado, where it is on view. The owner has a letter from 
the Duke of Alba expressing his thanks to the Count. 


SIXTEENTH CENTURY CASTILIAN SCHOOL 


Ae 


480—CHRIST AND MARY MAGDALEN 
(Panel) 
Height, 45 inches; width, 41 inches 


Supper table spread with linen cloth and with dishes, fruits and vases 
and with St. John and the Disciples at the back. In front Christ is 
seated in a chair, with blue robe, rose-colored mantle and bare feet. 
Kneeling in front of Him is Mary Magdalen in brocaded robe with 
blue mantle, her hands crossed on her breast and with vase of ointment 
in front of her. Background of interior with trellised windows. 


Evening Sale 


SIXTEENTH CENTURY CASTILIAN SCHOOL 


onde 
481—PAIR OF ALTAR PANELS 
(Panel) 
Height, 44 inches; width, 17 inches 


Rounvd-aRCHED panels, painted with full-length figures of saints. One 
with red cloak and hat, holding an open book in one hand. Rocky land- 
scape background. One with beard, holding a cross in one hand and 
a closed book in the other. Mountainous landscape background. 


ee CENTURY CASTILIAN SCHOOL 
anette 
482—ST.. CATHARINE 

(Panel) 


- Height, 45 wmches; width, 41 imches 


Kwneeine figure of St. Catharine with gold brocaded robe and blue 
mantle, having above the figure of an angel with drawn sword and in 
front of her the wheel of her martyrdom. Behind her are Roman 
soldiers in armor and a combat of soldiers on horseback. In the dis- 
tance a rocky landscape and towers. Blue sky with clouds. 


EIGHTEENTH CENTURY ARAGONESE SCHOOL 


483—PORTRAIT OF DON J. MIGUEL MALLUCA 
J 0 (Canvas) 


= 


aa. Height, 40 inches; width, 3114 inches 


FuLL-LeNnctTH portrait of a boy in red robe, holding in one hand a tri- 
corne hat over a table on which stands an apple. Shield charged with 
coat-of-arms, drapery background and inscription with date 1772. 


Evening Sale 


SEVENTEENTH CENTURY ITALIAN SCHOOL 
(Canvas) 


484—_ STILL LIFE 
TE Height, 1914 inches; width, 23 inches 


Ova stone portrait medallion of man in flat cap, dated 1672, and 
wreathed with flowers. Dark background. | 


SCHOOL OF FRANCESCO GUARDI 
Irauian: 1712—1793 


WAL A_ 
485—PAIR OF ARCHITECTURAL SUBJECTS 
(Panel) 
Height, 1334 inches; width, 1714, inches 


—_ 


One a view of a classical courtyard with figures in a balcony and flight 
of stairs at back. One an exterior view of an arcaded building, with 
flower-pots and awnings. A fountain on the right hand and figures in 
the foreground. In old frames. 


DEL MAZO MARTINEZ 
Maprip: 1610—1687 


486—DON CARLOS BALTHASAR 


Cae (Canvas) 
Height, 22 inches ; width, 18 inches 


Porrrair of young Prince with long fair hair, velvet-plumed cap, red ~ 
coat trimmed with silver lace, seated on a rearing horse and holding in 
one hand a baton. Landscape background with dark blue sky. In 
carved marbleized and gilt wood frame of the period. : 


Evenng Sale 


SEVENTEENTH CENTURY DUTCH SCHOOL 


487—HARBOR VIEW 


3 S- 


(Canvas) 
Height, 16 inches; width, 321% inches 
View of harbor with ship, boats and mountain in distance. On the 
left is a square castellated tower and domed building and in the 


foreground a landing-place with figures in seventeenth century cos- 
tumes. 


SEVENTEENTH CENTURY ITALIAN SCHOOL 


488—PAIR OF FLOWER PAINTINGS 


Canvas 
ou ( ) 
Height, 234% inches; width, 161% inches 
Born painted with glass bowls standing on rectangular stone slabs 
filled with flowers and with scattered flowers in the foreground. Dark 
backgrounds. 


SEVENTEENTH CENTURY ITALIAN SCHOOL 


ae 
489—PAIR OF ARCHITECTURAL VIEWS 
= (Canvas) 


Height, 18 inches; width, 2914 inches 


One with view of the Farnese Palace in Rome, with street and figures. 
One with a view of a Roman Palace, with figures and fountains. 


Evening Sale 


SEVENTEENTH CENTURY FLEMISH SCHOOL 
490—F LOWERS 
(Canvas) 
4s - Height, 24 inches; width, 18 inches 


VasE of flowers. Dark background. “In old gilt and painted wood 
frame. 


EIGHTEENTH CENTURY SPANISH SCHOOL 
491— STILL LIFE 
SD (Canvas) 
w, ) Height, 2244 inches; width, 201% inches 
Ser of three panels of grained wood hung above with pictures of 


peasants drinking, in frames, and below with unframed etchings of 
ruins. 


EIGHTEENTH CENTURY SPANISH SCHOOL 
492—THE SEASONS 
(Canvas) 
Lf db - Height, 201% inches; width, 16 inches 
Set of four pictures representing the Seasons, shown as half-length 
figures of young women, one as Spring with flowers, one as Summer 


with sheaf of wheat and sickle, one as Autumn with basket of fruits 
and one as Winter with brazier, cat and mask. (Rebacked.) 


Evening Sale 


SCHOOL OF NICHOLAS BERGHEM 
Dutrcu: 1624—1683 
493— SHEPHERDS 
S7OD (Canvas) 
rs a a Height, 164% inches; width, 211% inches 


In the center are two cattle and a youth on horseback, while below 
are sheep. A woman in a red skirt, with a dog, on the right. Land- 
scape background with ruins. Blue sky. 


SCHOOL OF JAN WEENIX 
Dutrcu: 1640—1719 


494—PAIR OF STILL-LIFE PICTURES 
(Canvas) 
o oe 
é: Height, 26 inches; width, 3514, inches 


One with a basket of flowers with fruits on the right, and dead game 
on the left, one with a bowl of flowers with fruits below and dead game 


on the right. Dark background. 


EIGHTEENTH CENTURY FRENCH SCHOOL 


495—THE MUSIC PARTY 


(Canvas) 


hig Height, 17 inches; width, 24 inches 


Interior of a room with round table in the center littered with sheet- 
music. In the foreground is seated a woman, with powdered hair, play- 
ing a harp, and on the other side of the table are two men, one with 
powdered hair, playing musical instruments. On the left, leaning on 
the back of the chair, is an elderly man with powdered hair. 


Evening Sale 


DUTCH SCHOOL OF THE SEVENTEENTH CENTURY 


496—“THE SENSES” (Three Symbolical Paintings) 


Gone 4 : (Copper) 


Height, 274% inches; width, 411% inches 


Onx, “Hearing,” a female in classic robes seated in an interior and 


playing a lute. In the foreground an Amorino playing a pipe. Around ~ 


are musical instruments, including a harpsichord, and on the right a 
table with clocks. ‘Through a window is seen a garden. 


One, “Taste,” a female seated at a table spread with a banquet, in- 
cluding a swan pie. On the right, a table with dead game. In the 
foreground, Amorini with dishes. Through an arch is seen a formal 
garden. 


One, “Smell,” a female seated in an exterior smelling a rose, with an 
avenue of trees and a fountain in the distance. In the foreground, 


an Amorino with a flower, and on the left a table with a perfumery ~ 
still. , 


EIGHTEENTH CENTURY 


499—_SPANISH PAINTED CANVAS FRIEZE 


gi Os Height, 3 feet; width, 19 feet 8 inches 


In three portions hinged. Painted, in colors on a blue ground, with a 
ground of a quatrefoil checkered diaper in black and white and with 
nine quatrefoil medallions with scrolled borders occupied by paintings 
of vases of flowers, birds on boughs, landscapes with sheep and deer, 
seascape with man in boat and landscape with man on horseback. Be- 
tween are rectangular medallions with scrolled borders occupied by 
paintings of flowers, fruits and shells. 


Evening Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 
500—ALTAR FRONT 
(Panel) 
Height, 24 inches; width, 64 inches 
ARcADED with molded arches and painted columns, painted with half- 
length figures of five saints: St. Peter in the center, flanked by St. 


John with chalice, St. Paul with sword and with St. Andrew holding 
his cross, and St. James with staff and book on the outside. 


SEVENTEENTH CENTURY FLEMISH SCHOOL 


501—FLOWERS 


care (Canvas) 


Height, 39 inches; width, 30 inches 
Vase with voluted handles, sides with figures in relief and stem modeled 


with two figures, filled with flowers and standing on a circular table. 


Dark background. 


SIXTEENTH CENTURY VALENCIAN SCHOOL 


502—DEPOSITION 


3S- 


(Panel) 


Height, 36 inches; width, 28 inches 


Ficure of Christ at foot of cross with nail and blood above, supported 
on one side by the Virgin in white hood, on the other by St. John in 
red robe. Below is half-length figure of the Donor holding in one 
hand his cap. Background of blue sky with floating clouds. 


From the collection of Don Bonifacio Diez Montero of Burgos, accord- 
ing to whom the figure of the Donor ws that of Christopher 
Columbus. 


— 


Evening Sale 


a  ————— 


9 


LUIS DALMAU 


CATALONIAN: FIFTEENTH CENTURY 


503—VIRGIN OF MONT SERRAT 


/3 oe ae (Panel) 


Height, 44 inches; width, 25 inches 


Sraten figure of Virgin, in white hood, dark mantle lined with red and — 
gold-brocaded robe and with rayed and starred nimbus in gilt gesso- 
work, holding in her lap the draped figure of the Child Christ with 
starred and fleur-de-lis decorated nimbus holding a carpenter’s saw of 
which the other end is held by the child St. John the Baptist. At 
the left are angels. Rocky background with east) tower and figures. — 
Old ree and molded wood frame. 


‘easter iia Re OR ipo 


: 
: 


Ne ee ce oc a ee 


Evening Sale 


LORENZO DE ZARAGOZA 


15TH CENTURY 


504—RET ABLO eee 
(Panel) 


HL] D- — Height, 40 inches; width, 34 inches 


Divivep into six panels by spirally twisted columns supporting Gothic 
arches and surrounded by a beveled border, painted with lozenge-shaped 
medallions, charged with coats-of-arms. The upper panel in the center 
is painted with view of the Crucifixion, with the Virgin and St. John at 
the foot of the cross with a gold background and incised gold haloes. 
This is flanked by panels with the figure of St. Jerome in the desert and 
a Saint in monk’s habit holding a book. Below is a Pieta with Christ 
in the tomb surrounded by implements of the Passion. In the fore- 
ground is a Saint kneeling before an altar and adoring a Chalice and 
Host, flanked by full-length figures of a Saint with a beard and a 
female Saint in a red mantle lined with ermine. 


Mira tS tae onsets te 


Evening Sale 


EIGHTEENTH CENTURY NEAPOLITAN SCHOOL 


505—FOUR DECORATIVE PANELS 
(Canvas) 
vE dD d- Height, 39 inches; width, 43 inches 


QUATREFOIL-SHAPED, painted, en camaieu, with figures of seated women 
symbolizing the four Seasons. Spring is holding a floral festoon, with 
Putti surrounding her, Summer holds a sickle and sheaf of wheat, with 
a sleeping Putto below; Autumn holds out a goblet into which an 
Amorino presses a cluster of grapes, and Winter holds out her arms 
while a Putto warms his hands at a brazier below. 


Evening Sale 


FERRANDO LLANOS 


4; VauENcria: 1521— 
QAW 2A 
506—ST'". BARBARA 


(Panel) 
Height, 53 inches; width, 37 inches 


= 


FuLu-LeNncTH figure of the Saint in yellow robe and red mantle holding 
in one hand her symbolic tower and standing in a round-arched niche 
with carved columns and pilasters. Landscape background. In old 
molded, painted and gilt wood frame. 


GRACCO-BYZAN TINE SCHOOL 


GREECE 


507—-MADONNA AND CHILD 


4 Sie (Canvas on panel) 
Height, 40 inches; width, 201% inches 


SERPENTINE top, with half figure of the Virgin in red robe and hood, 
holding on her right arm the draped Child Christ. Gold background. 


Evening Sale 


EIGHTEENTH CENTURY FRENCH SCHOOL 

508—VIEW OF THE PACK OF BEAGLES OF 

EMPRESS CATHERINE II OF RUSSIA 
J ok a (Canvas) 

Height, 324 inches; width, 491% inches 

In the center is the pack of dogs pursuing a hare and urged on by 
huntsmen in red coats on horseback and blowing horns. One is pre- 
paring to mount. In the distance are the onion-domed towers of a 


Russian city. -Landscape background. In old carved and gilt wood 
frame. 


GHTEENTH CENTURY SPANISH SCHOOL 


509—STILL LIFE 
(Canvas) 


Height, 324% inches; width, 4144 inches 


-_ 


Own the left is a vase of flowers, on the right a portion of a ruin with 
mountainous landscape and a basket of bread and fruits with two slabs 
of cheese. 


Evening Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 


510—OVERDOOR 
(Panel) 


A o- - Height, 17% inches; width, 5714 inches 


Ficure of a nymph in red robe, seated in a landscape and playing a 
lute. At her side are musical instruments, including a bass viol and 
harp and pipes, and an open book of music. In the background on 
one side is seated a stag and on the other is a town with towers. (Re- 


cradled.) 


GIAMPOLO PANINI 
Iranian: 1691—1764 


511—ARCHITECTURAL RUINS 


SD (Canvas) 
Height, 37 inches; width, 5214 inches 


View of a classic arcade, with broken arches and balustrading, sup- 
ported by Corinthian fluted columns with marble figures at their 
bases.. On the left is a domed apse supported by Corinthian columns 
and a courtyard. In the center a group of figures in classical cos- 
tumes are playing at ninepins, and other figures occupy the fore- 
ground. On the left is a tree with a statue at its foot. Mountainous 
landscape background. 


(Illustrated) 


Evening Sale 


FRANCISCO RIZI 
SpANIsH: 1608—1685 


512—PORTRAIT OF THE INFANT A MARIA LOUISA 
(Canvas) 3 | 
/ 5-0: Height, 56 inches; width, 44 inches 


HaurF-LenctH portrait of a lady seated, with wide headdress, orna- 
mented with a white plume, pointed stomacher trimmed with lace on a 
brown ground, slashed sleeves of lace with red lining, and white skirt 
trimmed with lace. She holds a fan in her left hand, while her right 
is supported by the side of her chair. Dark background, with drap- 
ery hanging. In original carved, painted and gilt wood frame. 


Evening Sale 


EIGHTEENTH CENTURY FRENCH SCHOOL 


513—FWO OVERDOOR PANELS 
(Canvas) 


Height, 26 inches and 2844 inches; width, 56 inches and 56 inches 


PaInTED en camaieu, one with a group of nude Putti playing with a 
cat, one with a group of nude Putti bathing. 


SEVENTEENTH CENTURY FLEMISH SCHOOL 
514—FLOWERS 


Canvas 
/ Oo 0- res 


Helght, 3614 inches; width, 49 inches 


Vase of flowers, with Delft ware dish and scattered flowers on right, 
and on the left an upright branch of flowers and leaves. Dark back- 
ground. A 


SEVENTEENTH CENTURY ITALIAN SCHOOL 


515—CASSONE FRONT 
(Pancl) 


be 
7 Height, 19 inches; width, 59 inches 


CrenTeER panel painted with the half-figure of Christ holding a Chalice 
and Host in His left hand with His right raised in the act of benedic- 
tion. On either side are panels, one painted with an Adoration, the 
Virgin with St. Joseph displaying the Child Christ to St. Elizabeth, 
with shepherds standing behind, one painted with a Visit to the High 
Priest, the Virgin, St. Elizabeth and St. Joseph and the High Priest 
wearing a red robe standing at the door of the temple. 


Evening Sale 


SIXTEENTH CENTURY SPANISH SCHOOL 


516—SAINT EUPHEMIA 
(Panel) 


Height, 24 inches; width, 64 mches 


FULL-LENGTH figure of a female saint with gold nimbus, in white robe 
with red mantle and yellow sleeves, holding in one hand a palm branch 
surrounded by bands of fleur-de-lis and in the other a closed book. 
Mountainous landscape background with buildings and trees. Scrolled 
label below with name: (Santa ev Femia). Im old molded and gilt 
wood frame. i 


ea CENTURY SPANISH SCHOOL 


v 


517—PANEL 
(Canvas) 


<2 Height, 38 inches; width, 99 inches 


HorizonTatty divided by band of scalloped lacework in gold. Painted, 
above and below, in gold and colors on a light green ground, with 
conventional flowers, leaves and medallions. 


| SEVENTEENTH CENTURY SPANISH SCHOOL 
518—PANEL 


a 4. 


(Canvas) 
Height, 43 inches; width, 80 inches 


Diviwep into three panels below and one long panel above by painted 
bands. Center panel below with Giralda of Seville in scrolled medal- 
lion, flanked by flowers and birds. Panels at sides painted with 
scrolled flowers and birds. Long panel above with owl in center, flanked 
by flowers and birds. All painted in colors on a light ground. 


Evening Sale 


FRANCISCO XIMENEZ 


CASTILIAN: SIXTEENTH CENTURY 


519—RETABLO MAYOR 


: a (Panel) 
ceo faces 
Height, '75 inches; width, 34 mches 


Recrancurar retablo, divided into six panels by carved pilasters with 
turned and carved detached pillars in front, molded leaf and egg and 
dart carved cornice, frieze carved in relief with scrollings, molded 
base and plinth carved with scrolls and leaves. Center panel painted 
with figure of Virgin crowned and seated on a throne, wearing a red robe 
and white mantle and holding on her lap the undraped Child Christ, 
to whom she offers her breast. He looks downward at the Child St. 
John the Baptist, who stands at the Virgin’s side holding a cross 
in one hand and a closed book in the other, which he offers to Christ. 
Standing on the arms of the throne are boy angels playing musical 
instruments, while surrounding it is a label with an inscription in 
Gothic characters. On the left side is a panel with the Martyrdom of f 
St. Sebastian, the nude Saint tied to a tree and pierced with arrows, | 
with two Roman sildiers at his side. On the right hand, a panel with 
the full-length figure of St. Roche with his pilgrim staff, exhibiting 
the wound in his thigh to an angel and with a dog holding a loaf of 
bread at his side. In the center below is a figure of Christ pressing 
the blood from the wound in his side into a chalice and standing on 
an altar in front of which kneels a monk in brocaded vestment, hold- 
ing the Host. The Donor, wife and family are seen at either side. 
On the left is a panel with the figures of three saints in Roman armor 
standing in a landscape with a label inscribed with Gothic char- 
acters below. On the right is a panel with the figure of St. Catherine 


with her wheel, a sword and a figure of the Emperor Maximin below 
her feet. 


ROR OR AE AE a” 


Evening Sale 


JAIME VERGOS ann JAUME HUGUET 
1459—1503 Spanisn AS 


520--RETABLO MAYOR AND ALTAR FRONTAL 
(Panel) 
Height, 100 inches; width, 85 inches 


Recraneuar retablo divided into five panels with painted border. Cen- 
ter panel painted with Deposition from the cross, the undraped figure 
of Christ supported by the Virgin and St. John, with Mary Magdalen 
and another Saint behind, the Virgin with blue mantle, Mary Magdalen 
and the other Saint with gold brocaded robes, all with gold-rayed haloes. 
Rocky landscape and blue sky. On the left side above is the figure of 
St. Peter with tiara and holding his keys, on the right side a figure of 
St. John holding a book with a lamb. Below on the left side is a panel 
with an Annunciation, the Virgin and the angel both kneeling. On the 
right side is a visit of the Magi, the three kings holding vases decorated 
with gilt gesso work, one kneeling in adoration of the Christ seated on 
the lap of His Mother, who wears a red robe and blue mantle. Altar 
frontal below divided into five panels by pinnacled Gothic columns. 
Center panel painted with Christ wearing a crown of thorns with a 
rayed halo flanked by half-length figures of saints with gilt gesso-mod- 
eled haloes and gold backgrounds patterned in red and black with 
scrolls, leaves and floral medallions. 


(Illustrated—see also Frontispiece) 


No. 520—Deposition FROM THE Cross 


IOVJN AHL AO LISIA—QOGG ‘ON NOILVIONONNY dH T—OGG ‘ON 


No. 520—St. PrETER 


No. 520—Srt. JoHn 


No. 520—A.utTar FRONTAL 


Evenng Sale 


ee 


520a—Spaniso Carvep anp Gitr Woop Axttrar Canory 
Sixteenth Century 


Semi-octagonal shape with trefoiled and looped cresting and five 


panels flanked and divided by Gothic buttress pilasters, with 
crocketed pinnacle finials, filled with Gothic tracery. Completely 


gilt. 
Height, 221% inches; width, 38 inches. 


(lllustrated with Frontispiece) 


THIRD AFTERNOON'S SALE 


THURSDAY, APRIL 28, 1921 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O CLOCK 


Catalogue Numbers 521 to 663, inclusive 


SPANISH GILT WOOD CARVINGS OF THE SIXTEENTH, 
SEVENTEENTH AND EIGHTEENTH CENTURIES 


521—SpanisH Carvep, PatinreD anp Gittr Woop Drsx LEcTERN 
Early Seventeenth Century 
- p - Escutcheon-shaped sloping back, carved, in low relief, with strap- 
work, scrolled leaves and a shield charged with coat-of-arms 
and surmounted by a coronet, molded book rest, shaped apron 
and rectangular molded feet. Painted and gilt. 


Height, 11%, inches; width, 138% inches. 


522—SpanisH Carvep, PainteEpD anp GittT Woop Desk LrEctTERN 
Seventeenth Century 
Sloping shield-shaped back, bordered with scrolls and surmounted 
3 S- by shell, the center carved, in relief, with a spray of rosebuds. 
Serpentine shaped molded book slab with scrolled and voluted 


apron. Painted and gilt. 
Height, 124% inches; width, 14 inches. 


523—SpanisH Carvep and Girt Woop Desk Lectern 
¢ b- Sixteenth Century 
Rectangular sloping back, carved with an oval panel occupied by 
a Maltese cross with leaf medallions at angles and a leaf border. 
Book-rest carved with leaf border, shaped apron and voluted feet, 
the sides carved with leaf medallions and scrolled and voluted 


borders. 
Height, 12 inches; width, 14 inches. 


Third Afternoon 


524—SpanisH Pino Woop Desk LEcTERN Siateenth Century 


WS Sloping rectangular back, carved with a C-scrolled oval medal- 
lion occupied by Chalice, and with shell, scrolls and floral sprays, 
shaped apron carved with scrolled leaves and flowers and sides 


carved with C-scrolls and shells. 
Height, 1014, inches; width, 14 inches. 


525—Two SpanisH Carvep, PaintED anp Gitt Woop CoLumMNs 
Seventeenth Century 
15 Rectangular columns, carved with fruit and leaf pendants with 
tapering rectangular lower portions, molded bases, capitals 
carved with acanthus leaves and volutes and incurved abaci. 


Partially gilt and painted. 
Height, 21 inches. 


526—SpanisH Carvep Woop BatustTEer Sivteenth Century 
/ D- Baluster-shaped, carved with flutings and cherubim, fluted coupe- 

shaped top and triangular base carved with panels of Putti. 
Height, 201% inches. 


527—Pair or Spanish Patnrep anp Girt Woop CoLumns 
| Seventeenth Century 
ol OF Cylindrical marble shafts, gilt and painted leaf and voluted capi- 
tals, incurved molded abaci, circular molded feet and rectangular 


bases. 
Height, 281 inches. 


528—Parr oF SPAnisH Carved, PatinteD AnD Gitt Woop CoLumNns 
Seventeenth Century 


/ ©>* Fluted shafts banded and carved with festoons of drapery, acan- 


thus-leaf and mask capitals. 
Height, 38 inches. 


529—Srer or Four SpanisH Carvep, Parntep anp Gitt Woop 
CoLuMNS Seventeenth Century 
jae Fluted shafts. Tonic egg-and-dart carved and voluted capitals : 


and molded bases. 
Height, 38 inches. 


530—SpanisH Carvep, Patnrep ann Gitt Woop FRirzE . 
Ma) Seventeenth Century 
ae ~ Rectangular shape. Carved, in high relief, with a cherub painted 
i in colors on a gilt ground and flanked by voluted and fluted 


modillion brackets with guttae. 
Height, 71% inches; length, 29 inches. 


Third Afternoon 


531—Spanisu Carvep, Parntep anp Girt Woop Panen 
Sixteenth Century 
yD> Rectangular shape, carved with Putto’s head and scrolled and 
voluted leaves, gilt on a ground painted with leaves and scrolls. 
Height, 12 inches; length, 32 inches. 


532—SpanisH Carvep anp Girt Woop Mirror Seventeenth Century 
; Rectangular mirror. Frame carved and pierced with scrolled 
< acanthus leaves, shells, floral sprays and rosettes. Completely 


gilt. Height, 17 inches; width, 1014, inches. 


533—Two SpanisH Carvep, Parntrep anp Girt Woop Mrrrors 
Seventeenth Century 
a J- Rectangular mirrors. One in molded frame carved with bead 
and reel ornament and leaves, one in molded and beveled frame 
painted, in colors on a gold ground, with leaves and rosettes. 
Heights, 14% inches and 14 inches; widths, 13 inches and 11 inches. 


5384—SpanisH Carvep, Parntep anp Girt Woop Mirror 
Vas Seventeenth Century 
2, 2-~ Rectangular mirror in molded frame carved with leaves. Gilt 
metal cresting pierced and repoussé with cherub and voluted 
scrolls. Height, 22 inches; width, 15 inches. 


535—Pair oF SpanisH CarvepD AND Gitt Woop Mrrrors 
Eighteenth Century 
37 0- Rectangular mirrors. Guilloche carved frames, with crestings 
carved and pierced with wreaths of leaves, scrolled and voluted 
ears carved with flowers, and carved, scrolled and voluted aprons. 
Completely gilt. One wreath missing. 
Height, 24 inches; width, 16 inches. 


536—Spaniso Carvep anp Gitt Woop Frame Seventeenth Century 
¢? Rectangular mirror, in molded frame boldly carved with leaves. 
a i ~ Completely gilt. Height, 201, inches; width, 17 inches. 


587—Two Spanish Paintep anp Girt Woop Mirrors 
Eighteenth Century 
" » ~ Rectangular mirrors in molded frames, with broken and rosetted 
/ angles and cresting carved and pierced with oval medallions. 
Painted and gilt. 


Heights, 24 inches and 27 inches; widths, 1742 inches and 191, inches. 


Third Afternoon 


538—Pair oF SpanisH CarvepD and GittT Woop Mirrors 
; Eighteenth Century 
vi 0 Rectangular mirrors. Guilloche carved frames, with crestings 
carved and pierced with wreaths of leaves, scrolled and voluted 
ears carved with flowers and scrolled and voluted aprons. Com- 
pletely gilt. Height, 29 inches; width, 17 inches 


539—Parr oF VENETIAN Carved AND Girt Woop Mrrrors 
. Eighteenth Century 
O* Shaped mirrors, in frames carved with rococo C-scrolls and 
shells, cresting carved with shell and scrolled and voluted feet. 
Completely gilt. Height, 35 inches; width, 13 inches. 


540—Spanish CuHurcH Canpie-stanp Early Nineteenth Century 
Cylindrical stem with finial of leaves, cones and scrolls painted 

a2, S~ and gilt and of various materials, circular ring set with twelve- 
floral candle-sockets, supported by four brackets with silk and 

jeweled bosses. Stem held by seated frog of bronze on octagonal 

base. Below is a tree-trunk with gilt scrolling and seated figure of 

Virgin, and below the figure of a Saint kneeling before a bust 

of God the Father set in trunk of tree. Octagonal wooden base. 


Height, 36 inches. 


SPANISH CARVED, PAINTED AND GILT WOOD 
RELIQUARIES AND STATUETTES 


541—SpanisH Carvep, Painrep anp Girt Woop RetievuaRy 
Sixteenth Century 
3 D> Half-figure of female Saint with curling hair and chignon. In 
the breast is an oval depression for reliquary. Painted and 
gilt. Height, 8 inches. 


542—SpanisH Wautnvut Ficure Siateenth Century 
eos Figure of Christ from crucifix, elaborately carved in wood, His 
O” head inclined to one side and wearing a loincloth. Mounted on 


panel covered with silk damask. 
Height, 12 inches; width, 11 inches. 


543—SpanisH Carvep, Painrep anp Gitr Woop ReEtievary 
ae Seventeenth Century 
i - ~ Half figure of Saint Potemciana holding in one hand a pot, the 
other outstretched. She wears a brocaded robe, in her breast is 
a glazed scrolled depression as reliquary. Rectangular molded 
base with voluted side brackets and scrolled label inscribed with 
name. Painted and gilt. Height, 14 inches. 


Third Afternoon 


544—SpanisH Wautnut Figure Sixteenth Century 

a eet ae Figure of Christ from crucifix, elaborately carved in wood, His 
head inclined to one side and wearing a loincloth. Mounted on 

panel covered with silk damask. Height, 81%, inches; width, 7 inches. 


545—SpanisH Carvep, Paintep anp Gitr Woop ReEtiauary 
sO Seventeenth Century 
/ P ~ Half-figure of Saint Antonio, wearing a brocaded robe and hav- 
ing in his breast a glazed scrolled depression as reliquary. Rect- 
angular molded base with voluted side brackets and scrolled label 
inscribed with name. Painted and gilt. Height, 14 inches. 


546—SpanisH Paintep Puaster FicurE Seventeenth Century 
Figure of a female saint in blue robe, with long dark hair, kneel- 
a ~ ing with head bowed in adoration and hands crossed over bosom. 
Rectangular base. Height, 17 inches. 


547—Parr or SpanisH Carvep, PainteD anp GILT Woop PaneEts 
_o~ p - Rectangular shape. Carved with standing figures of St. Ver- 
onica and Mary Magdalen, one holding a napkin, the other a 
vase. Background of cherubim in clouds and angels. Painted 
and gilt. Height, 20 inches; width, 12 inches. 


From the Church of S. Nicola el Real de Medina of Huete, 
Diocese of Cuenca. 


548—Spaniso Carvep, PainteD AND Gitt Woop FicurE 
> Sixteenth Century 
eel Standing figure of St. Mary Magdalen in blue robe patterned 
in gold and gold-lined red mantle and long curling hair, holding 
in one hand her symbolic vase of ointment. Painted and gilt. 
Height, 26%, inches. 


549—Spaniso Carvep, PaintepD anp GittT Woop Ficure 
Seventeenth Century 
J a Standing figure of the Virgin with long curling hair and hands 
folded in front on her breast. She wears a red robe and blue 
mantle brocaded in gold. Rectangular molded base carved with 
flutings. Painted and gilt. Height, 26% inches. 


From the Church of S. Nicola el Real de Medina of Huete, 
Diocese of Cuenca. 


Third Afternoon 


550—SpanisH Pott LANTERN Seventeenth Century 


Hexagonal glazed sides with rounded angles, top with glazed 

a _ = pinnacle lower portion, shaped pierced upper portion and crest- 

y ing shaped as a crown, insloping glazed base, ending with shaped 
leaves and long cylindrical pole socket. 


Height, 35 inches. 


551—SpanisH Porte LANTERN Seventeenth Century 


SoRectangular beveled sides, beveled angles supporting vases of 
by 4h ~ flowers, pierced octagonal top and circular cresting, octagonal 


molded base. Knopped pendant. 
Height, 31 inches. 


552—SpanisH Haneine Lantern Eighteenth Century 
Octagonal glazed sides with festoons and triangles of colored 
RY O- 1 : 

glass, sloping top and bottom of colored glass, cresting of curved 
strap-iron with repoussé semicircular ornaments between, shaped 
octagonal base repoussé with leaves at angles and scrolls be- 


tween and silk tassel pendant. 
Height, 33 inches. 


553—Pair or Spanish Hancine Lanterns Seventeenth Century 


Hexagonal glazed sides with angles paneled with colored glass, 
‘4 d- domed top, the lower portion glazed with colored and white 
glass, the upper portion shaped and pierced. Insloping glazed 
base and six conical feet. Interior fitted with four cylindrical 


candle-sockets. 
Height, 23 inches. 


554—Pair oF Spanish Hancine Lanterns Eighteenth Century 


Sloping rectangular glazed sides with bands above pierced with 
rosettes, shaped top formed of four curved branches, fluted 
fou, oe straight-sided and shaped cresting, decorated with pointed oval 
leaves and pierced bands. Pierced apron with rosettes at angles. 


Height, 271, inches. 


555—SpanisH Pott LANTERN Seventeenth Century 


Hexagonal glazed and beveled sides formed into bays. Hexagonal 
a D~ pierced and shaped domed top, rosetted pierced circular crest- 
ing, hexagonal shaped and repoussé base with curved leaves at 


angles and knopped pole socket. 
Height, 28 inches. 


Third Afternoon 


,056—SpanisH Haneine LANTERN Seventeenth Century 


_4£7.Hexagonal glazed body with rectangular projecting angles with 
] trefoiled tops, pierced domed cover and circular cresting, shaped 
hexagonal base. Knopped pendant and silk tassel. 


Height, 28 inches. 


557—Irauian Parntep anp Gitt Woop Decorative STATUETTE 
Sixteenth Century 
/ pJS- Full-length figure of S. Zeno, Bishop of Verona, wearing a mitre 
and robe. In one hand he holds his symbolic fish. Carved in 


low relief. 
Height, 44 inches. 


Third Afternoon 


ee ee 


558—SpanisH Carvep, Paintrep anp Gitt Woop Ficure 
ie Sixteenth Century 
Oe Standing figure of the Virgin in blue robe and gold mantle with 
border painted with inscription, crowned and supporting on her 
left arm the undraped figure of the Child Christ, who holds 
in one hand an orb. Semi-octagonal molded, fluted and leaf- 


carved base. 
Height, 40 inches. 


From the Church of S. Nicola el Real de Medina of Huete, 
Diocese of Cuenca. 


Third Afternoon 


559—Frencn Patnrep Woop StTaTuETTEe Fifteenth Century 


Full-length standing figure of S. Ursula, in hat with upturned 

)~ prim, long curling hair, red robe and blue mantle. She holds 

in one hand her symbolic arrow, in the other an open book. 
Semi-octagonal base. 

Height, 38 inches. 


Third Afternoon 


560—SpanisH Carvep, Paintep ano Gitt Woop Ficurr, By JUAN 


oe DE JUNI Sixteenth Century 


Standing figure of St. John in an attitude of grief, with flowing 
robe and long curling hair. ‘Traces of painting and gilding. 


Height, 3334 inches. 


561—FrRENcH CARVED AND PartntrEp Woop STATUETTE 


Sixteenth Century 


yi © 0-Figure of S. Martin of Tours, shown as a beardless youth 


with long curling hair, on horseback with round cap and flowing 
cloak which he is dividing with a drawn sword. Below is a small 
figure of a cripple leaning on a crutch. Oval base. (Painted 
and in original condition.) 

Height, 30 inches. 


Third Afternoon 


562—SpanisH CarvED AND PainTED Woop Ficurr, By JUAN DE 
JUNI Sixteenth Century 
ee) ~~ Standing figure of Madonna with hood and flowing robe and 
hands crossed over her breast, face bowed in grief with closed 

eyes. Circular base. Remains of painting and gilding. 


Height, 33°, inches. 


563—SpanisH PatnrEpD Woop Decorative STATUETTE 
Late Fifteenth Century 
/ / }® Full-length figure of the Virgin, crowned, in a loose robe, stand- 
ing on a crescent and holding on her left arm the undraped 


Child Christ. Carved in low relief. 
Height, 43 inches. 


Third Afternoo 


564—SpanisH Gitt Woop STATUETTE Seventeenth Century 


G Modeled as a full-length figure of Aaron, shown as a bearded 
a man in a loose robe and mantle forming a hood. Both arms are 


outstretched. Oval base. Completely gilt. 
Height, 31 inches, 


565—Two SpanisH CarveED AND Patntep Woop FLoRONES, oR CHURCH 
Creminc MeEparrions Sixteenth Century 

es Circular shape, carved with wreaths of laurel leaves bound with 
} ribbons and with border of honeysuckles, fleurs-de-lis and scrolled 
flowers. One with crown of thorns, one with the emblems of 


S. Peter. 


Diameters, 35 and 30 inches. 


566—ARAGONESE CARVED AND PatnrEp Woop Panet 

Seventeenth Century 
, $+ Rectangular shape, carved, in high relief, with a “Deposition.” 
The figure of Christ is being lifted down, by disciples, from a 
cross with “INRI” label, against a background of white linen. 
Below are the kneeling figures of SS. John and Mary Magdalen, 
while the Virgin with clasped hands stands behind. Below are 

the Cross of thorns and nails. Naturalistically painted. 


Height, 32% inches; width, 20 inches. 


567—SpanisH Parntep Woop STATUETTE Sixteenth Century 


Modeled as a kneeling angel, in loose robe with bands diag- 
pe p - onally crossing bodice, supporting on one knee a voluted candle- 
stick with octagonal bobéche and iron pricket. Rectangular 


base. (Restored.) 
Height, 181%, inches. 
(Illustrated) 


568—Pair or Spanish ParnreD anp Girt Woop STaTUETTES 
Seventeenth Century 
9 ~ Modeled as kneeling figures of angels with outstretched wings 
and flowing robes holding cornucopie. Irregular rocky bases. 


Height, 12 inches. 
(Illustrated ) 


567 


568 


SpanisH Painted Woop STATUETTES 


(Sixteenth and Seventeenth Centuries) 


Third Afternoon 


569—Frencu Parstep anp Gitr Woop Grove Sizrteenth Century 


J? 
24 
/ 
570— 


+t 


—_ 


37). 


Modeled with a figure of the Virgin, in hood and mantle, support- 
ing the undraped figure of the dead Christ after the Deposition. 
In his side is a streaming wound. Irregular rocky base. 


Height, 15 inches. 


CasTinian Carvep anp Parintep Woop MeEpatiion 

Fifteenth Century 
Circular shape, with gadrooned edge. Carved with the figure of 
S. Peter in mitre and holding his keys in one hand seated on a 
throne with lion-headed sides and feet of lions’ paws. 


Diameter, 27 inches 


Third Afternoon 


571—Spaniso Carvep anp Parxtrep Woop Brest sy Martixez Mox- 


TaNes (—1649) Late Sizteenth Century 


£-_Head of Christ with brown eyes, long curling hair, short forked 


sate 


beard and open mouth. He wears a mantle bordered with m- 


cised stars and a loose robe. Naturalistically painted. 


a = = = E —: =See aaa . , = \—: 
Nete: Monitanes was 2 celebraied painier and sculpior of the late six- 
; +h 3 Sic “ene pele eee eem | 4 eae eee : Sey 

ie . Se ae IS ot eT ae a ee ae, ee 

TeSehin and €ariy S€vrenicenin CenturicS JUSUL Freierring to him as the leader 
: - 

2 a aa. SDS ge ge ee i ae a ae a 
of the great Sevillian wood-carvers. speaks of his “earnest and melancholy 
- . 


2 Awpatrsiax Prxo Woopexn Artem. or Lectern 


Eighteenth Century 


. - TAs Bey Se Sot ae es nS Bes pie a Bee 
loping shaped revolving reading desk with shaped brackets and 


(pf 


er 


urned vase-shaped stem. On tripod stand of three shaped legs. 


— > , “nF z : 
Studded with brass bosses. 


Third Afternoon 


573—SpanisH Gotuic CARVED AND PANELED Woop RETABLO OF THE 
BYZANTINE ScHOOL Twelfth Century 


ip D-Rectangular shape. Rectangular panel in the center, enclosing 
a piscena decorated with bands of gesso-work lozenges and round- 
els occupied by a figure, in relief, of God the Father, enthroned 
and flanked on either side by four rectangular panels, each 
with round-arched niche supported by columnar pilasters, and 
with spandrels decorated in gesso. Each niche contained the full- 
length figure, carved in relief, of an apostle with halo. 


Height, 40 inches; width, 68 inches. 


Note: This retablo hung, inclining forward, above the altar in the apse 
of a church. It is one of the earliest known examples of Christian art in 
Spain, of which very few remain, and closely resembles one in the Barcelona 
Museum. 


(Illustrated ) 


5'74—AracGonEsE Patintep anp Gitt Woop TaBERNACLE 

Sixteenth Century 

jae Semi-octagonal shape with molded broken cornice and painted 
frieze, supported by carved columnar pilasters at angles, painted 
plinth and broken molded base. Arranged as cupboard with 
three hinged doors, painted with figure of Christ surrounded by 
cherubim, and of saints in arched panels surmounted by winged 
gryphons in relief and gold on painted grounds. ‘The interiors 
painted with figures of St. Veronica holding the sacred napkin 

and angels carrying candlesticks. ‘The back painted with kneel- 

ing angels holding a gilt monstrance. Original wrought-iron lock 


and hooks. 
Height, 36 inches; width, 37 inches; depth, 23 inches. 


575—Parr oF SpaAnisH Carvep, PAINTED AND GILT PANELS 
p Sixteenth Century 
d~ Rectangular shape. Carved with arabesques of scrolled leaves 
and vases and appliqués with shield-shaped escutcheons, charged 
with coats-of-arms. Painted and gilt. 


Height, 84 inches; width, 83, inches. 


(fanquag Y7{19%],) TOOHIG ANIUNVZAY 
AHL 40 OTAVLAY GOOM GHTINVG GNV GHAUV) OTHLOL) HSINVdS—€L¢ “ON 


fe Ny 


aah wast a 2 


i a 
— SS 


Third Afternoon 


577—AnpDaLustian Pino Woop Factstou, ork Cuurcu LEcTERN 
Seventeenth Century 


“4 S- Rectangular sloping revolving reading desk with sides paneled 


with crosses, turned baluster-shaped stem, rectangular stand, 
the edges carved with “egg and dart” ornament, the apron with 
ribbon-bound bands of leaves. Fluted columnar legs, rectangu- 


lar base and paneled rectangular central stem. 
Height, 73 inches. 


578—Pair oF SpanisH Carvep, Parntep anp Gitt PANELS 
Seventeenth Century 
U5 Rectangular shape. Carved with scrolled acanthus leaves, birds, 
vase of fruits, and half figures. Carving and molding gilt, ground 
painted white. Height, 10% inches; width, 166 inches. 


579—SpanisH Carvep, PAInTED anp GittT Woop BaAsrE 
JD Sixteenth Century 
- “Octagonal and circular shape, in three tiers. The two lower 
/ tiers octagonal and carved with sixteen panels of cherubim di- 
vided by console brackets carved with acanthus leaves and im- 
brications. ‘The top tier circular, and supported by molded 
brackets. Height, 18 inches; diameter, 28 inches. 


[ 


580—SpanisH Carvep, ParintEp anp Gitt Woop EscuTcHEON 
Sixteenth Century 


/ bP se, ~Shield-shaped, scrolled and carved, in low relief, with a coat-of- 
arms, surmounted by a crown and crest and surrounded by 
swallow-tail bannerets. Painted. 

Height, 29 inches; width, 21 inches. 


581—Parr or Spanish PainrED anp GiLtT PILASTERS 
4 Sixteenth Century 
4 Paneled shafts, painted in gold on blue ground with scrolled me- 
anders, fluted and voluted caps carved with imbrications and 
with flutings below. Height, 56% inches. 


582—Set or Four ZamMoran PLATERESQUE PatntreD, GILT AND CARVED 
: y= Woop CoLuMNs Sixteenth Century 
Tapering, fluted acanthus-leaf carved shafts, fluted and carved 
bases, fluted pedestals, acanthus-leaf scrolled and voluted capi- 


tals. Painted and gilt. Height, 38% inches. 
ie Pe Gre bitin 2) / | bh 


Third Afternoon 


583—Two VariapoupiAN PLaTEREsQuE Paintep anp Gitt CaRvED 
J 0 Woop Pixasters Late Fifteenth Century 
[ ‘ Lower portions as tapering columns, the shafts carved with drap- 
ery festoons, carved leaf capitals with human heads at angles. 
Above are rosetted dies with columns carved with drapery fes- 

toons and cherubim. Painted and gilt. 
Heights, 29 inches (for two), 20 inches (for two). 


584—Set oF Four Zamoran PLaATERESQUE GILT AND Carvep Woop 
CoLuMNs Late Sixteenth Century 

ol, O Tapering fluted acanthus-leaf carved shafts, acanthus-leaf 
carved vase-shaped bases and cylindrical pedestals, carved, three 

with classic porticos and religious symbols, one with festoons of 

ribbons and scrolls. Completely gilt. Height, 34 inches. 


} 
i 


SPANISH POLE LANTERNS 


585—SpanisH Pote LANTERN Seventeenth Century 
— Rectangular molded and beveled sides, beveled angles support- 


OO — ee a ey ee 


C~ 
Fo - ing vases of flowers, octagonal shaped molded and pierced top, 
circular cresting pierced with scrolls, molded and octagonal base 
and knopped pole socket. Original wrought-iron cylindrical 
knopped poles incised with scrolls. Height, 27 inches, 
586—SranisH Haneorne LAntTern Seventeenth Century 


Rectangular glazed sides with chamfered angles, two of them set 

4 ae with colored glass, surmounted by vases of flowers, glazed, slant- 

ing, pierced and scrolled octagonal tops with pierced scrolled 
circular crestings. Octagonal bases and conical feet. 

Height, 27 inches, 


587—Pair Spanish Haneinc LANTERNS Seventeenth Century 
Hexagonal glazed sides, hexagonal molded tops pierced. with 
a 5~ rosettes, circular crestings pierced with scrolls, molded hexagonal 


bases and conical pendants with silk tassels. 
Heights, 25 inches. 


588—Ser or Four Spanish Porte Lanterns. LKighteenth Century 


Sloping octagonal glazed sides, shaped and pierced octagonal 
~J Ho tops with crestings of curved leaves, supporting disk covers, 
scrolled pierced aprons and cylindrical candle-sockets. 

Ov Height, 20 inches. 


Fe 7 ee ny 74 


‘/ OY er 


Third Afternoon 


589—SpanisH Hancinc LANTERN Sixteenth Century 


Hexagonal glazed body with rectangular projecting angles with 
ai % ') -pyramidal tops, pierced domed cover and circular cresting, shaped 
hexagonal base. Knopped pendant and silk tassel. 


Height, 29 inches. 


590—Pair oF SpanisH Parntep Pote LANTERNS 
Seventeenth Century 
") @ ) Hexagonal glazed sides with scrolled angles, molded cornices, 
domed covers, pierced with rosettes, pierced and beaded circular 
crestings and molded bases. Painted in yellow, red and black. 


Original, painted and molded poles. 
Height, 42 inches. 


591—SpanisH Paintep Pott LANTERN Seventeenth Century 


é 4 Similar to the preceding. 


Third Afternoon 


592—SpanisH Hancine LANTERN Eighteenth Century 


" 5 Octagonal glazed sides with molded angles, pinnacle top, octag- 
onal pierced and scrolled leaf-decorated cresting, rectangular 
glazed sides and repoussé pinnacle roof. Octagonal glazed base, 
decorated with scrolled leaves and carved, painted and gilt wooden 
tassel-shaped pendant. Height, 42 inches. 


593—Parr or Spanish Hancine Lanterns Seventeenth Century 
Hexagonal glazed sides, pierced hexagonal and molded tops with 

) D~ circular scrolled pierced crestings, shaped hexagonal bases and 
conical pendants. Height, 24 inches. 


594—Parr oF SpanisH Parnrep Woop PIiLasters 

)S- 2 Eighteenth Century 
Rectangular paneled shafts, with Ionic voluted and egg and 
dart carved capitals. Rectangular molded bases. Painted and 
gilt. Height, 82 inches. 


595—Parr oF SpanisH PaintED ProcrssionaL TorcHERES 
Seventeenth Century 
4 0 - Cylindrical knopped poles painted in red and white with spirals. 
Pear-shaped tops, with curved supports of wrought-iron acan- 
thus leaves and scrolled and voluted brackets ending in saucer- 
shaped bobéches and iron prickets. Length, 92 inches. 


596—SeEviLLiAN GittT, ENAMELED AND Patnrep Woop TorcHERE 

Early Eighteenth Century 

= vw Rectangular stem, with tapering under-portion carved with 
floral rosettes and painted, in colors, on a white ground, with 

floral sprays, acanthus-leaf capital with pierced cylindrical iron 
candle-socket and pierced pear-shaped iron guard. On triangu- 

lar base with molded edges and paw feet. Rosettes enameled and 
moldings gilt. Height, 78 inches. 


597—Pam or SpanisH Carvep AND Gitt Woop ‘ToRCHERES 
Seventeenth Century 
S, >) ~ Stems turned and carved with flutings, acanthus leaves and fluted 
vases, saucer-shaped, leaf-carved bobéches, cylindrical candle- 
sockets, circular molded bases and cushion feet. Completely 
gilt. Height, 67 inches. 


Third Afternoon 


598—Sevittian PatnTED AND CarvED Woop TorcHERE 
Ba Early Eighteenth Century 
SS ~ Rectangular knopped stem carved with acanthus leaves and egg 
and dart molding, circular bobéche, cylindrical candle-socket 
with pierced pear-shaped wrought-iron guard, rectangular 
molded foot and rectangular base with sides carved and pierced. 
Painted in various colors. 


Height, 86 inches. % 
599—FrencHo PLaTEau Eighteenth Century 
In eleven sections, the two end ones with beveled angles, sur- a 


ay /) * rounded by carved and gilt wood guilloche-patterned border. 
Formed of panels of white composition, glazed and painted with 
vases, rectangular and lozenge-shaped medallions of landscapes 
in carmine and blue and figures of Psyche and Cupid in colors, 
surrounded by an inner Pompeian border of scrolls, lanterns, 
pendants of circular portrait medallions, classic figures and 
landscapes with figures, and an outer border of acanthus-leaf 
rinceaux, vases and rectangular, circular and shuttle-shaped me- 


dallions. 
Length, 20634, inches; width, 24 inches. 


600—Two Frencu PatntEep Gitt Grass Mirrors 
Eighteenth Century 
Rectangular mirrors in wooden frames carved with lead pend- 
he 3 pants, pointed-leaf borders and paneled with glass painted, in 
black and gold, with overlapping tessere and husk pendants. 
Above are glass panels, one with two Amorini at the foot of a 
broken column with an escutcheon surmounted by helmet and 
crest and charged with a coat-of-arms, one with circular me- 
dallion occupied by a subject of “Venus Chastising Cupid” and 
supported by two women. 


Height, 7 feet 4 inches; width, 2 feet 51% inches. 


(Illustrated) 


Epiaipmntpesj a eomtip ice, 
cotta th Ress i 
ete ies tere 


ee 


iss 
‘ 


eR Pe 


Pee 


Mirrors 


H PaInTED GILT GuLass 


Two Frenc 


- 600— 


No 


Century ) 


ighteenth 


(E 


Third Afternoon 


601—SpanisH Painted PiastER MeEpaLiion Eighteenth Century 


~ J » - Oval shape. Molded frame carved with cresting rayed tiara 
and crossed keys and floral festoons. Medallion occupied with 
figure of Pius Septimus, kneeling before a sacred picture. De- 
scription below: “prus SEPTIMUS PONT. MAX.” 


Height, 15 inches; width, 11 inches. 


STONE CARVINGS AND TERRA-COTTAS 


602—SpanisH CarveED AND GitpED Marsie Base 
Seventeenth Century 


0% Octagonal shape, carved and pierced with scrollings and gro- 
tesque masks. Traces of gilding. 

Height, 5% inches; width, 8% inches, 
603—SpanisH Marsrie Capiran Sixteenth Century 
»~  Pear-shaped, carved, in low relief, with grotesque masks. 

oe 


Height, 9 inches. 


604—Pair or Iranian Limestont Meparuions Lighteenth Century 
., _. Circular shape. Modeled with portrait heads in profile, one of 


\ 4 


I 35 - Jupiter shown as a bearded man with fillets, one of Juno shown 


as a woman with curling hair and ringlets. 
Diameter, 1834 inches. 


605—SpanisH Limestone Ficures Eighteenth Century 
Figures of two seated spaniels on rectangular bases. 


Le so pa Height, 1714, inches. 


606—SranisH Carvep and Paintrep Limestone Pane 
XY o- Fifteenth Century 
Shaped as two shields occupied, one with Chalice and Host, one 
with cherub and two keys and surrounded by inscription in raised 
Roman letters. Traces of painting. 


Height, 20 inches; width, 22 inches. 


bi 
‘ 
i 
aa 
| 
2 


an 


j 
. 
q 


Third Afternoon 


607—SPantsH PAINTED AND Carvep LiImMEsToNE PANEL 


Seventeenth Century 
(35- 


Rectangular shape, with molded borders and carved with scrolled 
escutcheon charged with a coat-of-arms and surmounted by a 
Putto’s head and crossed keys. Traces of painting. 


Height, 31 inches; width, 24 inches. 


608—FrencH MarsiE STATUETTE Siateenth Century 


JO Standing figure of the Virgin, crowned, and in a loose robe, 
4 ~~ supporting the undraped Child Christ on her left arm. Right 


hand missing. Of cream-colored marble incised with lines. 
Height, 11 inches. 


Third Afternoon 


609—Pair oF SpanisH PainTEeD TERRA-cOTTA STATUETTES 
Eighteenth Centur 
eis : A : 3 
Standing figures of Angels in red and cream-colored skirts, one 
holding a cornucopia and one playing a lute. (One repaired.) 
Height, 10 inches. 


610—Pair oF Irarian Marsre Busts Sixteenth Century 
ee Portraits of Roman Emperors in Togas. Heads in cream-col- 
ored, togas in gray and yellow veined marble. On molded cylin- 


drical pedestals. 
Height, 151% inches. 


611—Four Drespen TrErra-corra StatTureTres LHighteenth Century 
Molded as standing Children and a Singerie figure. One, a girl 
/ AL © —with a basket of flowers, one a boy holding a fish in one hand and 
a basket in the other, one, a boy playing the bagpipes, and one, 
a monkey playing a flute. All in eighteenth century costumes. 

Circular bases. 


Height, 31% inches. 


(Illustrated ) 


tie 


(hunquap yquaaqybr77 ) 


SHLLAOLVLGS V.LLOO-VUT"d T, NaAdGSaAd TL awoOO4—TLL9 “ON 


Third Afternoon 


612—FLorRENTINE Bronzep Stucco Bas-RELIEF 


6 9- 


Disciple of Donato de’ Bardi, called Donatello (1383-1466) 


Modeled with three-quarter-length figure of the Virgin seated 
and with her head inclined. She wears a loose robe and mantle 
forming a hood. On her lap she supports the undraped Child 
Christ regarding the spectator with full face. In the angles are 


cherubim. Completely bronzed. 
Height, 341% inches; width, 24 inches. 


613—Iratiax CoLtorep Stucco Bas-RELIEF BY Mino pa Fresoie 


Fifteenth Century 


7 2’ 5 -Rectangular-shaped tablet in two portions with leaf border. 


Upper panel modeled with half-length figure of Virgin in red robe 
and dark mantle, holding in her arms the undraped Child Christ, 
while the infant St. John the Baptist looks up from beneath. 
In the corners are cherubim. Lower panel modeled with a 
cherub. 

Height, 261, inches; width, 181/, inches. 


(Illustrated) 


. 613—Irartian Cotorep Stucco Bas-RELIEF BY 


Mino pa Fiesote (Fifteenth Century) 


Third Afternoon 


614—Encusu Trrra-cotta Ficurre, sy Mrs. DamEr 


aoe 


Eighteenth Century 


Modeled as a seated old English Sheepdog, in unglazed terra- 
cotta. Accompanied by an autograph letter and the inscription: 
“Portrait of an old Dog, modeled from the life by the Hon’ble 
Anne Seymour Damer.” 


Height, 744 inches; length, 17 inches. 


Note: Mrs. Damer, daughter of Gen. Conway, was a great friend of 
Horace Walpole. At his death, he left her his famous Strawberry Hill 


- Mansion. 


615—EnecuisH Parntep Mantet Crock Eighteenth Century 


Rectangular case with domed top and brass ball and pineapple 


~9 3D finials, brass dial with frosted center. Pierced cherubim and 


scrolled brass ornaments in angles. 


Height, 16% inches; width, 10 inches. 


From the collection of Don Bonifacio Diez Montero, Burgos. 


616—EncuisH Manocany Bracker Crock Seventeenth Century 


os HE aE 


Rectangular case with molded cornice, domed top and molded 
base, brass dial with pierced, scrolled and masked brass ornaments 
in angles, surmounted by striking dial and inscribed “Stephen 
Asselin, London.” Brass looped carrying handle. Britten, pp. 
547 and 610. ‘Asselin, about 1687-1695.” 


Height, 18 inches; width, 11 inches, 


Third Afternoon 


617—EncusH Watnut Bracket Crock Eighteenth Century 

Rectangular case with molded cornice, domed cover and pine- 

aa apple finials, brass dial with frosted brass center, and pierced 

scrolled brass ornaments in angles, surmounted by a striking dial 

and inscribed, “James Smith, London.” Britten, p. 747, “James 
Smith, Clock maker to George III, 1776-1794.” 

Height, 21 inches; width, 101 inches. 


GILT FURNITURE FROM THE SIXTEENTH TO THE 
NINETEENTH CENTURY 


618—Frencu Gitt Stoo. Eighteenth Century 
Serpentine top, apron carved with shells and floral sprays, cabri- 

FS ~ ole legs. ‘Top in needlework, worked in colored wools on a green 
ground, with leaves, flowers, medallions and floral sprays. Frame 


completely gilt. 


619—SpanisH Carvep anp Gitt Woop Frame Seventeenth Century 
Fae Round-arched top carved with cherubim and leaves, sides carved 
/. with acanthus-leaf pendants. Painted and gilt. 

Height, 56 inches; width, 35 inches. 


620—Pair or SpANnisH CarvED AND Gitr Woop Mirrors 
CoA Seventeenth Century 
Rectangular mirrors. Frames carved and pierced with scrolled 
acanthus leaves, shells, floral sprays and rosettes. Completely 
gilt. Height, 17 inches; width, 104% inches. 


621—Pair oF SpanisH Carved and Girt Woop Mirrors 
Eighteenth Century 
lb ys Shield-shaped mirrors. Molded frames with pierced crestings 
carved with C-scrolls and shells, ears carved with voluted scrolls 
and leaves, and aprons carved with branches of pointed leaves, 
scrolled leaves and circular boss. Completely gilt. 
Height, 26 inches; width, 16 inches. 


622—Pair oF SpanisH Carved, PaintEeD anp Gitt Woop Mirrors 

Seventeenth Century 

S- Rectangular mirrors. Molded frames surrounded by female 

caryatids with wings ending in tapering volutes and by scrolled 

escutcheons carved with the sacred and Virgin’s monograms. 
Aprons carved with cherubim and voluted scrolls. 

Height, 171% inches; width, 14 inches. 


Third Afternoon 


623—Pair oF SpanisH Carvep Woop anp Gitt Mrrrors 
Seventeenth Century 
SS Shield-shaped mirror. Molded frame with cresting carved with 
C-scrolls, shell and three leaves ending in carved flowers, 
C-scrolled ears surmounted by birds and pierced aprons carved 
with scrolls and grotesque masks. 


Height, 261, inches; width, 18% inches. 


624—SpanisH Carvep anp Gitt Woop Mirror 
Seventeenth Century 
J d- Shield-shaped mirror. Molded frame, with cresting pierced and 
carved with voluted scroll and acanthus leaf, acanthus-leaf ears 
with festoons of drapery and C-scrolled carved apron. 


Height, 8414 inches; width, 22 inches. 


625—Spanish Carvep anp Gint Woop Mirror Eighteenth Century 


Rectangular mirror with shaped top. Molded frame carved with 

iy D ~ C-serolls and floral sprays, cresting carved and pierced with 

scrolls, volutes, and flowers, apron with floral sprays. Com- 
pletely gilt. 

Height, 331%, inches; width, 20% inches. 


626—Parr or Spanish Carvep anp GittT Woop Mrrrors 
Enghteenth Century 
e > - Rectangular mirrors. Guilloche carved frames with pierced crest- 
ings carved as vases, festoons and leaves, scrolled and voluted 
ears with leaf pendants and aprons with vase-shaped brackets 
and festoons of pointed leaves. Completely gilt. 


Height, 36 inches; width, 23 inches. 


627—SpanisH Carvep, ParnreED anp Gitt Woop Fire Screen 
Eighteenth Century 
Coan Shaped glass panel with frame carved with cornucopie of flowers 
and with scrolled leaves. Pedestal with voluted medallion in cen- 
ter and wings of C-scrolls. Molded broken base. Painted and 
gilt. 


Height, 25% inches; width, 161% inches. 


ey 


ae 


fal 


hee eo noe © 


i 


vd — 
> he a > 


eh oe 


a 


Third Afternoon 


628—Pair oF FrencH Manocany BAanquETTeEs 

ae Early Eighteenth Century 
‘Rectangular tops, plain aprons, square tapering legs with angles 
inlaid with brass and brass pear-shaped feet. ‘Tops in con- 
temporary striped silk rayure of yellow and red. 


629—Set or Four Frencuo Manocany BAaNnQuETTEs 
Early Eighteenth Century 


70 ' Similar to the preceding, with tops in striped silk rayure of 
yellow and blue. 


630—Frencu Paintep ARMCHAIR Eighteenth Century 


Square straight back, carved frame, curved arms on turned sup- 
|\F- ports and turned legs. Seat and back in embossed plush. 


631—SpanisH Patnrep CHAIR Eighteenth Century 

/ + Straight square back with molded frame, fluted apron and turned 
fluted tapering legs with rosetted dies. Seat in figured plush, 
back in woven canework. Frame painted white. 


Third Afternoon 


632—SetT or Srxx Frencu Watnvut Cuairs Eighteenth Century 
Oval backs with carved frames, serpentine carved aprons and 
4S 2. = turned, fluted, tapering legs with ball feet. Seats and backs in 


woven canework. 


633—FrReEeNcH PatnTED CHair Eighteenth Century 
Oval back with carved frame, fluted legs with rosetted dies and 
S-_ ball feet. Seat and back in woven canework. Frame painted 
Dede ae ) 
blue and white. 


634—SeET oF Six Spanish Parntrep anp GittT Woop Cuairs 
Eighteenth Century 
J e 0 © Open backs with shaped and carved head rails, vertical splats 
pierced with interlacing voluted scrolls, shaped aprons, cabriole 
legs and claw and ball feet. (One restored.) Seats in old Span- 
ish silk brocade woven on a green ground. 


Third Afternoon 


rm 


635—Set or Six Spanish PaintTED anp GittT Woop Cuarrs 
Eighteenth Century 
q Ur Spade-shaped upholstered backs, with molded frames, carved with 
beads, bowed seat fronts, carved with beads and turned, tapering, 
spirally fluted legs. Seats and backs in red satin, with bands of 
eighteenth century French lampas woven, in colors, with flowers 
on a black ground. 


636—Parr or Spanish ParntED Woop Cuairs Eighteenth Century 
Straight open backs with carved and shaped head rails, bar- 
i pe shaped vertical splats, carved in relief with leaves, serpentine 
seat front, cabriole legs, curved side rails and stretcher. Seats 

in old silk and silver brocade. 


Third Afternoon 


637—SpanisH ParnteD anp Girt Prie-Dirv Cuair 
Eighteenth Century 
7] j - Open back with head-rail as box with hinged, upholstered lid, = 
curved and voluted side supports carved with imbrications, 
bowed apron carved with overlapping quatrefoils, turned taper- 
ing, carved legs. Seat and back in eighteenth century silk bro- 
cade woven in colors on a rose-colored ground. Box contains a 
fan with ivory sticks and painted engraved mounts, and an oval 
tortoise-shell composition snuffbox, the lid set with oval minia-~ 
ture portrait. | 


638—Dutrcu Painted TasLe Early Nineteenth Century 


Shaped oval tray top with molded edge, painted, in colors, with 

e 4S an oval panel of landscape, farm building, water, swans and 
fishermen surrounded by a border of floral scrolls. ‘Turned, vase- 
shaped pedestal and tripod stand with three flat voluted legs. 
Pedestal and stand painted red. 


Height, 29 inches; length, 31 inches; width, 23 inches. 


639—Intain Manocany Writine TABLE 
SD Lows XVI Period of the Eighteenth Century 


4 ne ™~ Back fitted with two drawers with inlaid fronts, plain apron 
' fitted with drawer with inlaid front, square tapering legs inlaid 
with herring-bone patterning. Brass knobs and keyhole escutch- 


eon. 
Height, 2614 inches; length, 20 inches; width, 15 inches. 


640—Frencn Manocany Tape Eighteenth Century 


JD Circular tray top with plain edge, three incurved square legs, 
3 2. ~ rectangular base with plain incurved sides and claw and helf 
ball feet. Circular stretcher shelf. 


Height, 32 inches; diameter, 18 inches. 


641—SpanisH CurppENDALE Manocany TasLe Eighteenth Century 
,Rectangular top with two hinged flaps supported by hinged legs, 
plain apron fitted with drawer, turned tapering legs with claw 


and ball feet. 
Height, 291, inches; length, 541 inches; width, 39 inches. 


Third Afternoon 


642—SpanisH Girt ConsoLeE TasLEe Eighteenth Century 
Rectangular top, with bowed front and molded edge, carved, in 


low relief, and painted with rosetted diaper scrolled vase of flow- 
ers and floral festoons. Apron pierced and carved with ribbon 
and festoons, Satyrs’ heads at angles, turned tapering fluted 
legs, bound with ribbons and with fluted bell-shaped feet. 


Height, 361 inches; width, 241, inches; depth, 151% inches. 


643—SpanisH Gitt ConsoLteE Tas LE Eighteenth Century 
Shaped gray marble top with molded edge. Apron pierced and 
Lot ped Perel ey Pp a v Pp 


carved with floral festoons and scrolls, carved cabriole legs with 
voluted feet and carved stretcher. Frame gilt. 


Height, 31 inches; width, 25 inches; depth, 151 inches. 


644—Frencu Iyiar Satinwoop Carp anp Writine TasLe 
SD Louis XV Period of the Eighteenth Century 
4°. ~ Rectangular top imlaid with bands of kingwood and with hinged 
] flap, lined with green baize and with oval saucers for counters. 
Below is a rising writing compartment with hinged book-rest 
above, the front divided into pigeonholes with drawers be- 

neath. Plain apron, cabriole legs and claw and ball feet. 


Height, 311% inches; length, 3114 inches; width, 15 inches. 


645—Frencu Carved anp PatntED Woop FiresipE ScREEN 
Eighteenth Century 
/ p) S -Figure of a maiden cut en silhouette and painted, holding in one 
hand a candle bracket of iron with curved and scrolled branch, 
saucer-shaped bobéche with scalloped edge and _ cylindrical 


candle socket. 
Height, 63 inches. 


646—Frencu CarveD AND PatnrED Woop FiresipE Screen 
Eighteenth Century 
Z0 > Similar to the preceding. 
Height, 63 inches. 


Third Afternoon 


647—SpanisH Carvep anp Gitr Woop Mirror Eighteenth Century 
( _s~ Rectangular mirror with rounded angles. Guilloched carved 
frame with cresting carved as vase of flowers, scrolled and voluted © 

ears carved with pendants of flowers and leaves, and apron 
pierced and carved with voluted scrolls, pointed leaves and floral 
pendants. Completely gilt. Height, 89 inches; width, 2714 inches. 


648—Pair oF SpanisH Carvep anp Gitr Woop Mirrors 
: Seventeenth Century 
Shield-shaped mirrors. Molded frames, with pierced scroll and 
acanthus-leaf crestings, pierced ears carved with dripping water 
and C-scroll carved aprons. Completely gilt. 
Height, 42 inches; width, 25 inches. 


Third Afternoon 


649—SpanisH CarvED AND PatntED Woop FRAME 
Seventeenth Century 


ca 2 - Tabernacolo frame of carved and painted wood, molded cornice 
supported by spirally twisted columns carved with vine leaves 
and grapes and set on carved console brackets, plinth carved 
with vase of conventional flowers and leaves, and inner frame 
with round-arched scrolled top and broken molded border with 


tablet above. Painted. 
Height, 43 inches; width, 45 inches. 


650—Iranian Carvep anp Gitr Woop Frame Eighteenth Century 


ao Rs Rectangular-shaped opening, frame molded and carved with a 
cresting of a broken voluted-pediment with cherub finial, voluted 
wings with olive and leaf pendants, rosetted pedestals and apron 
carved with an oval scrolled medallion, volutes and brackets. 


Completely gilt. 
Height, 431% inches; width, 33 inches. 


651—SpanisH Carvep Woop, Gresso anp Gitt Mirror 
Eighteenth Century 
a ee ecfen gular mirror with shaped top. Molded frame, carved, 
) pierced and decorated with gesso with scrolled leaves and scroll- 
ings, cresting carved and pierced with scrolled leaves and volutes 
and apron carved and pierced with C-scrolls and scrolled leaves. 


Completely gilt. 


Height, 42 inches; width, 22 inches. 


652—Pair or Spanish Carvep anp Gitr Woop Mirrors 
Eighteenth Century 
be Shield-shaped mirrors. Molded frames carved with scrolls and 
leaves, pierced crestings carved with scrolled acanthus and 
pointed leaves and flowers, pierced ears carved with scrolls and 
flowers and pierced aprons carved with voluted scrolls, leaves and 
oval escutcheons. Completely gilt. 


Height, 39 inches; width, 22%, inches. 


Third Afternoon 


earner eee ee en 


653—SpanisH PainTED AND Gitr Waxtnut Roya CrapLe 
SO Eighteenth Century 
2) 2. ~  Boat-shaped, the upper portion of sides fretwork pierced with 
flat vase-shaped balustrading, the lower portion paneled with 
molded wood over linen, carved shell at stern and gilt swan- 
head at bow. Cylindrical canopy pole at back surmounted by 
a dove with outstretched wings. Cradle supported by two her- 
aldic lions, carved, painted and gilt. Base with straight incurved 
sides and chamfered angles, brass applied masks, ring and casters. 


Height, 66 inches; length, 64 inches; width, 28 inches. 


Third Afternoon 


654—SpanisH LEATHER CHEST Sivteenth Century 

/ 4 + Hinged domed lid, covered with old leather incised in a pattern 

of scrollings and leaves, paneled, with brass-headed nails and 

set with pierced brass rosettes and bosses shaped and pierced in 

the form of double-headed eagles. Front, with brass swinging 

rings and hasps, covered with leather incised with scrollings and 

mythical animals. Sides covered with leather incised with birds 

and scrolled leaves, with swinging looped wrought-iron carrying 
handles and studded with brass-headed nails. 


Height, 14 inches; width, 4014, inches; depth, 191% inches. 


655—Nortu Iranian Patntep Watnut Cassone Sixteenth Century 


Rectangular hinged lid with molded edge, front divided into three 

ip J panels with molded stiles and raised moldings, painted, the center 
with scrolled escutcheon charged with coat-of-arms, the side pan- 

els with grotesqueries, all three surrounded by borders of scrolled 
acanthus leaves and rustications, molded base and facetted feet. 

Height, 241%, inches; width, 67 inches; depth, 24 inches. 


656—Hispano-Encuisu Lacauerep Tati Crock 

9 oo Seventeenth Century 
Hood with domed top, vase-shaped finials and dies above. Molded 
cornice frieze paneled with metal band pierced and repoussé with 
scrollings and supported on columnar pilasters, hinged glazed 
door. Rectangular pendulum case with hinged door having cir- 
cular glazed peep-hole, rectangular pedestal and ball feet. Dec- 
orated, on a red ground in raised gold and silver lacquer, with 
Chinoiseries of pavilions, trees, figures, quatrefoil diapers, 
twisted ribbons, floral sprays and oval medallions. Dial, with 
silvered rim, frosted brass center, raised gilt brass cherubim and 
scrolls in spandrels, engraved, “Dove Williamson, Cadiz.” Brit- 

ten, p. 770. “Dave Williamson. About 1700.” 
Height, 7 feet 6 inches. 


657—SpanisH AND EneuisH Oak Tati Crock Seventeenth Century 
Hood with curved and voluted broken pediment, round-arched 

/ ee hinged door and carved and dentelled base. Rectangular pendu- 
lum-case with hinged door and curved panel and rosette, carved 

base, rectangular pedestal. Dial, with silver rim, of engraved 

brass with circular monogrammed boss above and jeweled bob- 
pendulum. Height, 90 inches; width, 181% inches. 


Third Afternoon 


658—EneutsH LacevErep Tati Crock Seventeenth Century 

_ Hood with domed top, pineapple finials, round-arched, hinged, 

7 b glazed door and molded arched cornice supported by columnar 

pilasters. Rectangular pendulum-case with hinged door having 

arched top and rectangular pedestal with molded base. Dec- 

orated, on a black ground in colored and gold raised lacquer, 

with Chinoiseries of trees, figures, toothed borders, birds, scrolls 

and scrolled spandrels. Silvered dial, with chiming dial above, 

and raised gilt brass scrolls and shells in spandrels. Center en- 

graved with scrolled acanthus leaves and “John Taylor, London.” 
Britten, p. 754. “John Taylor C. C. 1687.” 


Height, 7 feet 8 inches. 


659—SpanisH Paryrep THREEFOLD SCREEN Seventeenth Century 


Rectangular folds, painted in oil colors with views of ruins and 

<2 BES oe figures and with bands above and below of Greek key pattern 
in yellow on a brown ground. | 

Height, 65 inches; width, 63 inches. 


660—Frencu Painrep anp Girt Woop Frame Eighteenth Century 


Rectangular opening. Molded frame, decorated with applied 

RS cate oat mask, branches of pointed leaves, rosettes and leaf border. Acan- 
thus-leaf decorated base. 

Height, 75 inches; width, 35 inches. 


661—SpanisH Carvep, PAaIntTED AND Gitt Woop FRAME 


Seventeenth Century 
=a Rectangular opening. Frame on three sides molded, carved with 


J } scrolled leaves, and gilt. One side of unpainted molding. 


Height, 38 inches; width, 92 inches. 


662—SranisH CarvED AND Gitt Woop Frame Sixteenth Century 
Saane Rectangular shape. Molded and carved with leaves. Completely 

~ gilt. 
Height, 7 feet 7 inches; width, 8 feet 10 inches. 


Third Afternoon 


663—Pair oF SpanisH PainteD anp Gitr LEATHER PANELs 
Eighteenth Century 
ib D=- Rectangular shape. Painted, on blue grounds, one with a scrolled 
medallion with the figure of S. Sebastian tied to a tree with an 
Angel extending a wreath, one with an oval monogrammed medal- 
lion, both flanked by floral sprays and with borders painted, in 
colors on gold grounds embossed with hatchings, with scrolls, 
shells, floral sprays and birds. 


Heights, 3 feet 3 inches and 3 feet; width, 8 feet 7 inches. 


SPANISH FURNITURE © 


During the fifteenth and sixteenth centuries Spain practically 
ruled the world. She dominated Flanders, Spaniards ruled Sicily and 
Naples, a Spanish Emperor sat on the throne of Germany, while with 
France she was on the best of terms. Small wonder, then, that these 
tables, these chairs and these cabinets are so largely reminiscent of the 
cabinet-maker’s art of other countries. It is, however, a noteworthy 
fact that these foreign influences affected, it is true, but did not stamp 
out, the Spanish characteristics therein displayed. Sefior Riano has 
said that ‘“‘the brilliant epoch of carving belongs to the sixteenth cen- 
tury and was due to the great impulse received from the works of 
Berruguete and Felipe de Borgona.” It is worthy of note that, follow- 
ing the examples of their monarchs, the Spanish nobles lavished color 
and ostentatious splendor upon their churches, while their homes were 
remarkable for a dignity that almost approached austerity. It is this 
feature of the furniture of their best period, its noble simplicity, its 
discreet use of carving and other ornamentation, that renders it so 
thoroughly at home in our modern houses. Particularly so is this the 
case with the tables, of which an unusual variety will be found— 
sacristy tables, refectory tables, library tables, tables with wrought- 
iron braces, tables with carved and tables with inlaid, aprons, are here 
in profusion. Nor have chairs, cabinets and chests been neglected, so 
that the whole showing is full of interest and attraction to the increas- 
ing number of people who like beautiful things with which to adorn 
their rooms. 


Hae 


FOURTH AFTERNOON'S SALE 


FRIDAY, APRIL 29, 1921 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O CLOCK 


Catalogue Numbers 664 to 850, inclusive 


664—SpanisH Watnut StToou Seventeenth Century 


- Rectangular top with straight edge. Turned legs; square rails. 
oe ON Hale 


Height, 17 inches; length, 1914 inches; width, 1314 inches. 


665—SpanisH Watnvut SToou Sixteenth Century 
gpRectangular top with straight edge, spreading reel-turned legs 
os “4, “with pear-shaped feet and square rails. 


( 


Height, 21%, inches; length, 21%, inches; width, 18 inches. 


Fourth Afternoon 


666—SpanisH Pryo Woop Sroor Sixteenth Century 
J? Rectangular top, turned vase-shaped legs, turned side rails and 

ral longitudinal stretcher. Top in old brown leather. 
Height, 14 inches; length, 26 inches; width, 161% inches. 
667—Castitian Watnut SrToou Sixteenth Century 
Rectangular-shaped top, turned legs, shaped rails. ‘Top in old 

3 » - rug cut in a pattern of rosettes and scrolls. 

Height, 101%, inches; length, 1614 inches; width, 14°, inches. 


From the collection of the Marqués de Valverde. 


668—Pair or Swiss Watnut Orcan STOOLS Sivteenth Century 


Semi-octagonal seats with molded edges and plain aprons and 
3 D a 5 c 
turned spreading legs. On rectangular bases with rounded ends 
and plain plinths. 


669—Spanish Watnut Orcan BENcH Sixteenth Century 


Rectangular planked top with rounded edge and shaped cross 
Ree braces, shaped and voluted spreading supports incised with leaves, 
shaped molded and incised deep front rail and shaped side rails. 


Height, 18 inches; length, 2714 inches; width, 18 inches, 


670—Frencu Grainep Watnut TABLE Eighteenth Century 
Rectangular top with beveled angles, plain apron fitted with 

SS drawer and curved, tapering, square legs. 
Height, 29 inches; length, 23 inches; width, 151% inches. 
671—Frencu Intai Wartnutr Tape Nineteenth Century 


— Rectangular top, with plain edge, inlaid with leaf medallion, 

J 2 broken angled border and panel of burr walnut. Plain apron 

= 7] ; fitted with drawer, with wooden knob and tapering square legs 
inlaid at angles in barber’s-pole pattern. 


Height, 31 inches; length, 20% inches; width, 161% inches. 


672—Castin1an Watnut Tape Sixteenth Century 


2 p Rectangular top with straight edge, plain apron fitted with 
drawer with incised front, turned legs with ball feet, shaped front 
rail and square side rails. 


Height, 21% inches; length, 32 inches; width, 20 inches. 


Fourth Afternoon 


673—ARAGONESE WALNUT SrmvE TasLeE Sixteenth Century 


J Rectangular top with straight molded edge, shaped apron fitted 
&A- “with drawer with incised paneled front, reel-turned legs with 
ball feet and square rails. 


Height, 2834 inches; length, 3114 inches; width, 20 inches. 


674—Castinian Watnut Reapine Tasre Sixteenth Century 


so Rectangular top with straight edge. Plain apron, fitted with 
) ~ drawer with double raised paneled front, turned columnar legs 
with ball feet and square rails. 


Height, 23°4 inches; length, 31%, inches; width, 21 inches. 


675—SranisH Pino Woop Tasie Seventeenth Century 


L ee Rectangular top with chamfered edge, plain apron fitted with 
drawer, turned legs, shaped chamfered side rails and square 
longitudinal stretcher. Brass keyhole escutcheon. 


Height, 26 inches; length, 34 inches; depth, 23 inches. 


676—CaTatonian Waunut Tape Seventeenth Century 


Rectangular top with straight edge and shaped cross braces, 
y 1 - shaped and voluted legs and rails, crossed wooden meander-shaped 
longitudinal braces. 


Height, 29 inches; length, 28%, inches; width, 251, inches. 


677—SPANIsH WaLNnuTt Orcan BEencH Sixteenth Century 


Wan Rectangular top with chamfered angles, molded edge and shaped 
“eross braces, flat shaped voluted spreading legs, shaped deep 
front rail carved with diamond diaper and shaped side rails. 


Height, 221%, inches; length, 25 inches; width, 24 inches. 


678—SpanisH Pino Woop Orcan BEencH Sixteenth Century 


Rectangular top with round angles, molded edge and shaped 
“4s. cross braces, straight square fluted spreading legs, shaped deep 
front rail carved with fleur-de-lis and square fluted side rails. 


Height, 211% inches; length, 30 inches; width, 18 inches. 


679—SpanisH Prvo Woop Sacristy Bencu Sixteenth Century 
0 _-Straight, square back with reeded edge, wooden seat, turned legs 
with shaped and carved cross braces, shaped side rails and 
square wooden longitudinal braces. Length, 81 inches. 


Fourth Afternoon 


680—SpanisH Oak BENCH Seventeenth Century 


JUStraight square back with molded edge, wooden seat, shaped 


9 A* ~ cross braces and flat shaped legs and rails. 
Length, 70 inches. 


681—Spanish Watnut ARMCHAIR Eighteenth Century 


Square open back with scrolled, voluted and paneled vertical 
4s splat, curved arms on turned supports and tapering square legs. 
Upholstered removable seat. 


682—SpanisH Oak CHair Sixteenth Century 


o- Open arcaded back with rectangular splats and shaped finials, 
4 wooden seat, arcaded apron, straight square legs and rails. 


683—Two La Mancua Watnvut Cuairs Sixteenth Century 


Open spindled backs, voluted finials, wooden seats, square and 
i“ o- turned legs, shaped and spindled front rails and square side 
rails. 


684—NortTH Spanish Watnut CHair Late Eighteenth Century 


Open back, with fan-shaped vertical splats, shaped and carved 
3 5 head rail and molded finials, rush bottomed seat of later SONI 
chamfered square legs and turned rails. : 


685—AnpvatusiAn InLaip Oax CHarr Sivteenth Century 
£>Spindle back with rounded finials, inlaid head rail, wooden seat, 
i. ~ turned legs with spindled and inlaid front rail and square side 


rails. 


686—Castinian Watnut Cuitp’s CuHarr And CacE 
Sixteenth Century 
= S . Rectangular cage with eight turned supports, adjustable seat 
and rectangular molded ee 


Height, 18% inches; length, 16 inches; width, 151% inches. 


687—SpanisH Watnut ARMCHAIR 
? Charles V Period of the Sixteenth Century 
I 4, = Straight square back with fluted finials, flat voluted arms on 
) square supports, square legs with pierced deep front rail and 
square side rails. Seat and back in original leather. 


Fourth Afternoon 


688—SpranisH Watnut Carr ! 
Philip IV Period of the Eighteenth Century 
J a Straight square back with serpentine top, scroll and_ shell- 
carved apron, cabriole legs, turned side rails and square stretcher. 
Seat and back in old leather secured with large brass-headed 
nails. 


689—Two Castinian Watnout Cuairs Sixteenth Century 
IS Open spindled backs with rounded finials, wooden seats, straight 


square legs, shaped deep front rails and square side rails. 


690—Pair or Spanish Pino Woop Cuairs Sivteenth Century 


(ae Open backs with shaped horizontal splats and voluted finials, 


wooden seats, turned legs, shaped front rails, square side rails. 


691—SpanisHh Watnut ARMCHAIR Eighteenth Century 
Open back with shaped head rail and vertical splat pierced and 
& d- carved with fluted pilasters, festoons of drapery and voluted 
scrolls, square curved voluted arms on curved supports, serpen- 


tine seat front and turned tapering fluted legs. Seat in striped 
silk. 


692—CatTatonian Watnout TasLe Late Sixteenth Century 


Rectangular top with rounded angles and edge. Plain apron 
3 S fitted with two drawers with raised paneled fronts, reel-turned 
legs. Wrought-iron shaped handles and keyhole escutcheons. 


Height, 31 inches; length, 49 inches; width, 26 inches. 


693—SpanisH Watnut TAasLe Late Sixteenth Century 


$d Rectangular top with straight edges and plain cross braces, 
uf =.:~ turned spreading legs and turned end rails. 


Height, 2614, inches; length, 434% inches; width, 20%, inches. 


694—SpanisH Prvno Woop TABLE Sixteenth Century 


Rectangular top with rounded corners and edge, plain apron, 
J o> — fitted with drawer with plain front, turned legs, and side rails, 
and square longitudinal stretcher. Brass swinging looped han- 


dles. 
Height, 281 inches; length, 411, inches; width, 251/, inches. 


Fourth Afternoon 


695—AraGonEsE Oak and Watnut TaBLe Siateenth Century 


TI p _Rectangular top with straight edge, plain apron fitted with 
drawer with rosette carved front and notched band below, turned 
legs, pear-shaped feet, square rails and stretcher. Wooden 


knobs. 
Height, 30 inches; length, 421, inches; width, 21%, inches, 


696—Casrinian Wautnut TasLe Sixteenth Century 


Rectangular top with straight edge and shaped cross braces, 
l 0 - square spreading legs and square rails. Wrought-iron twisted 
cylindrical longitudinal braces. | 


Height, 28%, inches; length, 411% inches; width, 25 inches. 


697—CatTaLoniaAn WaLtnuT SivE Tasie Seventeenth Century 


Rectangular top with straight edge, shaped apron fitted with 
Ke - drawer with scrolled carved front, turned vase-shaped legs, with 
ball feet, square molded rails and longitudinal stretcher. 


Height, 31% inches; length, 444 inches; width, 23 inches. 


698—CataLonian Watutnut Occasionat Taste Sixteenth Century 
er oe Rectangular top with straight edge and molded cross braces, 
spreading reel-turned legs and shaped rails. 


Height, 29%, inches; length, 381% inches; width, 23% inches. 


699—SpanisH Intaip Pino Woop Taste Fifteenth Century 


Rectangular top with molded edge, plain apron fitted with two 
| Uy — drawers with fronts inlaid with walnut, flat square spreading 
legs and flat square wooden longitudinal braces. 


Height, 1914 inches; length, 83 inches; width, 1814, inches. 


700—CatTatonian Pino Woop TasLE Seventeenth Century 


Rectangular top with straight edge and molded cross braces, 
? f= spreading reel-turned legs and end rails and wrought-iron carved 
knopped cylindrical longitudinal braces. Finished in black. 


Height, 2814 inches; length, 481, inches; width, 311% inches. 


701—SranisHh Watnut Woop Taste Late Sixteenth Century 


gp Rectangular top with straight edge, shaped apron fitted with 
44 2s ~ two drawers with paneled fronts, divided by carved stile, turned 
legs with ball feet and square rails. 


Height, 31%4 inches; length, 4014 inches; width, 28 inches. 


Fourth Afternoon 


702—SpanisH Pino Wvop Tassie Seventeenth Century 
Cal, _ Rectangular top with straight edge, apron fitted with drawer 
with carved front, square legs with shaped cross braces, square 


side rails and molded longitudinal stretcher. 


Height, 32 inches; length, 4034 inches; width, 231, inches. 


703—-ARAGONESE WatNnut Sipe Tasle Late Sixteenth Century 


Rectangular top with plain edge, shaped apron, fitted with two 
me Se drawers with paneled fronts, turned legs with ball feet and square 
rails. Wooden knobs. 


Height, 27% inches; length, 3434 inches; width, 18 inches. 


704—SpanisH Pino Woop ARMCHAIR Eighteenth Century 


YD Straight square upholstered back with carved head rail, curved 

2 ~4. = flat voluted arms carved with overlapping tessere on curved 

] acanthus carved supports. Turned tapering fluted legs. Seat, 
back and arms in old leather. (One leg restored.) 


705—Castitian Watnut BENcH Seventeenth Century 


Straight, hinged back, straight seat front, turned tapering legs 

/ _ carved with oval escutcheons with gadrooned ball feet, carved, 
7 d shaped and voluted end rails and curved knopped cylindrical 
wrought-iron longitudinal braces. Seat and back in old crimson 

velvet, back embroidered in colored silks and gold thread with 


scrolled shield charged with a coat of arms. 
Length, 66 inches. 


706—Pair oF SpanisH PainTED AND GILT ARMCHAIRS 
Fifteenth Century 
lL | b- Shield-shaped backs, with carved head rail, curved, molded and 
voluted arms on carved supports, scrolled serpentine aprons. 
Cabriole legs with paw feet, curved flat side rail and stretcher. 
Seats and backs in crimson velvet. Painted green and gilt with 
scrolls and fruit sprays. 


707—Two Anpauusian InLaip Oak Cuarrs Seventeenth Century 
Spindle backs with rounded finials, inlaid head rails, wooden seats 

S b- of later date, turned legs with spindled and inlaid front rails 
and square side rails. 


Fourth Afternoon 


708—Iratran ParnteD Woop Episcopant Seat Seventeenth Century 
SD Rectangular upholstered top, straight square legs, carved with 

ns * ™ notches, with turned finials and cushion feet, shaped deep front 
and side rails. Seat in old crimson velvet cut in a pattern of 


leaf medallions. 
Height, 25 inches; length, 23 inches; width, 23 inches. 


709—SpanisH Watnut CHaiR | Eighteenth Century 
Square curved back with shaped cresting carved with broken 

J-  voluted pediment and leaf finial, serpentine seat, front carved with 
shell, carved cabriole legs, turned side rails and stretcher. Seat 
and back in crimson silk damask. 


_710—SranisH Wautnut ARMCHAIR - Swrteenth Century 

te Straight square back with rounded finials, flat molded arms on 
square reeded supports, deep front rail pierced and carved with 
interlacing strapwork pattern, square reeded legs, shaped side 
rails. Seat and back in old leather, the back embossed, secured 
with large brass-headed nails. 


711—Frencu Watnvut ARMCHAIR 
3 Louis XVI Period of the Eighteenth Century 
b e 


Oval back with molded frame, curved molded arms on curved 
supports, serpentine seat front with molded apron, turned taper- 
ing fluted and astragalled legs with pear-shaped feet. Seat and 
back in woven canework. 


712—Fiemish Wautnvutr CHair Sirteenth Century 


JD Curved low back, turned legs with pear-shaped feet and molded 
2: ~ rails. Seat and back in old velvet woven in a pattern of black 
zigzags on a yellow ground. 


713—Castinian Watnut TasLe Seventeenth Century 
Rectangular top with straight edge and shaped cross braces, 
I) - turned columnar legs and square rails. 


Height, 32 inches; length, 441%, inches; width, 16%, inches. 


714—Castiznian Watnut Tasle Sivteenth Century 
AS Rectangular top with straight edge and shaped cross braces, 
turned columnar spreading legs with ball feet and square rails. 


Height, 382 inches; length, 43 inches; width, 1634 inches. 


Fourth Afternoon 


715—Castrztian Watnout Tase Sixteenth Century 


Rectangular top with straight edge, plain apron fitted with 
S- 
7 drawer, turned legs and square rails. 


Height, 161, inches; length, 28 inches; width, 1914 inches. 


716—AraconEsE WaLNnut Sipe Tasie Sixteenth Century 
fs 0 - Rectangular top with plain edge, shaped apron, fitted with 
drawer with paneled front, turned legs with ball feet and square 


rails. 
Height, 30 inches; length, 331% inches; width, 201%, inches. 


717—Towrepan Watnvut Taste Late Sixteenth Century 


Rectangular top with straight edge, apron fitted with two 

/0d- drawers with paneled fronts carved with rectangular leaf me- 
dallions, divided by molded console bracket, flanked by braces 
with notch carved ends and with dentelled and notch carved 
band below, turned spreading legs and square rails. 


Height, 33 inches; length, 614%, inches; depth, 28 inches. 


718—SpanisH Privo Woop TaBLe Late Sixteenth Century 

(, 57 Rectangular top with straight edge, shaped apron fitted with 
two drawers with paneled fronts divided by panel carved with 
imbrications, turned legs with pear-shaped feet and square rails. 
Wrought-iron keyhole escutcheons. 


Height, 32 inches; length, 371, inches; width, 25 inches 


Fourth Afternoon 


719—AraconEsE Watnut TaBLe Sixteenth Century 


Rectangular top with straight edge, shaped apron fitted with 
EF; O~ drawer with double paneled front, reel-turned legs, ball feet and 


square rails. 
Height, 271/, inches; length, 261 inches; width, 1714 inches.. 


720—ARAGONESE Pino Woop ‘TaBLE Sixteenth Century 


Sup Rectangular top with straight edge, shaped apron fitted with 


* drawer with double paneled front, reel-turned legs with cushion 
feet and square rails. 


Height, 30 inches; length, 331% inches; width, 201% inches, 


721—Cartatoniran WaLnuT TasLe Seventeenth Century 


Rectangular top with straight edge and shaped cross braces, 
[ shaped and voluted end supports with shaped stretchers, wrought- 
~ iron curved cylindrical longitudinal braces. 


Height, 30 inches; length, 42 inches; width, 211% inches. 


722—-SpanisH Watnut TasLeE Sixteenth Century 


Rectangular top with straight edge and molded cross braces. 
/ 6b 5- End supports of spreading turned legs with square and shaped 
rails. Wrought-iron curved cylindrical longitudinal braces. 


Height, 28%, inches; length, 401% inches; width, 15 inches. 


Fourth Afternoon 


os 


<A 
> 
sul 


ebetatateds 


723—SpanisH Watnut TasLE Late Sixteenth Century 
Rectangular top with straight edge, plain apron fitted with 
& O- drawer with carved paneled front, reel-turned legs with ball feet 


and square rails. | 
Height, 29 inches; length, 29 inches; width, 1734 inches. 


724—SaLAMANCA Oak CuHurcH BENCH Seventeenth Century 


Straight back, arcaded, with turned columns and central panel 
/ L A _ carved with scrolled escutcheon enclosing Virgin’s monogram. 

Above the columns are floral designs carved in low relief, reel- 

turned legs with circular cushion feet and square rails. 


Length, 80 inches. 


725—SpanisH Watnut Sacristy Bencu Early Seventeenth Century 
Straight sloping square back with molded edge, wooden seat 
with shaped cross braces and open lyre-shaped flat legs. Wrought- 


> = iron, knopped cylindrical longitudinal braces. 
Length, 81%, inches. 


Fourth Afternoon 


726—SpanisH Intarn Watnut BarcuENo AND STAND 
Seventeenth Century 
‘i ae Rectangular cabinet with hinged fall front inlaid with panel of 
light wood engraved with scrolls and grotesqueries, interior fitted 
with seven drawers with paneled fronts inlaid with light wood 
engraved with scrolls and grotesqueries. Stand, of later date, 
with rectangular top with molded edge, shaped flat legs and 


square rails. | 
Height, 51%, inches; width, 33 inches; depth, 194, inches. 


(27—CaTALonian Watnut Woop Bripat Arcon, or CHEST 
Seventeenth Century 
/ q Ne Rectangular hinged lid with chamfered edge, plain apron with 
notched stiles, front divided into three molded panels surrounded 
by bands of notchings and flanked and separated by notched 
and paneled stiles, one end as compartment with hinged door, 
the interior with three drawers having rusticated fronts, molded 


and notched base. 
Height, 22 inches; width, 54 inches; depth, 20°, inches. 


From the collection of the Marqués de Valverde. 


728—CaTaLontIaAn Pino Woop Bripat Arcon, or CHEST 
Seventeenth Century 
he) )- Rectangular hinged lid with molded edge, plain apron with 
acanthus-leaf carved stiles, front divided into three panels with 
round-arched arcadings carved with notches and scrolled leaves 
and divided by paneled and quatrefoil medallion carved stiles, 
molded base and straight chamfered feet. 


Height, 201, inches; width, 5414 inches; depth, 201% inches. 


729—Bvureos Watnut Arcon, or CHEST Sixteenth Century 


Rectangular hinged braced lid with straight edge, apron carved 

Fee: 4- with round arches and quatrefoil medallions, front divided into 

four panels with linen-fold fronts, straight legs with shaped 
brackets. 

Height, 201, inches; width, 47 inches; depth, 181% inches. 


730—SpanisH Wautnour Taste Sixteenth Century 


a ae Rectangular top with straight edge, shaped apron fitted with 

drawer with double paneled front, reel-turned legs, ball feet and 
square rails. 

Height, 2914 inches; length, 33 inches; width, 21% inches. 


Fourth Afternoon 


731—SpanisH WALNUT GATE-LEGGED TABLE Stvteenth Century 
Circular top with straight edge and two hinged flaps, shaped 
/ > >* apron fitted with two drawers, turned legs and gates with ball 


feet, square rails. 
Height, 31%, inches; diameter, 33 inches. 


732—SpanisH Intai Watnut TasLe Sivteenth Century 
Rectangular top, with plain edge, inlaid in dark wood with 

/ uf Nee panels and heart-shaped medallions at angles, and in light wood, 
with voluted scroils. Ieel-turned spreading legs and side rails 

and wrought-iron curved, knopped, cylindrical longitudinal 


braces. 
Height, 17 inches; length, 22 inches; width, 17 inches. 


733—SPANISH CHIPPENDALE Manocany Carp Tasie 
Eighteenth Century 
be p- Rectangular top with projecting angles and straight edge with 
hinged flap, lined with green baize, plain apron fitted with 
drawer with plain front, cabriole legs, claw and ball feet. 


Height, 29 inches; length, 32°, inches; width, 28 inches. 


734—Castiian Pino Woop Tassie Sixteenth Century 


) es Rectangular top with straight edge, spreading, turned, fluted and 
ie astragalled columnar legs, shaped cross braces and shaped side 
rails. Wrought-iron, knopped, cylindrical longitudinal braces. 


Height, 28% inches; length, 58 inches; width, 351/, inches. 


735—SranisH Pino Woop Tasie Late Sixteenth Century 
ra Rectangular top with straight edge, shaped cross braces, turned 
/4% spreading legs with pear-shaped feet, shaped end rails and 


wrought-iron knopped cylindrical longitudinal braces. 


Height, 30%, inches; length, 51 inches; width, 31%, inches, 


736—AraconesE Watnour TasLe Sixteenth Century 
Rectangular top with straight edge, apron fitted with two draw- 

/ A. © ~ ers with broken paneled fronts and band of carving below, turned 
columnar legs with cushion feet, square side rails and molded 
longitudinal stretcher. Wrought-iron pear-shaped drop handles. 


Height, 31%, inches; length, 68 inches; width, 33 inches. 


Fourth Afternoon 


737— ARAGONESE Oax Kyire TABLE Sixteenth Century 
Rectangular top with straight edge, apron fitted with two drawers 


“- da with carved fronts, turned columnar legs and square rails. 


Wooden knobs. : 
Height, 311%, inches; length, 39 inches; width, 25%, inches. 


738—CastTitian Watnout TasLeE Sivteenth Century 

Rectangular top with plain edge, two end supports of spread- 

| 9) -ing turned legs; wrought-iron curved cylindrical longitudinal 
brace. 

Height, 22% inches; length, 44 inches; width, 17 inches. 


From the collection of Don Bonifacio Diaz Montero of Burgos. 


739—-SpanisH Iytarp Waxtnut Carp Taste LKighteenth Century 


Rectangular top with straight edge and hinged flap, lined with 

65 green baize, inlaid with satinwood and colored woods with three 
panels of geometrical design, apron inlaid with panels of dark 
wood and with projecting dies of satinwood engraved with 
diamond diaper and inlaid with rosettes, square tapering inlaid 
legs and rectangular brass feet. 


Height, 30% inches; length, 33 inches; width, 1614 inches. 


740—SpanisH Paintep Pino Woop TasLE Seventeenth Century 


Rectangular top with straight edge, shaped apron fitted with 

/ 3 - two drawers, the fronts painted in colors with eagle-headed 
heart-shaped escutcheons and bands, divided by carved and 
painted console brackets, shaped flat legs and side rails. 


Height, 33 inches; length, 53 inches; width, 3014 inches. 


741—Taracontian WALNUT AND Pino Woop Bripat Arcon, or CHEST 
Sixteenth Century 
al |_$ Rectangular hinged lid with rounded edge, fluted apron with 
notched stiles, front divided into three panels carved with notched 
round arches and rosettes, flanked and divided by paneled, ros- 
ette and notch-carved stiles. Molded carved base and plain 

plinth. 3 


Height, 2384 inches; width, 54 inches; depth, 21 inches. 


From the collection of the Marquis de Valverde. 


Fourth Afternoon 


742—Catatontan Pino Woop Brinat Arcon, or CHEST 
Seventeenth Century 
wie D - Rectangular hinged braced lid with square edge, plain apron 
divided by notched stiles, front divided into three panels with 
round-arched arcadings carved with notches and scrolls, divided 
by paneled and medallion carved stiles, compartment at end 
with hinged door, the interior with three drawers with rusticated 
fronts. Carved and paneled ends. 
Height, 19 inches; width, 5414 inches; depth, 21 inches. 


743—SpanisH Marpre anp Intaip Capiner Seventeenth Century 


Top of white marble slab with plain edge, body fitted with eleven 

7 ) = drawers, the fronts inlaid with tortoise-shell and paneled with 
slabs of white marble painted in oil colors with landscapes. Cen- 
tral compartment with hinged door inlaid with tortoise-shell, 
flanked by columnar pilasters and having above a molded cornice 
and a balustrade of turned ivory. Molded base and paw feet. 
Wooden knobs inlaid with mother-of-pearl. 


Height, 371% inches; width, 3714, inches; depth, 1514 inches. 


744 


SpanisH Prvo Woop Bripat Arcon, or CHEST 
Seventeenth Century 
)o- Rectangular braced top with straight edge, plain apron with 
notch-carved stiles, front divided into three panels with round- 
arched fronts and leaf-carved pilasters, separated by carved 
paneled stiles. One end as compartment with hinged door, the 
interior with three drawers having rusticated fronts. Plinth 
with leaf-carved stiles, molded base and paneled ends. 
Height, 231, inches; width, 5344 inches; depth, 201% inches. 


From the collection of the Marquis Valverde. 


745—CaTatontan Wautnout Tape Seventeenth Century 
e Rectangular top with plain edge, scalloped apron fitted with 
~ three drawers, the fronts appliqués with lozenges and divided by 
lozenge-carved stiles, turned legs and square side rails. Brass 
keyhole escutcheons. 


Height, 33%, inches; length, 4934 inches; width, 28%, inches. 


746—SpanisH Watnet TasiE Sixteenth Century 
~ -~ Rectangular top with straight edge and shaped cross braces, 
a . ~ . . 
plain apron fitted with drawer with raised lozenge paneled front, 
reel-turned legs with pear-shaped feet and square rails. 


Height, 28 inches; length, 33 inches; width, 281%, inches. 


Fourth Afternoon 


747—PortucuEsE WatnuT CHaIR Seventeenth Century 

Flat back with serpentine top, turned vase-shaped brass finials, 

»- turned legs, shaped, pierced, carved and voluted deep front 

rail, turned side rails. Seat and back in old embossed leather 
secured with large brass-headed nails. 


748—Two Spanish Watnut ArRMcHAIRS AND ONE SipE CuHarr - 
Sixteenth Century 
4 p- Straight square backs with round and voluted finials, flat molded 
and voluted arms on square supports with square legs, shaped 
and carved deep front rails and shaped and square side rails. 
Seats and backs in original leather, two embossed and secured 
with large brass-headed nails. 


7T49—Two PortucvErsE Watnut CxHairs Seventeenth Century 

Straight square backs with serpentine tops and turned Side sup- 

} -ports, turned legs with scrolled voluted and carved deep front 

rails and square side rails. Seats and backs in old leather em- 

bossed in a pattern of scrolls, rosettes and honeysuckles and se- 
cured with large brass-headed nails. 


(Illustrated ) 


750—Pair or ANDALUSIAN Watnut CHairs Sivteenth Century 


/ > . Square open backs with molded frames and vertical molded and 
ae curved splats, turned legs with ball feet, turned front rail and 
side rails. Seats in old blue brocatelle. 


y | 
lite OnNeony 


(Aunjuag yyUaa}UIAa9) SHIVHD LANIVAA ASMADALUOT OMT,—6FL ‘ON 


Fourth Afternoon 


751—SpanisH Watnut Woop TasLe Late Sixteenth Century 


Rectangular top with straight edge, shaped apron fitted with 

fh _ drawer with paneled front, reel-turned legs, ball feet and square 
rails. Wooden knob. 

Height, 281% inches; length, 3314 inches; width, 22 inches. 


752—Two Spanish Watnut ARMCHAIRS Sixteenth Century 


, Straight backs, flat straight and curved arms on square supports, 
a D ' square legs, shaped deep front rails, square side rails. Seats and 
backs in old leather embossed with panels and diamond diapers 

and secured with brass and iron-headed nails. 


(Illustrated) 


753—Pair oF Spanish Watnutr CuHairs 
Philip IV Period of the Eighteenth Century 
ak 4~~ Open backs with carved and pierced scrolled crestings, shaped, 
pierced and carved vertical splats, serpentine carved seat fronts 
and carved cabriole legs with acanthus-leaf feet, turned side 
rails and shaped, flat stretchers. Seats in old green silk damask. 


154—Parr oF PorrucurseE Wautnut CuHarrs 
Late Sixteenth Century 
TF Straight square backs with turned vase-shaped brass finials, 
square legs, shaped, pierced and voluted deep front rail and 
shaped side rails. Seat and back in old embossed leather secured 
with large brass-headed nails. 


755—SpanisH Pixo Woop GaATE-LEGGED TABLE 
Seventeenth Century 
/ , 6 - Oval top with straight edge and two hinged drop leaves, painted 
in colors with oval medallions occupied by ruins and figures on 
grained grounds patterned with scrollings, and surrounded by 
border of scrolled leaves on a chocolate-colored ground, turned 
legs vertically divided to form gates, ball feet and square rails. 
Height, 281, inches; length, 50 inches; width, 35 inches. 


756—ARAGONESE WALNUT TasLE Seventeenth Century 
/ Rectangular top with straight edge, shaped apron fitted with 
¥ O “wo drawers, the fronts carved with diamond diapers, reel-turned 

legs, and square rails. 
Height, 31%, inches; length, 431% inches; width, 26% inches. 


(hanquag yyuaajaig) SuIVHOWNY LONIVA\ HSINVdG OM]——ZoL “ON 


Fourth Afternoon 


757—SpanisH WatnutT TaBLe Late Sixteenth Century 


Rectangular top with straight edge and molded cross braces, 
flat shaped and voluted spreading legs, shaped flat end rails and 
Ve wrought-iron curved, knopped, cylindrical longitudinal braces. 


Height, 29%, inches; length, 461, inches; width, 27%, inches. 


758—SpanisH Intarp Watnut Tape Late Sixteenth Century 


Rectangular top with straight edge, inlaid with lhght wood, 
/ J 0 - with paneled lozenges. Molded cross braces, turned legs, and 
wrought-iron, curved and knopped cylindrical longitudinal braces. 


Height, 29 inches; length, 421 inches; width, 181, inches, 


759—SpanisH Waunut TABLE Seventeenth Century 

7 D Rectangular top with straight edge, apron fitted with two 
drawers with fronts carved, in low relief, with panels and bands 
of zigzags, spreading square legs, chamfered cross braces and 
shaped side rails. Wrought-iron knobs. 


Height, 3114 inches; length, 521%, inches; width, 2814 inches. 


760—SpranisH Watnut TasLe Seventeenth Century 


Q Rectangular top with straight edge, plain apron fitted with 
“two drawers with paneled fronts carved with rosettes, divided 
by stile carved with imbrications, reel-turned legs, ball feet and 

square rails. | 
Height, 32°, inches; length, 421, inches; width, 251, inches. 


From the collection of the Marqués de Valverde. 


761—SpanisH Pino Woop Arcon, or Cuest Seventeenth Century 


Rectangular hinged braced lid with rounded edge, plain apron 

/ be 5 -with notched stiles, front divided into three panels flanked and 
separated by notched and paneled stiles. Molded and notched 
base and paneled ends. 


Height, 20%, inches; width, 53 inches; depth, 21 inches. 


(Illustrated) 


Bi deb HE 


No. 761—Spranisu Pino Woop Arcon, or CHEST 
(Seventeenth Century) 


Fourth Afternoon 


762—SpanisH Wautnut TasLeE Late Sixteenth Century 


Rectangular top with straight edge, plain apron fitted with 

’ ) - drawer with lozenge-paneled front, flat, shaped and voluted legs, 
shaped side rails and flat, shaped longitudinal stretcher. 

Height, 30% inches; length, 4314 inches; width, 251% inches. 


763—ARAGONESE WatNnut TABLE Sixteenth Century 
7 - Rectangular top with molded edge, plain apron fitted with drawer 
with double raised lozenge-paneled front, reel-turned legs, square 

rails. Brass keyhole escutcheon and wooden knobs. 
Height, 2334, inches; length, 88 inches; width, 20% inches. 


764—Castinian Oak TasLe Seventeenth Century 
Rectangular top with straight edge, paneled apron fitted with 

/ 3 6-two drawers with paneled fronts, turned legs with ball feet and 
flat rails and longitudinal stretcher. Wrought-iron pear-shaped 

drop handles. —_ Height, 331/, inches; length, 831, inches; width, 23 inches. 


765—ARAGONESE Watnut TaBLE Seventeenth Century 

i D- Rectangular top with straight edge and molded cross braces, 
carved apron, fitted with two drawers with carved fronts divided 
by molded brackets. Turned spreading legs and shaped rails. 
Wooden knobs. 


Height, 3114 inches; length, 323, inches; width, 2914 inches. 


4 ad 
ee + oe 4 


Fourth Afternoon 


766—SpanisH Watnut Woop TasLeE Sixteenth Century 
‘Fe Rectangular top with straight edge and shaped cross braces, 
Sea plain apron fitted with two drawers with raised paneled fronts, 
turned legs with cylindrical feet and square rails. Brass knob. 


Height, 3214 inches; length, 4114 inches; width, 2614 inches. 


767—CatTatontan Watnut TasLe Late Sixteenth Century 
Rectangular top with straight edge and shaped cross braces, 

) De plain apron fitted with drawer, the front carved with notched 
borders and with double lozenge-shaped panels, flat shaped and 
voluted legs, shaped side rails and spirally twisted wrought-iron 


stretcher. 
Height, 3134 inches; length, 48°4 inches; width, 34 inches. 


768—SpanisH Watnut KNEEHOLE TABLE Sixteenth Century 
Rectangular top with straight edge, kneehole front with three 
/ 7, b- drawers with paneled fronts and two shaped brackets flanked 
by pilasters with paneled shafts and carved capitals, paneled 

sides. Wrought-iron pear-shaped drop handles. 


Height, 321, inches; length, 581, inches; width, 35 inches. 


769—Castir1an Waunut TasLe Seventeenth Century 
Rectangular top with straight edge, plain apron fitted with three 
drawers, the fronts carved with branches of leaves and rosettes, 

ae mo turned legs with ball feet and square rails. Wooden knobs. 


Height, 33 inches; length, 73°/, inches; width, 301% inches. 


770—Castinian Watnut Sacristy Tape Sivteenth Century 
Rectangular top with straight edge, plain apron fitted with 

/ 4 » . three drawers with cross carved fronts, flanked and divided by 
shaped brackets, turned legs, ball feet and square rails. Wooden 


knobs. 
Height, 3344 inches; length, 70°, inches; width, 29 inches. 


771—NortuH Castitian Oax T'as_e Seventeenth Century 


Square top with straight edge, paneled apron fitted with three 
4 drawers with quatrefoil carved fronts, turned legs with cushion 
/ * feet, square side rails and longitudinal stretcher. Wooden knobs. 


Height, 32% inches; length, 76%, inches; width, 2514 inches. 


Fourth Afternoon 


772—BasauE Watnut Breap Cuppoarp Sivteenth Century 


Rectangular top with molded and carved edge, body with notch- 


foo /d- carved apron, arranged as a cupboard with two hinged doors, 


the front paneled and carved with rectangular leaf medallions 
and with stiles carved with imbrications, carved paneled sides. 
Wrought-iron strap hinges. 


Height, 43, inches; width, 441% inches; depth, 21 inches. 


773—SpanisH Inxtaip Watnvut Bripat Arcon, or CHEST 


Seventeenth Century 


/ bs - Rectangular braced top with rounded edge, apron inlaid with 
engraved pearwood in patterns of scrolls and birds and divided 
by notched stiles, front divided into three panels inlaid with 
strapwork in light and dark woods and in engraved pearwood 
with panels of landscapes and scrolled leaves, divided and flanked 
by inlaid paneled stiles, one end panel and stile as hinged door 
with compartment. Ends paneled and inlaid. 


Height, 1834 inches; width, 531, inches; depth, 2034 inches. 


774—SpanisH Intamw Watnut Bripat Arcon, or CHEST 
Seventeenth Century 
/ 0 -Rectangular hinged lid with molded edge, paneled apron inlaid 
with scrolls of dark wood and with stiles carved with leaves, front 
divided into three broken panels, the centers incised with birds 
and leaves, divided and flanked by paneled stiles inlaid with 
scrolls of light wood. Carved feet. 


Height, 204, inches; width, 55 inches; depth, 21% inches, 
From the collection of the Marqués de Valverde. 


775—CatTaLonian Wautnut Arcon, or Cuest Seventeenth Century 


Rectangular hinged ld with molded edge, apron carved with 

/ } 0 quatrefoil medallions and divided by notched stiles, front di- 
vided into three panels with round-arched arcaded fronts having 
pilasters carved with overlapping tesserex, divided by paneled and 
rosette carved stiles, molded base and paw feet. 


Height, 201, inches; width, 541% inches; depth, 21 inches. 


From the collection of the Marqués de Valverde. 


A 
: 
e 
7 
- 
. 
7 


Fourth Afternoon 


776—SpanisH Waunut Capsrnet Breap Taste Sixteenth Century 
Rectangular top with rounded edge and shaped braces, front 

/’) ) - fitted with three drawers, two with plain fronts, one with front 
carved in low relief, turned legs, notch-carved front rail and 


molded side rails. 
Height, 29 inches; length, 46 inches; width, 231, inches. 


777—Taraconian Pino Woop Brivat Arcon, or CHEST 
Seventeenth Century 
/ & ) - Rectangular hinged braced lid with molded edge, apron carved 
with rosettes and with notched stiles, front divided into seven 
panels with round-arched tops with notched pilasters and stiles. 
One end as compartment with hinged door, the interior with 
three drawers with rusticated fronts. Molded base. Round- 
arched paneled ends. 


Height, 1914 inches; width, 54 inches; depth, 20 inches. 


From the collection of the Marqués de Valverde. 


778—NortH Castinian Watnut Door Seventeenth Century 


In three vertical sections; formed by raised panels, carved with 
/ ob p - rosettes. Applied side panels secured with wrought-iron bosses. 


Height, 661% inches; width, 32 inches. 


779—-Burcos Oak Door Fifteenth Century 


a Rectangular shape, with four molded panels, carved in linen-fold 
ee pattern with plain stiles. 
Height, 6624 inches; width, 281%, inches. 


780—SpanisH CarveD AND PainrED WoopEen Door 

| é Eighteenth Century 

7 Center panel with molded round arch above and below and filled 
with diamond trellising, cresting carved as a shell with volutes 
and scrolled acanthus leaves. Lower portion with scrolled, vol- 
uted and acanthus-leaf decorated arch, and panel filled with 


diamond trellising. Painted. 
Height, 811% inches; width, 38 inches. 


Fourth Afternoon 


781—Totepan Watnut Door Sixteenth Century 


Rectangular shape with front with twenty-one panels, sur- 

“+ / © younded by moldings and decorated with incised lozenges and 
carved oval medallions, some surrounded by voluted scrolls. 
Upper panels incised with names and monograms. 


Height, 7814, inches; width, 40 inches. 


Fourth Afternoon 


SPANISH IRONWORK 


The iron mines of Spain, the greatest metalliferous country of 
ancient Europe, were operated as early as the sixth century B.C. It 
is, therefore, not surprising that the Peninsula is extremely rich in 
decorative ironwork forged during the Middle Ages. There seems 
to be something about the intractable metal which appealed to the 
indomitable temper of the people, and artists of the highest rank worked 
in it. It was, appropriately enough, in Northern Catalonia that the 
metal was smelted in a distinctly new fashion, the open hearth being 
abandoned for a closed one, a forerunner of the modern blast furnace. 
To-day, in Pittsburgh, a peculiarly fine iron is produced by what is 
still known as the “Catalan process.” 

Outside of Spain, it has been said, it is difficult to study the 
achievements of the Spanish smiths, the size and weight of the gates 
and screens rendering their removal practically impossible. But mod- 
ern energy has overcome their removal and some of these large pieces, 
as, for instance, the Catalonian reja in the collection, have been brought 
across the ocean in their entirety. Of such smaller articles as 
brackets, torchéres, andirons and screens there are many _ here 
catalogued, while special attention is directed to the lecterns, which, 
as pieces of church furniture, are to-day well-nigh unprocurable. There 
is also a most extraordinary assemblage of Gothic wrought-iron hard- 
ware, nails, boxes, locks, keys and pierced bands. These have now 
become exceedingly rare, and such pieces are the pride not only of a 
few Spanish collectors but of some American museums as well. 


He. 


SPANISH IRONWORK, CHIEFLY OF THE SIXTEENTH AND 
SEVENTEENTH CENTURIES 


782—Sretr or Four Spanish WrovucGHtT-1Iron BostcHes 
Seventeenth Century 


2— © ~ Circular shape, pierced with scrolled crestings, divided by bal- 
uster-shaped finials. Interiors set with pointed iron hooks. 


Height, 41/, inches; diameter, 1014 inches. 


Fourth Afternoon 


783—PaneEL or SPANISH WROUGHT-IRON CATHEDRAL PortTat Bosses 

Fifteenth Century 

fs Fifty-seven fluted bosses and twenty-nine nails. Some with shell- 

headed nails, some with escutcheon and _ fork-headed nails. 
Mounted on board to suggest a cathedral door. 


Note: This collection was exhibited at the Exposition of Spanish Ironwork 
held at the National Archeological Museum, Madrid, in 1919. 


184—PaneL oF SPANISH WRroOUGHT-IRON MounrtTINGS 


Sivteenth Century ; 
/ XX © _Thirty-seven pieces. Scrolled escutcheon surmounted by a royal : 
crown and charged with the arms of Castile and Leon, scrolled a 


plates, pierced borders and bosses with nails. Mounted on old 


crimson velvet. 
Height, 1 foot 8 inches; width, 4 feet 1 inch. 


485—PanEL OF SPANISH WrovuGHT-IRON MountTiINGs 


/ Sixteenth Century 


® “Sixteen pieces. ‘T'wo panels of pierced wrought-iron scrolls and 
leaves, quatrefoil-shaped and circular bosses and nails. Mounted 


on old crimson velvet. 
Heights, 1 foot 5 inches; widths, 4 feet 4 inches. 


Y86—PaneEL oF SPANISH WrovuGHT-IRON MounrINGs 
Sixteenth Century 


reneite Sixty pieces. Two octagonal panels of wrought-iron keys. 
Mounted on boards. 


Y87—PaneEL oF SPANISH WrovucHtT-1roN Movuntinecs 


5 ‘ Sivteenth Century 
Seventy pieces. Panel of wrought-iron locks, latches, hasps, 
hinges and Bargueno mounts. Mounted on red silk. 


788—PaANnEL oF Spanish WrovucuHtT-iron Mountines 
1 FD Sixteenth Century 
Mien Seventy pieces. Panel of seventy bosses, some with nails. Plain 
and fluted. Mounted on board to suggest a cathedral door. 


Fourth Afternoon 


789—PaneEL OF SPanisH WrovucHtT-tron Movuntines 
Sixteenth Century 
3 4-- Fifty-five pieces. Nails and nail-plates of various shapes and 
sizes. Mounted on board to suggest a cathedral door. 


790—PaNnEL oF SpanisH Wrovucut-1ron Movuntinecs 
Sixteenth Century 
4 5 - Highty-eight pieces. Nails and nail-plates of various shapes and 
sizes. Mounted on board to suggest a cathedral door. 


791—TurReE Spanish Wroucut-iron CanvLE Brackets 

ree Seventeenth Century 

~3 Pde ~ Scrolled, knopped and voluted branches, saucer-shaped bobéches 
with scalloped rims, and cylindrical candle-sockets. 


Length, 13 inches. 


792—-Pairn oF SPANISH WROUGHT-IRON CANDLE BRACKETS 


Curved, square iron branches decorated with wrought-iron scrolled 
47 p ~ leaves, circular bobéches with scalloped edges and cylindrical 


candle-sockets. 
Height, 1514 inches. 


793—Parr or Spanish WrovucHtT-iron CanvLEe Brackets 
Seventeenth Century 
J S*~ Curved and voluted branches decorated with wrought-iron ser- 
rated leaves, circular bobéches with scalloped edges and cylindri- 
cal candle-sockets. (One candle-socket missing.) 


Length, 17 inches. 


794—Parr or Spanish WrovucGHt-tron CanpLEeE Brackets 
Seventeenth Century 
Jd 47 Curved, cylindrical knopped branches decorated with wrought- 
ail . A . . 
iron leaves, circular bobéches and cylindrical candle-sockets sup- 


ported by wrought-iron acanthus leaves. 
Height, 17 inches. 


Fourth Afternoon 


195—Set oF Four SpanisH WrRoOvUGHT-IRON CANDLE BRACKETS 


_ Curved, knopped cylindrical branches, saucer-shaped bobéches, 
a 2- “cylindrical candle-sockets and curved and voluted strap-iron 
arms. (One bobéche and candle-socket missing.) 


Length, 221, inches; height, 12 inches. 


796—Parr oF Spanish WrovucutT-iron Anprrons Sixteenth Century 


PD Straight cylindrical standards with flat circular finials, curved 
/ a = strap-iron legs and wrought-iron bars. 


Height, 1314 inches; width, 9 inches, 


797——-Parr oF SPANISH WRoUGHT-IRON ANDIRONS 


oT? 


- a 


/ ; Iron bar standards appliqués with pierced and bossed quatre- 
foil rosettes, round, arched strap-iron legs and iron bars. 


Seventeenth Century 


Height, 1624 inches; width, 111% inches. 


798—SpanisH WROUGHT-IRON ANDIRONS Sixteenth Century 


J Straight standards of bar iron with spherical finials and two 
/- ~ hooks at back, round-arched feet supporting ringed hobs. Flat 
molded fire-bars and molded horizontal front bar with swinging 


ring in center. Height, 16 inches. 


799—Pair oF Spanish WrovucHtT-Iron ANDIRONS 
SD Seventeenth Century 
ee Square tapering standards with scrolled and voluted strap-iron 
side supports, round-arched strap-iron legs and flat bars. 


Height, 23 inches; width, 114% inches. 


800—SpanisH WrovucutT-iron Fintan Seventeenth Century 
Te Shaped as a vase with straight sides, domed cover, floral finial, 
(Fin looped, rosetted and voluted handles, conical stem and circular 

foot. Height, 19 inches. 
801—Casti11t1an WrovcutT-1ron LEcTERN Sixteenth Century 


it _Rectangular stem. Decorated with two flat rings with floral 
supports and with serrated leaves. Sloping rectangular reading 
desk of sheet iron pierced in a scrolled pattern. 


Height, 191, inches. 


Fourth Afternoon 


802—CastTiniANn WrovucGHT-tron ‘T'oRCHERE Seventeenth Century 
Cylindrical knopped and vase-shaped stem, circular bobéche, with 
7 gallery pierced with imbrications, cylindrical candle-socket 
pierced with cross. On tripod stand with three curved legs of 


strap-iron. 
Height, 30 inches. 


803—CaraLontan WrovucHT-iron ToRCHERE Fifteenth Century 
é Cylindrical knopped stem, circular bobéche with serrated edge, 
: “cylindrical candle-sockets. On tripod stand with three curved 


strap-iron legs. 
Height, 54 inches. 


Fourth Afternoon 


804—SpanisH WrovucutT-iron Torco HoLper Sixteenth Century 


£7) Stem of square iron bar, circular top with four perpendicular 
/ / ‘ = jaws. On tripod stand of three curved strap-iron legs. 


Height, 32%, inches. 


805—Pair or CaTatonian WrovcutT-1ron VoTivE CanpLE STANDS 
Sixteenth Century 

4 D “Hexagonal knopped stems, circular candle-holder set with cvyl- 
indrical candle-sockets and iron prickets. On tripod base of three 


curved strap-iron legs. 
Height, 56 inches. 


806—THrReEE CasTILiIAN WrovucHtT-iron CANDLE HoLpErs 
Sixteenth Century 
ib b 5 -Cylindrical stems, decorated with acanthus leaves in relief, cir- 
cular bobéches and cylindrical candle-sockets, one with horizontal 
bar supported by voluted strap-iron brackets and with four cyl- 
indrical candle-sockets. All on tripod stands of three curved 
strap-iron legs. 
Heights, 3714, and 44 inches. 
(Illustrated) 


807—SeEvILLIAN PaInrED WrovucGHtT-1ron EccLestasticAaL LANTERN 
Bracket Seventeenth Century 

Vinee: Straight, square arm, ending in hook, and decorated with ser- 
rated pointed leaves. Strap-iron cresting decorated with Virgin’s 
monogram and palm leaves. Front with voluted bracket sur- 


mounted by Maltese cross. 
Height, 38 inches; length, 46 inches. 


808—Pair or Spanish WrovucHtT-iron Hancine CANDELABRA 
Seventeenth Century 
/ #5" Colindical stems ornamented with wrought-iron acanthus leaves, 
four curved and scrolled branches of strap-iron ornamented with 
wrought-iron leaves and flowers and ending in cylindrical candle- 


sockets, tasseled pendants. Painted and gilt. 
Height, 16 inches, 


Exhibited at the Archeological Museum of Madrid by the “So- 
ciedad Espanola de Amigos del Arte” in 1919. 


ai a a 


(hanzuag yyuaaqrig) 


SHAGdIOFY WIANV,) NOUI-LHOYDOU AA NVITILSV() aauH [—908 “ON 


Fourth Afternoon 


809—ITraLIaN WrovucuHutT-IRoN CHurRcH VoTIVE CANDLE-STAND 


fe: 


Sixteenth Century 


Tripod stand of three curved iron bars decorated with acan- 
thus leaves, volutes and voluted leaves pierced with circular open- 
ings. Above are two rings set with prickets, the upper one sup- 
ported by three curved strap-iron brackets with voluted ends; 
finial of pointed banded acanthus leaves and pricket. 


Height, 611% inches. 


Fourth Afternoon 


810—SpanisH WrovucutT-1ron Bracket Sixteenth Century 


Horizontal iron bar branch, scrolled and voluted iron bar bracket, 
7) & = decorated with wrought-iron acanthus leaves, cornucopia of flow- 
ers and leaves and scrolled branches of flowers and leaves. 


Height, 2 feet 1 inch; width, 3 feet 4 inches. 


811—Two Spanish WrovcutT-1ron Brackets Seventeenth Century 

— Horizontal branches, one of strap-iron, one of knopped spherical 

<a B “iron; one with bracket of scrolled and voluted strap-iron; one 

with bracket of cylindrical iron, appliqué with pierced and bossed, 
quatrefoil medallion. 


Heights, 25 inches and 22 inches; widths, 34 inches and 20 inches. 


812—Parir oF Spanish WRovuGHT-IRON Brackets 
Seventeenth Century 
-t- Strap-iron wall pieces with fleur-de-lis terminations, horizontal 
branches with pulleys and scrolled and voluted brackets of knop- 


ped iron rods. 
Height, 40 inches; width, 34 inches, 


813—TIwo SpanisH WrovuGcHT-IRON BRACKETS Sixteenth Century 


, Serolled and voluted branches of wrought-iron bars decorated 
es irith wrought-iron, pierced and scrolled leaves, and applied iron 
flowers. 


Heights, 1 foot 4 inches and 2 feet 8 inches; widths, 1 foot 8 inches 
and 111% inches. 


814-—Spanish WRoOUGHT-IRON BRACKET Seventeenth Century 


Curved and voluted branch of bar iron, decorated with wrought- 
4 6 -iron acanthus leaves, and rectangular rosetted knop and ending 
in a bow of wrought-iron ribbon. 


Height, 3 feet 11 inches; width, 1 foot 6 inches. 


815—Iratian WrovcutT-1ron Lamp Bracker Sixteenth Century 
Horizontal curved branch of iron bar, scrolled and voluted 
/f- bracket of bar iron. Branch ending in leaf-surrounded and pear- 


shaped light socket. 
Height, 3 feet 2 inches; width, 4 feet 5 inches. 


a 
ot A 2 GE ee Wee 


Fourth Afternoon 


816—Castinian WrovucuHtT-tron CHurcH Lectern Fifteenth Century 
Cylindrical stem, sloping reading desk, pierced in a design of a 
1S ~ Latin cross and scrolled quatrefoil. On four legs of strap iron 


with flat feet serrated as human feet. 
Height, 53 inches. 


817—Pair or Spanish WrovucutT-1ron LECTERNS 
Sivteenth Century 
/ J d- Rectangular sloping backs, pierced with scrolls on rectangular 
bases with scalloped aprons, the fronts forming book-rests, and 
supported by scrolled brackets ending in birds’ heads, cylindrical 
knopped stems and tripod stands of three curved strap-iron legs 


with voluted feet. 
Height, 551%. inches. 


818—Anpatusian WrovucuHtT-iron LECTERN Seventeenth Century 


Rectangular sloping back pierced with scrolls and Maltese cross, 
J aa >: cylindrical knopped stem with applied bossed quatrefoil and 
scrolled horizontal arm. Tripod stand of three voluted knopped 


iron-rod legs with flattened voluted feet. 
Height, 63 inches. 
(Illustrated) 


819—Pair or ANDALUSIAN WrouGHtT-Iron LECTERNS 
Seventeenth Century 
a 00 “Sloping reading desks, pierced with fans, cylindrical knopped, 
vase-shaped stems. Qn tripod stands of three scrolled voluted 
iron-rod legs. 
Heights, 59 inches. 
(Illustrated) 


820—IrauiAn WrovucutT-1ron Livery STABLE SIGN 
nk Seventeenth Century 


Horizontal looped branch of strap iron. Swinging sign of 
wrought-iron shaped as a horse’s head—trappings with bridle. 


Height, 1 foot 10 inches; width, 2 feet 10 inches. 


(hanquay yyuaaqzuaaagy) 


SNYALOaT NOYWI-LHONOUAA NVISOTIVONY 


618 = sis 618 


Fourth Afternoon 


821—CaTALoNIAN WRroUGHT-IRON 
CuurcyH VoTIvE CANDELABRUM 

CS Sixteenth Century 
Cylindrical stem, ending in point- 
ed pricket; three flat rings sup- 
ported by voluted brackets, the 
two upper ones with serrated 
edges; cylindrical candle-sockets 
and pointed iron prickets. On 
tripod stand with three curved 
legs. 

Height, 83 inches; width, 25 inches. 


822—-SpanisH WrovucGHT-IRoN LAN- 
TERN BRACKET 


Dona Seventeenth Century 


Horizontal branch with voluted 
scrollings of strap-iron and leaf- 
decorated finial and meander 
bracket. of wrought-iron with 
strap-iron fleur-de-lis in the cen- 
ter. Painted. Height, 461% inches. 


823—Pair—or Spanise WROUGHT-IRON 
ANDIRONS” eas tn dLo 
Ae: = Seventeenth Century 
Spirally twisted iron bar stand- 
ards, ending in pear-shaped bas- 
kets with strap-iron sides, curved 
feet and horizontal bar of strap- 
iron. 
Height, 21 inches; width, 72 inches. 


824—Pairz_ or Spanise# WROUGHT-IRON 

~ SD Axprroms = sno. 
4 Ss i Seventeenth Century 
Spirally twisted iron bar stand- 
ards with pear-shaped baskets 
having sides of bar iron, round- 
arched strap-iron legs and bar 

with floriated cross in center. 

821 Height, 201% inches; width, 72 inches. 


Fourth Afternoon 


825—NortuH Iranian PatnreD WrovucHt-1ron MEDALLION 
Seventeenth Century 
aie Circular wreath of laurel leaves and flowers, enclosing a sheet- 
iron silhouette of a bear with chain and tree-trunk, the arms of 
the Barberini family. Painted. 


Diameter, 38 inches. 


826—SranisH WRrovUGHT-IRON CRESTING Seventeenth Century 
Formed of shaped and embossed plates of wrought-iron, simu- 
/ J. lating candlesticks, with saucer-shaped bobéches and cylindrical 
candle-sockets. Crossed pendants of leaves between appliqués 
with blossoms of wrought-iron. (Three bobéches and one candle- 

stick missing. ) | 
Height, 10 inches; length, 58 inches. 


827—SpanisH WRoOUGHT-IRON CRESTING 


Shaped and formed of scrolled strap-iron with double volutes, 


ok 0 “pierced scroll and leaves and shaped lambrequin below, with iron 
tassels. 
Height, 1 foot 61% inches; width, 4 feet 9 inches. 


828—Iratian Wrovcut-iron CRrEsTING Eighteenth Century 


= vn Shaped and wrought-iron straps, scrolled, voluted and decorated 


with pierced wrought-iron leaves, quatrefoils, shell and festoons. 


Height, 1 foot 5 inches; width, 4 feet 5 inches. 


829—Two Spanish WrovucutT-1ron Crestincs Kighteenth Century 


Shaped, of scrolled strap-iron ornamented with pierced shells in 
3 ) = centers flanked by scrolled leaves of wrought-iron. 


Height, 1 foot 6 inches; width, 3 feet 6 inches. 


830—Srer or Four Spanish WrovuGHtT-Iron PANELS 
Eighteenth Century 
/ ae o Rectangular shape, two with serpentine and two with bowed 
fronts. Paneled with interlacements and scrolled leaves of 
wrought-iron straps. Three with wrought-iron locks and all 


four with hinges. 
Height, 40 inches; widths, 14 and 23 inches. 


Fourth Afternoon 


831—SpanisH WrovucuHtT-1roN FINiAu Eighteenth Century 

3 _Vase-shaped, with straight sloping sides, straight looped handles, 1 
2 pinnacle neck and foot. Fitted with wrought-iron flowers and 
leaves. Height, 2 feet 6 inches. 


832—Iratian PaintepD WrovuGHT-1Ron INN Sicn 
Eighteenth Century 
Di Dar eaten and voluted cylindrical iron branch decorated with 
wrought-iron acanthus leaves and knopped with leaves. Swing- 
ing oval sign painted with hen and wrought-iron bow of ribbon. 
Height, 2 feet 10 inches; width, 4 feet 2 inches. 


833—IraLtiAn WRrovUGHT-IRON SHOP SIGN Seventeenth Century 

Horizontal branch of bar iron, with bracket of scrolled and 

“i _voluted bar iron decorated with wrought-iron leaves and tasseled 

lambrequin. Branch with scalloped shield at end and rectangular 
swinging sign of sheet iron. 

Height, 2 feet 2 inches; width, 6 feet 10 inches. 


834—SpanisH WrovucHT-IRON BrAackET AND SIGN 
S79 Eighteenth Century 
j aL ~ Bracket with straight spirally twisted branch and circular plate, 
pierced with a cross. Sign as a crowned lion with claws. Painted 


red. 


835—SpanisH WrovucHT-1ron Window Screen Eighteenth Century 
_ D- Rectangular shape, square wrought-iron bars with cylindrical 
vase-shaped upper and lower portions and alternate open lozenge- 
shaped medallions. Cresting of strap-iron scrolls with trefoiled 
finial. Height, 4 feet; width, 2 feet 71/4 inches. 


836—IraL1an WROUGHT-IRON SCREEN Seventeenth Century 
Semicircular shape. Vertically divided by iron bars into panels 

Ro “of S-shaped voluted scrolls, the ends of volutes wrought as leaves. 
In the center is a circular wreath of wrought-iron leaves, grapes, 

fruits and ears of barley, enclosing a seventeenth century ship 

with high poop and crescent-shaped sails. Wreath and ship gilt. 

Height, 3 feet 9 inches; width,.7 feet 9 inches. 


837—PortTIon oF SpanisH WrovucutT-iron Gate Siateenth Century 


SO Two cylindrical knopped and vase-decorated standards. Por- 
/ ae ™ tion of scalloped cresting with wrought-iron hook. Strap-iron 


base. Height, 43 inches. 


Fourth Afternoon 


838—Pair oF SPANISH WRoUGHT-IRON WINDOW SCREENS 


of 0 


Eighteenth Century 
Rectangular shape. Filled with a diapered pattern of strap-iron 
quatrefoils, and with sides of interlaced and voluted C-scrolls 
ornamented with leaves. Cresting of voluted scrolls ending in 
leaves and shaped lambrequins. 


Height, 3 feet 5 inches; width, 2 feet 4 inches. 


839—Pair oF SPANISH WroucGHT-IRON WINDOW SCREENS 


FRO 


Seventeenth Century 
Rectangular shape, with projecting lower portions paneled with 
wrought-iron vertical bars having pointed-arch tops. Crestings 
of scrolled and voluted iron straps ornamented with scrolled 
wrought-iron acanthus leaves. Bands of reversed round arches of 


strap iron below. 
Height, 4 feet 6 inches; width, 2 feet 11 inches. 


Fourth Afternoon 


840—SpanisH Wrovucut-rron Window JALOUSIE 
Eighteenth Century 
Linegs D ~ Rectangular shape with curved front and serpentine top. Verti- 
cal wrought-iron bars, band below of alternate ovals, sides of 
C-scrolls ending in leaves, top of scrolled wrought-iron acanthus 
leaves with circular medallion in center with Masonic symbol. 
Height, 4 feet 4 inches; width, 3 feet 3% inches. 


841—SpanisH WrovucuT-iron Srarrcas—E Gate and WINGS 
Seventeenth Century 
/ \-)? Gate in two portions with arched top and ornamented meeting 
bars. Panels filled with wrought-iron bar scrolls and volutes 
ornamented with wrought-iron leaves and flowers. Curved wings 
of wrought-iron bar scrolls and volutes ornamented with wrought- 
iron leaves. Height of gate, 56 inches; width of gate, 80 inches. 


842—SpanisH WRovGHT-IRON BaLusTRADING Sixteenth Century 

Rectangular-shaped panel, of bar and strap iron, fitted with 

// () <carved and voluted vase-shaped balusters of strap-iron orna- 

mented with wrought-iron acanthus leaves, band of acanthus-leaf 

decorated, and round arches of strap iron above with band of 
banded and voluted C-scrolls below. 

Height, 3 feet; width, 6 feet 2 inches. 


843—Pair oF Spanish WrovucHtT-1ron Window JALOUSIES 

Seventeenth Century 

/ OV Rectangular shape, with projecting lower portions. Paneled with 
two bands of wrought-iron vertical bars, ending in arched inter- 
lacements and with roundels; ornamented with a wrought-iron 

leaf quatrefoil and pear-shaped bases of leaves. Cresting of iron 

bar key-pattern and circular medallion surmounted by a bow of 

cord and occupied by a beaded quatrefoil-leaf rosette. (One 

rosette missing. ) Height, 5 feet 10 inches; width, 3 feet 8 inches. 


844—SpanisH Wrovucut-1ron Winpow Screen Seventeenth Century 
Rectangular shape. Paneled with vertical iron bars and voluted 
. serollings ornamented with wrought-iron scrolled acanthus leaves, 
with a horizontal band of interlaced circles, vertical bands of 
iron bar meander, ornamented with flowers, octagonal panel in 
center and rosetted concentric circles below. At top is a band 
of vertical bars, appliqué with vase and leaf festoons and at bot- 

tom a similar band appliqué with drapery festoons. 


Height, 5 feet 3 inches; width, 3 feet 7 inches. 


Fourth Afternoon 


845—SpanisH WrovuGHT-IRoN Window JALOUSIE 
Seventeenth Century 
“Si ity ~Rectangular shape with curved front and cresting. Wrought- 
iron vertical bars, with horizontal cross piece and sides of curved 
and voluted iron bars ornamented with leaves. Cresting of rec- 
tangular volutes, with leaf finials and center circular medallion of 


quatrefoil leaves. 
Height, 5 feet 5 inches; width, 3 feet 5 inches. 


Fourth Afternoon 


ee Sete ee ee 


846—ANDALUSIAN WrovuGHT-1ron Fire Screen Fifteenth Century 


6 Cla Square, rectangular bars, with scrolled and voluted brackets, of 
bar and strap iron, and central finial ending in basket having 
sides of voluted strap iron. Flanked by square tapering sup- 
ports with spirally twisted lower portions ending in coupe-shaped 
baskets with sides of spirally twisted iron bars, projecting hori- 
zontal brackets supported by scrolled and voluted strap iron and 
ending in pear-shaped baskets with spirally twisted iron bar sides. 
Lower bar of square iron, spirally twisted in the middle and with 
scrolled and voluted ends. Round-arched feet of strap iron. 


Height, 67 inches; width, 60 inches. 


Fourth Afternoon 


847—SpanisH PatintreD WrovucHT-rrRoN CHANCEL RAILING 
: Seventeenth Century 
In six sections. Rectangular panels of sheet iron cut en sil- 
2  ~ houette and painted. Above are scrolled crestings, in the center 
panels of knopped columns with scrolled interlacements above 
and below, and below bands of C-scrolls and scrolled leaves. 


Painted naturalistically. | 
Height, 35 inches; width, 138 inches. 


848—SpanisH Wrovucut anp Cast Iron Gate Seventeenth Century 


Rectangular shape, with arched cresting. Two leaves fitted with 
& Tee ge vertical square knopped wrought-iron bars, having cast-iron tre- 
foiled leaves above and below. Three horizontal bands of curved 
and diamond interlacements ornamented with acanthus leaves. 
Cresting of voluted bar iron scrolls ornamented with scrolled 
acanthus leaves and appliqué, in the center, with a scrolled 
escutcheon surmounted by a ducal coronet. Rectangular vertical 
meeting bar with wrought-iron box lock and two hinge posts of 


wrought iron. 
Height, 8 feet 7 inches; width, 5 feet 4 inches, 


849—SpanisH Wrovucut anv Cast Iron Gate Seventeenth Century 


In two leaves with upright wrought-iron bars, knopped with 

J a he wrought-iron quatrefoil leaves and with cast-iron trefoil leaves 
between. Above and below are horizontal panels of wrought-iron 
interlaced quatrefoils and leaves. Cresting of scrolled strap-iron 
decorated with wrought-iron leaves. 


Height, 8 feet 2 inches; width, 6 feet 2 inches. 


850—SPpaNIsH WROUGHT-IRON GATE Sivteenth Century 


In four leaves, each filled with two panels of iron-rod scrolls and 
jj 2-~ volutes and with shaped uprights. Cresting of scrolled and 
voluted iron rod decorated with wrought-iron leaves. Wrought- 


iron lock. 
Height, 10 feet 6 inches; width, 13 feet 6 inches. 


FIFTH AND LAST AFTERNOON’S SALE 


SATURDAY, APRIL 30, 1921 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O'CLOCK 


‘Catalogue Numbers 851 to 969, inclusive 


851—Ser or-Srx CastTinian Watnut Cuairs Sivteenth Century 

Spindled backs with side supports carved with imbrications; 

7 6 y- wooden seats, turned legs, spindled front rails and square side 
/ rails. 


852—Set oF Six VENETIAN PAINTED AND GESSO-DECORATED VESTIBULE 
Carrs Eighteenth Century 
/ 3 37 Straight backs with serpentine head rails, surmounted by carved 
leaves, vertical splats, decorated, in relief, with scrollings and 
escutcheons of gilt gesso-work and with oval mirrors inserted in 
centers. Cabriole legs, decorated with scrollings and gilt gesso, 

turned side rails, and stretchers. Seats in old leather. 


853—Set oF Six VENETIAN PAINTED AND GESSO-DECORATED VESTIBULE 
caw CHAIRS Eighteenth Century 
é Similar to the preceding. 


854—Ser or Two VENETIAN PAINTED AND GESSO-DECORATED VESTI- 
BULE CHAIRS Eighteenth Century 


_% 9 -Similar to the preceding. 


Fifth and Last Afternoon 


855—Frencu Watnvut Cuarr Eighteenth Century 

= Shield-shaped upholstered back with molded frame, and cabriole 

7s “ legs. Seat and back in old needlework worked, on a light ground, 
in colors and in a pattern of pomegranates, flowers and leaves. 


856—SpanisH Watnut Bisuop’s ARMCHAIR Sixteenth Century 


ub Straight square back, curved, molded and voluted arms on turned 
/ D supports, turned legs with pear-shaped feet and turned rails. 
Seat and back in sixteenth century Genoese crimson velvet. 


From the collection of Don Bonifacio Diez Montero, Burgos. 


Fifth and Last Afternoon 


857—Pair or PorrucuEsE Wautnut Hari Cuairs 


> ae 


Seventeenth Century 


Straight square backs with rounded tops, turned legs with pear- 
shaped feet, carved, pierced and shaped deep front rails and 
turned side rails. Seats and backs in crimson velvet, cut in a 
design of scrolled leaves and medallions. 


858—Spanish Wartnur Travetinc Armcuair Eighteenth Century 


fol o- 


Sloping square adjustable back, straight upholstered arms end- 
ing with carved women’s heads on molded curved supports, shaped, 
molded and voluted legs with pear-shaped feet, scrolled hinged 
side rails and shaped hinged stretcher. Seat, back and arms 
in sixteenth century Genoese crimson velvet finished with silk 
fringe. 

Note: This chair folds up so as to admit of packing and transporting from 


place to place on mule-back, and the removal of the back converts it into a 
Bishop’s Throne. Used by the Spanish Bishops on their pastoral trips. 


Fifth and Last Afternoon 


859—Set or Six French Watnvut Cuarrs Eighteenth Century 
l. ae: Spade-shaped backs with molded, carved frames and pointed 
finials, serpentine, carved aprons, turned, fluted tapering legs 
carved with acanthus leaves. Seats and backs in woven cane- 
work. 


860—SpanisH Watnut ARMCHAIR Sivteenth Century 
Straight square back with molded and voluted finials, flat voluted 

ot J 0- arms, on square fluted supports, pierced and carved deep front 
rail, square, fluted and astragalled legs, shaped side rails. Seat 


and back in old crimson velvet secured with rosetted brass-headed © 


nails and finished with silk fringe. 


From the collection of the Marqués de Valverde. 


<é ey 
x LG CG as OS S-98-~, 7 | 
/ 


] 
; 


Fifth and Last Afternoon 


861—Frencuo Watnut ARMCHAIR Sixteenth Century 


Straight square back, curved, carved and voluted arms on turned 
supports, turned legs with rectangular feet and turned rails. 
Seat and back in Flemish tapestry woven in designs, the back 

) ~ in a design of Darius with wife and family standing outside a 
pavilion, the seat in a verdure design of leaves on dark and light 
grounds. Secured with brass-headed nails. 


862—Parr or Frencu Girt ARMCHAIRS 

Empire Period of the Nineteenth Century 
Straight square backs with fan-carved head-rails, curved cylin- 
/ 73 ) = drical acanthus-leaf carved arms ending in lions’ heads, on turned 
carved supports and square tapering fluted legs. Seats and 
backs in French damask, one of blue woven with baskets of 
fruits and birds, one of rose-color woven with octagonal panels 

and vases. 


Fifth and Last Afternoon 


863—Pair or French Watnut Armcuairs Seventeenth Century 


Straight square backs, curved voluted arms carved with acan- 


/ / SP thus leaves on turned voluted and imbricated supports, turned 


and carved legs, acanthus-leaf carved feet, turned, fluted and 
carved side rails and turned, fluted and carved stretcher with 
carved voluted center. Seats and backs in sixteenth century 
French tapestry woven in designs, the backs of seated figures 
of Knight and Chatelaine with pond and formal garden in dis-~ 
tance and of youth and maiden with formal garden, buildings 
and trees in the background and flanked by terminal caryatid 
figures, the seats of vases of varicolored flowers on light grounds 
with half-figures below, drapery festoons and figures holding 
torches above and baskets of fruits. Secured with brass-headed 
nails. 
ou 


: / \ 


a ae 


wwe Lae 


Fifth and Last Afternoon 


864—Frencu Intaip Watnour Wririne Taste Eighteenth Century 

& 0+ Oval top inlaid with parquetry of checkered squares, plain apron 
fitted with three drawers, divided into stationery compartments 
and square tapering legs. 


Height, 30% inches; length, 28 inches; width, 2014, inches. 


865—Grisons Intain Watnut Tape Eighteenth Century 
. Rectangular top with plain edge, inlaid, in colored woods, with 

o an oval rosetted medallion, a panel of checkered basket-work, 
cinquefoil rosettes at angles and borders of floral meander and 
diagonals. Inlaid apron fitted with four drawers and with band 
below carved with guilloche patterning. Tapering square legs. 


Height, 31 inches; length, 37 inches; width, 25 inches. 


866—Caratonran Watnvut TasLe Seventeenth Century 


Rectangular top with straight edge and molded cross braces, 

/ 2 ) -reel-turned spreading legs, shaped end rails and wrought-iron 
cylindrical longitudinal braces with double knopped ends. se- 
cured with iron discs. 


Height, 301% inches; length, 541, inches; width, 36 inches. 


867—SpanisH Waunout TasLe Sixteenth Century 

Rectangular framed top with plain edge, molded cross braces, 

3 spreading turned legs with rectangular feet carved with es- 

a cutcheons surmounted by coronets and charged with coats-of- 

arms. Square end rails and wrought-iron curved, knopped, cyl- 
indrical longitudinal braces. 


Height, 281, inches; length, 65 inches; width, 35 inches. 


868—ARraGonEsE WatnvutT Breap TaBLe Sixteenth Century 
Rectangular top with square edges, plain apron, fitted with 

7 » drawers with leaf medallion carved fronts, turned legs, flat 
molded rails and longitudinal stretcher. Wooden knobs and 
wrought-iron keyhole escutcheons. 


Height, 32%, inches; length, 70 inches; width, 261, inches. 


Fifth and Last Afternoon 


869—SpanisH Wautnut TaBLeE Seventeenth Century 

Rectangular planked top with straight edge, shaped and voluted 

1 l, flat legs with molded cross braces, shaped end rails and wrought- 
“iron cylindrical twisted and voluted longitudinal braces. 

Height, 321%, inches; length, 67 inches; width, 32%, inches. 


8'70—NortH Castinian Watnut Rerectory Tape 
Sixteenth Century 
/ Fd “Rectangular top with straight edge, paneled apron fitted with 
two drawers, turned legs, molded rails and longitudinal stretcher. 
Wrought-iron pear-shaped drop handles. 
Height, 301%, inches; length, 77 inches; width, 2314 inches. 


871—Castinian Watnut Tape Sixteenth Century 
Rectangular top with straight edge, plain apron fitted with 
<2. © 0- three drawers, the fronts paneled and carved in low relief and 
divided by carved stiles, turned legs, pear-shaped feet and square 

rails. Wrought-iron looped handles and keyhole escutcheons. 
Height, 301%, inches; length, 921%, inches; width, 23 inches. 


872—SpanisH Watnut Monastic Lisrary Taser 
Late Sixteenth Century 
/ ih ae Rectangular top with straight edge, plain apron fitted with four 
| drawers with quatrefoil medallion carved fronts, turned legs, 
pear-shaped feet and flat square side rails. Wooden knobs. 
Height, 824, inches; length, 97 inches; width, 271% inches. 


ee ee ee 


— oT! . a a Se a eee 


Fifth and Last Afternoon 


873—CaTatonian Wautnut TaBLe Siateenth Century 

Rectangular top with rounded edge, flat shaped, voluted and 

| 3 yg - carved legs, shaped, flat end rails, and wrought-iron knopped 
cylindrical braces. Shaped and voluted cross bases. 


Height, 29 inches; length, 371, inches; width, 221%, inches. 


8'74—SpanisH Watnvut TaBLe Late Sixteenth Century 
Rectangular top with square edge, shaped flat legs with shaped 
/ 60 “cross braces and shaped end rails. Wrought-iron knopped cyl- 


indrical curved and voluted longitudinal braces. 


Height, 34 inches; length, 851, inches; width, 36 inches. 


875—ARAGONESE WatnuTt TABLE Seventeenth Century 


Rectangular top with straight edge, apron fitted with three 
;, 9-drawers, the fronts carved with rectangular quatrefoil leaf me- 
dallions, turned legs with cushion feet, and chamfered side rails. 
Ends carved with quatrefoil medallions and leaf medallion in 


center. 
Height, 32°, inches; length, 73°34 inches; width, 33 inches. 


Fifth and Last Afternoon 


876—Leron Intaip Watnut Tape Seventeenth Century 
Rectangular top with straight edge with incised and boxwood 
vi IS -inlaid circular leaf medallion and border inlaid with bands and 
roundels, plain apron fitted with three drawers, two plain fronts, 
one with front inlaid in boxwood, raised, shaped and engraved 
as a landscape, ship and ruins, sides and one end of back sim- 
ilarly inlaid, turned legs, ball feet, flat square rails, wrought-iron 
keyhole escutcheons. 
Height, 821/, inches; length, 67 inches: width, Baanehen 


Note: This table is a striking example of the characteristic Spanish lack 
of symmetry. 


877—CastTinian Watnut TasLe Seventeenth Century 


Rectangular top with straight edge, apron fitted with two 
/ ~ o- drawers with leaf medallion carved fronts and leaf-carved bands 
below, turned legs, square feet and molded square end rails. 


Height, 301% inches; length, 85 inches; width, 23 inches. 


878—Castiti1an Pino Woop Bripat Arcon, or CHEST 
Sivteenth Century 
/ | 0 - Rectangular hinged lid with molded edge, plain front, molded base 
and cushion feet, pierced and shaped wrought-iron lock plate 
with wrought-iron hasp, shaped and pierced angle pieces and 
swinging looped carrying handles. 
Height, 26% inches; width, 36 inches; depth, 20 inches. 


From the collection of the Marqués de Valverde. 


Fifth and Last Afternoon 


879—SranisH Watnut TaBsLe Late Sixteenth Century 

Rectangular top with square edge, shaped flat voluted legs with 

a FD “shaped cross braces, shaped flat end rails and wrought-iron 
curved cylindrical longitudinal braces. 


Height, 32% inches; length, 571% inches; width, 34 inches. 


880—Castintian Watnout TasLe Seventeenth Century 

Rectangular top with straight edge, apron fitted with three 

/ b drawers with paneled fronts separated and divided by molded 
voluted modillions, turned legs and square rails. 


Height, 31 inches; length, 661, inches; width, 31 inches. 


881—SpanisH Watnut TasLe Sixteenth Century 
Rectangular top with straight edge, paneled and carved apron 
/ ‘a O fitted with two drawers with paneled fronts carved with rect- 
angular medallions and divided by medallion carved panel, turned 
columnar legs, pear-shaped feet and square side rails. Wrought- 

iron keyhole escutcheon. 


Height, 32% inches; length, 56 inches; width, 2934, inches. 


882—SpanisH Watnut TaBLeE Sixteenth Century 
Rectangular planked top with straight edge and molded cross 

or a. braces, turned spreading legs with turned central support, turned 
end rails and wrought-iron curved knopped cylindrical longitu- 


dinal braces. 
Height, 27 inches; length, 651% inches; width, 3934, inches. 


883—AraconEseE Watnut TaBLe Late Stateenth Century 

Va) _ Rectangular top with straight edge, apron fitted with three 
drawers with paneled and carved fronts, separated and flanked 
by molded brackets, turned legs and square rails. 


a 


Height, 311% inches; length, 71% inches; width, 81 inches. 


884—ARAGONESE Watnut TABLE Seventeenth Century 


Rectangular top with straight edge, plain apron fitted with 
—l } 2 three drawers with paneled and carved fronts, turned legs, square 
side rails and longitudinal stretcher. Wooden knobs. 


Height, 3114 inches; length, 8814 inches; width, 26%, inches. 


Fifth and Last Afternoon 


885—Ser or Srx Spanish Watnut Monastic ARMCHAIRS 


ne hese ie 


Seventeenth Century 
Straight square backs with round finials, straight flat voluted 
arms on square supports, square legs, deep front rails and side 
rails. Seats and backs in original leather with embossed and 
sewn panels, secured with large brass-headed nails. 


886—Pair oF SALAMANCA PaIntTED WALNuT Sacristy CHAIRS AND 


SE ee 


SETTEE Seventeenth Century 
Straight square backs with voluted finials, painted in colors 
with central shield enclosing pierced heart and with four cir- 
cular medallions enclosing portraits on a red ground patterned 
with scrolls, birds, animals, human figures and churches, straight 
square legs, shaped carved deep front rails and shaped side 
rails. Seats and side supports in purple velvet secured with 
brass-headed nails and finished with silk fringe. 


(Illustrated) 


887—PortucuEsE WALNUT SETTEE Seventeenth Century 


If d- 


Back of three chair-backs with serpentine tops, plain apron, reel- 
turned legs and side rail, shaped and carved deep front rail and 
turned stretchers. Seat and back in embossed brown velvet 
secured with brass oval-headed nails and finished with silk fringe. 


Length, 70 inches. 


ae 


(Aanquag yjzucajuaaag) 


GaLLagG GNV SuYIVH) ALSIMOVG LOANIVAA GHLNIV | VINVNVIVS AO YIVg—988 “ON 


DOTA cane 


Sak LIP 


waht 


Fifth and Last Afternoon 


888—BasauE WaLtnutr CABINET Seventeenth Century 
Rectangular shaped top with molded edge, body arranged as a 
J ji Db - cupboard with two hinged doors having double paneled fronts 
carved with scrolled rectangles in high relief, divided and flanked 
by stiles appliqués with carved fruit pendants depending from 
voluted scrolls, molded base and cushion feet. Brass knobs 

and keyhole escutcheon. 


Height, 36 inches; width, 37% inches; depth, 18% inches. 


889—BasavE Watnut CHEsT Fifteenth Century 


Rectangular hinged and braced lid with rounded edge, plain 
/ 3 © ‘front, shaped plinth carved with rosettes and quatrefoil medal- 
lions, wrought-iron keyhole escutcheon and angle pieces. 


Height, 26 inches; width, 51 inches; depth, 18 inches. 


us 


Fifth and Last Afternoon 


890—TotEpan InLAID Watnvut CaBIneET Sixteenth Century 


w¥od- 


Rectangular top with molded modillioned edge, apron fitted with 
four drawers with paneled and inlaid fronts, cupboard below with 
two hinged doors with lozenge-paneled fronts flanked by tapering 
fluted pilasters with voluted capitals and by raised panels. Plinth 
fitted with drawer with paneled front, molded broken base and 
cushion feet. Brass knobs. 


Height, 3414 inches; width, 42%, inches; depth, 18 inches. 


891—-VaLLADOLIDIAN GiLtT, PAINTED AND Carved Woop FRAME 


iL 


Sixteenth Century 


Broken carved and dentilled cornice and frieze carved with 
cherubim and busts, supported by two pilasters of different 
designs (one with fluted acanthus-leaf carved shaft, one with 
plain acanthus-leaf carved shaft) and carved vase-shaped bases 
on cylindrical pedestals carved with drapery festoons. Painted 
and gilt. Height, 59 inches; width, 4814, inches. 


Fifth and Last Afternoon 


892—Castizian Intaip Watnut Taste Early Sixteenth Century 
Rectangular top with straight edge and shaped cross braces, 
plain apron fitted with two drawers with fronts inlaid, in light 
and dark woods, with Hispano-Mauresque interlacements ; turned 
spreading legs, with shaped rails. Wrought-iron cylindrical 
curved longitudinal brackets and shell-shaped handles. 


2 S0- 


Height, 31 inches; length, 414%, inches; width, 25%, inches. 


(Illustrated) 


893—PortucuEsE Pino Woop TasBLE Late Seventeenth Century 
Rectangular top with gauffered edge, paneled apron, fitted with 

three drawers with paneled fronts, appliqués with rectangular 

/ LL » - pierced metal keyhole escutcheons divided by molded stiles, and 
with carved band below. Pear-shaped, bulbous turned legs, — 

spirally turned rails and cushion feet. Brass mounts and knobs. 


Height, 36%, inches; length, 72 inches; width, 837%, inches. 


894—Castit1an Wautnut TasLE Seventeenth Century 
Rectangular top with straight edge, apron fitted with three 
a dD drawers with carved and paneled fronts separated and flanked 
by molded brackets and with leaf-carved band below, turned legs 
with cushion feet, shaped cross braces and side rails. Wrought- 

iron, rectangular, voluted, longitudinal braces. 


Height, 3314 inches; length, 6614 inches; width, 26144 inches. 


895—Tortepan Watnut Rerectory Tape Sixteenth Century 


Rectangular top with square edge, lozenge-paneled apron fitted 

2s with three drawers divided by voluted modillions and flanked by 
‘voluted brackets, turned legs with ball feet and square rails and 
longitudinal stretcher. 


Height, 34 inches; length, 73 inches; width, 331, inches. 


(Illustrated) 


No. 892—CastTiL1AN INLAiD WaLNuT TABLE 


(Early Siateenth Century) 


No. 895—Torepan Watnut Rerectory TABLE 


(Sixteenth Century) 


Fifth and Last Afternoon 


896—NortH Castinian Watnut TABLE Sivteenth Century 

Rectangular top with straight edge, plain apron fitted with two 

2 0 D drawers, the fronts carved with circular rosettes and stars, turned ~ 

legs with cushion feet, chamfered side rails and longitudinal 
stretcher, wrought-iron keyhole escutcheons. | 

Height, 33%, inches; length, 8514, inches; width, 27 inches. 


897—Castir1an Watnut Tape Seventeenth Century 

Rectangular top with straight edge, apron fitted with two drawers 

/ Bs p -with paneled and leatf-carved fronts, separated by carved panel 

and with egg and dart carved band below, turned legs, ball feet, 
chamfered side rails and rounded longitudinal stretcher. 

Height, 33% inches; length, 7434 inches; depth, 28 inches. 


898—Parr oF BasavE Watnut BENCHES -  Kighteenth Century 


Spindled backs with straight head rails, carved with egg and 
oL <2 o -dart ornament and diamond diaper, carved voluted finials, wooden 
seats with molded edges, straight square legs carved with diamond 
diapers and square rails. Length, 40 inches. 


899—SpanisH Watnut Sacristy BENcH Sixteenth Century 
Straight sloping square back with molded edge, wooden seat 
/ + O-with shaped cross braces and open lyre-shaped flat legs. Wrought- 


iron, knopped, cylindrical, longitudinal braces. 
Length, 60 inches. 


900—SpanisH Pino Woop Sacristy BENcH Sixteenth Century 
Straight back with molded edge, carved with scrolled escutcheons 

4 fé ¢ . charged with crosses of the Knights of Santiago de Calatrava, 
wooden seat, reel-turned spreading legs with pear-shaped feet, 
reel-turned side rails and wrought-iron cylindrical longitudinal 


braces. Length, 73 inches. 
(Illustrated) 


901—SpanisuH Pino Woop BEencH Seventeenth Century 
Straight square upholstered back, upholstered seat, straight 
spreading legs, shaped side rails and wrought-iron knopped cyl- 
indrical curved longitudinal stretcher with branched ends wrought 
with volutes and rosettes. Seat and back in old eighteenth cen- 
tury crimson velvet secured with rosetted and medallioned brass- 
headed nails. Length, 76 inches. 


% 


Uist he hapeg RSS 


No. 900—Spanisu Pino Woop Sacristy BEencu 


(Sixteenth Century) 


Fifth and Last Afternoon 


902—Pair oF SpanisH Prno Woop Doors Sivteenth Century 
Rectangular shape. Ejight-pointed stars in center with molded 
ie ub OD borders carved with scrolled leaves and floral medallions. Above 
and below are seven panels with molded borders carved with 

scrolled leaves and floral and leaf medallions. 


Height, 76 inches; width, 41 inches. 


903—SranisH Pino Woop CazpinetT Stanp Late Fifteenth Century 
ae. Arranged as cupboard, with plain apron, two hinged double- 


paneled doors, flanked by turned columnar pilasters, rectangu- 
lar feet and rails. 


Height, 31 inches; width, 40 inches; depth, 21%, inches, 


904—SpanisH Pino Woop CaBINET Sixteenth Century 
Rectangular top with straight edge, body arranged with three 

Tien « drawers with paneled fronts and cupboard below with two hinged 
doors having raised paneled fronts. Paneled sides and wrought- 

iron pear-shaped drop handles and looped carrying handles. ; 


Height, 23 inches; width, 40 inches; depth, 21%, inches. 


905—SpanisH InLaip WatnutT CABINET AND STAND 
Seventeenth and Eighteenth Centuries 
2 9 © “Sixteenth century cabinet with top with molded edge, fitted with 
two hinged doors, the fronts inlaid with panels of pearwood and 
central stars inlaid in ivory and ebony. Interior fitted with ten 
drawers with inlaid fronts and central compartment with hinged f 
door, the front inlaid with ivory and with round-arched center 
supported on triple columnar pilasters resting on carved brackets, 
the interior fitted with three drawers with inlaid fronts, two 
with panels of engraved ivory. Eighteenth century stand with 
rectangular top with rounded edge, inlaid apron fitted with 
drawer with inlaid front and square tapering legs. 


Height, 54%, inches; length, 4134 inches; width, 15 inches. 


Fifth and Last Afternoon 


ih 


906—Castitian Prxo Woop BENcH Sixteenth Century 
Straight shaped back carved, in low relief, with rosettes and 

/ | 0 * strapwork, voluted finials and notched end supports, straight 
flat voluted arms on square notched supports, wooden seat with 

shaped and rosetted carved apron, square notched legs and front 

rail and square side rails. Length, 52 inches, 


907—Castizt1an Watnut Sacristy Brencu Seventeenth Century 
Sloping hinged back with molded edge, wooden seat with molded 

/ uf D “front, shaped cross braces, shaped voluted legs and shaped rails. 
Wrought-iron strap hinges with fan-shaped ends, secured with 

iron bosses. Length, 84 inches. 


908—SrpanisH Watnout Sacristy Brencu Sixteenth Century 


Sloping hinged back with molded edge, wooden seat with molded 
/ OD -front, shaped and square cross braces, shaped and voluted legs 
and shaped rails. Wrought-iron strap hinges with fan-shaped 
ends, secured with iron bosses. Length, 84 inches. 


Fifth and Last Afternoon 


909—Basavue WALNuT Sacristy CHEST Late Sixteenth Century 


a fF O° 


Rectangular hinged lid with molded edge, front carved with rect- 
angular quatrefoil medallions, rosettes and cross with leaf- 
carved arms and voluted base, flanked by vertical leaf-carved 
panels, voluted and leaf-carved apron. 


Height, 38 inches; width, 64 inches; depth, 25 inches. 
From the collection of the Marqués de Valverde. 


(Illustrated ) 


910—Castitran Watnot TasLe Seventeenth Century 


/bo- 


Rectangular top with straight edge, paneled apron fitted with 
two drawers, the fronts carved in low relief with fan medal- 
lions, turned legs, square side rails and longitudinal stretcher. 


Height, 31 inches; length, 931, inches; width, 31%, inches. 


911—Norru Irauian Painted CHEST Seventeenth Century 


/‘) o- 


Rectangular hinged lid with molded and carved edge, front with 
two round arches, supported by fluted pilasters, filled with inter- 
laced strapwork and flanked and divided by vertical panels filled 
with interlacements. Center panel incised with date “1691.” 
On painted stand with shaped apron and bracket feet incised 


with volutes. | 
Height, 341% inches; width, 65 inches; depth, 26 inches. 


912—-AraconEsE Watutnut TasLeEe Seventeenth Century 


Pee Ge 


Rectangular top with straight edge, apron fitted with three 
drawers with paneled fronts carved with leaf medallions and 
scrolls and flanked and divided by shaped modillions, turned 
spreading legs, square rails and longitudinal stretcher. Wrought- 
iron pear-shaped drop handles and keyhole escutcheons. 


Height, 834% inches; length, 691% inches; width, 32 inches. 


913—ARaAconESE WaALtNvuT TaBLE Late Sixteenth Century 


ot sl oe 


Rectangular top with straight edge, plain apron fitted with 
four drawers, the paneled fronts carved with scrolls, flanked 
and divided by molded brackets, turned legs with cushion feet, 
square rails and longitudinal stretcher. Wooden knobs. 


Height, 34 inches; length, 851%, inches; width, 3214, inches. 


(hanjuay yyuaazrig az0'T) 


LSAaHD) ALSTHOVS LONTV MA anosvq—606 ‘ON 


fe sane: 


Fifth and Last Afternoon 


914—Bureos Watnut Bripat Arcon, or Cuest Fifteenth Century 


Deane 


Rectangular hinged lid with straight edge; front carved with 
bust portrait of knight in casque and armor within a laurel 
wreath, flanked by horizontal primitive linen-fold panels. 
Wrought-iron carrying handles, lock plate, hasp and angle 


straps. 
Height, 20 inches; length, 363, inches; width, 181% inches. 


Note: This chest came from the house of Don Bonifacio Diez Montero, 
Member of the “Audiencia de Burgos.” Burgos is the town made famous 
by the Spanish hero and poet, El Cid Campeador. 


(Illustrated) 


915—VaLENcCIAN IntAatiD Prno Woop Arcon, or CHEST 


Sixteenth Century 


ey, © - Rectangular hinged lid, apron inlaid, in light-colored wood and 


ivory, with diamond diaper, front divided into three plain panels 
with paneled and lozenge inlaid stiles, square chamfered legs. 


Height, 20 inches; width, 50 inches; depth, 211% inches. 


916—SpanisH PaInTED AND GittT Woop Sacristy CABINET 


3 5- 


Sixteenth Century 


Semi-octagonal shaped top with molded cornice supported at the 
angles by detached columnar carved pilasters with tapering 
shafts, and with frieze carved with cherubim. Body arranged as 
a cupboard, the sides with round-arched tops, the center with 
a shell canopy carved with the half-figure of a saint and with 
a hinged door below pierced with circular bosses. Sides carved 
with cherubim and trophies and with panels of masks and scrolled 
leaves. Painted and gilt. 


Height, 444, inches; width, 34% inches; depth, 191% inches. 


(Aunquay yquaai fiz) 


LSaH dD) uo ‘Noouy Ivdlug LONTV A SONUNT—_FI6 ‘ON 


Fifth and Last Afternoon 


917—Pair or Spanish Hanorne LANTERNS Seventeenth Century 
Octagonal glazed sides, pierced and repoussés at the angles, pin- 

a He nacle domed top divided by pierced and repoussés bands, circular 
trefoiled crestings, octagonal molded bases with leaf pendants. 


Height, 29 inches. 


918—Parr oF Spanish Hancine LANTERNS Seventeenth Century 
Octagonal sides pierced and repoussés at angles, pinnacle-shaped 

eek _tops with octagonal pierced and repoussés crestings, pierced and 
repoussés molded octagonal bases, with leaf-surrounded pend- 


ants. 

Height, 31 inches. 
919—Parr oF Spanish Hanoine LANTERNS Seventeenth Century 
— Rectangular beveled sides with beveled angles paneled with col- 
> © ~ored glass and supporting vases of flowers, pierced octagonal tops 
and scrolled circular cresting, in molded octagonal bases and 

conical pendants with colored silk tassels. 
Height, 29 inches. 

(Illustrated ) 

920—Pair oF Spanish Hancine LANTERNS Seventeenth Century 


Rectangular glazed sides with beveled angles supporting vases 
we d= of flowers, pierced octagonal tops, pierced scrolled circular crest- 
ings, molded octagonal bases and conical pendants with silk 


tassels. 
Height, 32 inches. 


921—Pair oF SpanisH Potrt LANTERNS Seventeenth Century 


Hexagonal glazed sides, with spirally twisted pierced columns at 
.) 0 © angles, pierced cornice with flowers at angles, pierced and re- 
poussé domed cover and hexagonal cresting. Round-arched sides 
filled with colored glass, pierced and repoussé top, insloping 
glazed base with shaped pierced and repoussé lower portion. 
Plain pole sockets. Original knopped, carved and painted wooden 


poles. 
Height, 42 inches. 


(Illustrated) 


rer ree et eee 
Babess editor 


919 


# 


921 921 


SpanisH Hancina AND PoLe LANTERNS 


(Seventeenth Century) 


Fifth and Last Afternoon 


922——Pam or Spanish Pore Lanterns Seventeenth Century 


Rectangular beveled and glazed sides, beveled angles, with pierced 

AS cael Ma tops, octagonal-shaped molded and pierced top, circular crest- 
“ing, pierced with scrolls, octagonal molded base and knopped 

pole sockets. Original wrought-iron knopped cylindrical poles 


incised with scrolls. 
Height, 28 inches. 


923—Parr or Spanish Porte LANTERNS Seventeenth Century 

Rectangular beveled sides with beveled angles, supporting vases 

bo b-of flowers, pierced, scrolled octagonal tops and circular scrolled 
crestings, octagonal molded bases and knopped pendants. 


Height, 26 inches. 


924—Totepan WrovucHT-iron CaTHEDRAL LANTERN 
Late Sixteenth Century 
S/d “Rectangular shape with pierced voluted brackets at the angles, 
pierced framework, cresting pierced as Virgin’s crown; rect- 
angular top pierced with arcading and apron with pierced voluted 
brackets at angles. 
Height, 52 inches; width, 27 inches. 


(Illustrated) 


925—Set or Four Spanish Hancine LANTERNS 
Seventeenth Century 
Rectangular glazed sides, with chamfered angles, surmounted 
Sp ; ' : 
by vases of flowers, glazed, slanting, pierced and scrolled octag- — 

onal tops with pierced, scrolled circular crestings. Octagonal 


bases and conical feet. 
Height, 27 inches. 
(Illustrated) 


926—Pair oF SpanisH Patnrep anp Carvep Woop TorcHERES 
Sixteenth Century 
/ fs es Cylindrical stems carved with imbrications, coupe-shaped bo- 
béches, carved with leaves ending in wrought-iron cylindrical 
candle-sockets with leaf-decorated iron-rod stems. On tripod 
stands with scrolled, voluted and acanthus-leaf carved brackets 
at angles and overlapping pointed leaves between. 


Height, 581% inches. 


924 


No. 924—To.tepan WrovuGHT-1RON CATHEDRAL LANTERN 


No. 925—Srt or Four Spanish Hanoinc LANTERNS 


Fifth and Last Afternoon 


927—SpanisH Intarp Watnut CaBINET AND STAND 
Sixteenth and Seventeenth Centuries 
Cabinet, of seventeenth century, with rectangular broken top with “es 
I/F o- inlaid edge, fitted with six drawers and central compartment with 
hinged door having broken front, formed as round-arched niche 
containing a female figure in gilt metal, and flanked by spirally 
twisted columns of tortoise-shell and appliqué with caryatids, 
scrolls, cherubim and medallions of gilt metal, interior fitted with 
four drawers with inlaid fronts, drawer fronts of flanking wings 
inlaid with raised panels of tortoise-shell and with borders of 
circles in light woods. Stand, of sixteenth century, with rect- 
angular top with straight edge, spreading square legs with cross. 
braces and square rails and wrought-iron curved, knopped, cyl- 
indrical longitudinal braces. 


Height, 48 inches; width, 42 inches; depth, 1714 inches. 


928—Iratian PaintEeD CaBINET Seventeenth Century 
Rectangular top with molded and carved edge, body arranged 
a / pr asa cupboard with two hinged doors with paneled fronts having 
fluted borders and broken leaf-carved angles, divided and flanked 
by tapering pilasters, carved with leaves, husk pendants and 
grapes, supported by acanthus-leaf carved brackets. Molded 

and carved base. Painted. 


Height, 36 inches; width, 59 inches; depth, 29 inches, 


929—Castinian Waunut CaBiInetT Sivteenth Century 


Rectangular top with straight edge, body fitted with two drawers 
with lozenge-paneled fronts, cupboard below with two hinged 

7 0 QO - doors with lozenge-paneled fronts and rectangular feet. Wrought- 
iron knob, ring and looped handles. 


Height, 34 inches; width, 55 inches; depth, 23 inches. 


930—SpanisH Iron anp Woop CHEst Fifteenth Century 


9 » — Rectangular hinged domed lid, covered with embossed leather 
and strapped with bar iron. Front and sides covered with em- 
bossed leather, strapped with iron bars and with wrought-iron 
swinging looped carrying handles. Two wrought-iron lock plates 
with wrought-iron hasps. 


Height, 24 inches; width, 53 inches; depth, 22 inches. 


Fifth and Last Afternoon 


931—ToLEDAN Waunvut CABINET Sixteenth Century 


Rectangular top with molded edge, body with four drawers 

of i » ~ With raised diamond paneled fronts flanked by fluted and astrag- 
alled pilasters, pear-shaped feet. Wrought--iron pear-shaped 
handles and looped carrying handles. 


Height, 331, inches; width, 41 inches; depth, 1914 inches. 


932—ItTatian Intaip Watnut ComMopE Eighteenth Century 


Shaped top with molded edge, incurved apron fitted with drawer, 

2 0 0. body with bomb front fitted with three drawers with inlaid fronts, 
shaped apron and bracket feet. Exceptionally fine embossed 
gilt brass octagonal ring handles and keyhole escutcheons. 


Height, 30 inches; width, 483 inches; depth, 201% inches, 


933—SpanisH Watnut TaBLe Seventeenth Century 
Rectangular top with plain edge. Paneled apron, fitted with 

6 + three drawers with fronts carved with panels of quatrefoil me- 
dallions, scalloped band below, cylindrical wooden handles, turned 
legs, square rails and longitudinal stretcher. 


Height, 3144, inches; length, 1011% inches; width, 271, inches. 


Fifth and Last Afternoon 


934—Castinian Inuaip Pino Woop Taste Seventeenth Century 
Rectangular braced top with square edge, plain frieze fitted 
/wo- with three drawers with light-wood inlaid fronts, flanked and 
separated by fluted and molded modillions, reel-turned legs with 

ball feet and square rails. 


Height, 323, inches; length, 72% inches; width, 311% inches. 


935—Nortu Castrnan Watnout Taste Sixteenth Century 
Rectangular top with straight edge, apron fitted with two draw- 
/ do “ers with fronts carved in low relief and with band of notch carv- 
ing below, turned legs with carved dies and ball feet, square side 
rails and molded rectangular stretcher. Wrought-iron rectangu- 

lar pear-shaped drop handles and keyhole escutcheon. 


Height, 32% inches; length, 801 inches; width, 3344 inches. 


936—Frencu Iniaip Manocany Gamine TasLe 
Empire Period of the Early Nineteenth Century 
Bea Rectangular top with plain edge, inlaid, in ebony, ivory and 
colored woods, with roulette dial and “Pair” and “Impair” panels 
at end. Tray below fitted for bagatelle and undertray with two 
chessboards and backgammon board, apron fitted at ends with 
drawers and square tapering legs. Guilt bronze mounts in style 


of the Empire. 
Height, 351% inches; length, 70 inches; width, 24 inches. 


937—SpanisH Intain Watnut BarcuENo Sixteenth Century 


Rectangular shape with hinged fall front, interior fitted with 
a eae fouteen drawers and two compartments with hinged doors, the 
fronts inlaid in pearwood on ebony grounds with a pattern of 
scrolls and leaves, three drawers, the fronts formed as porticoes 
with triangular pediments, supported on columnar pilasters, sur- 
mounted by crosses and pointed finials, and with centers inlaid 
in pearwood on ebony, with scrolls. Wrought-iron shaped and 
pierced lock-plate, hinged hasp and swinging looped carrying 
handles. Stand with braces carved with scrolled shields sur- 
mounted by royal crowns, arcaded round-arched stretcher carved 
with rosettes, turned legs, turned center supports and molded 


cross braces. 
Height, 50% inches; width, 3914 inches; depth, 15 inches. 


(Illustrated) 


(hanjuag yzuaajx19)) 
ONHADUVG LANIVA\ GIVIN] HSINVdS—Z&6 ‘ON 


. 


Fifth and Last Afternoon 


938—SpanisH Watnout Tas LE Sixteenth Century 

Rectangular top with straight edge, apron fitted with three 

(9 D- drawers with lozenge-paneled fronts, flanked and divided by 

notch-carved stiles and with notch-carved band below, turned 

legs, flat square side rails and double flat square longitudinal 
stretcher. Wooden knobs. 


Height, 324, inches; length, 1614 inches; width, 271% inches. 


939—SpanisH Watnut TasLeE Sixteenth Century 


IS p _ Rectangular top with rounded angles and edge, plain apron 
fitted with two drawers with lozenge-shaped paneled fronts, spir- 
ally turned legs with fluted and astragalled center supports and 
shaped and carved cross braces, shaped and carved end rails. 
Wrought-iron, knopped, cylindrical longitudinal braces. Brass 

knobs and rosettes. 


Height, 3114 inches; length, 4634 inches; width, 30 inches. 
From the collection of the Marqués de Valverde. 


(Illustrated) 


(hanquag yyUaaqv19)) 


HIV], LANIV\A HSINVdS—6E6 ‘ON 


Fifth and Last Afternoon 


TAPESTRIES 


940—FremisH Taprestry Pane Seventeenth Century 


/ 0 


Rectangular shape. Woven, in colored wools, with the stand- 


.ing figure of a woman, in rose-colored bodice and blue skirt, 


flanked by caryatids, a vase of flowers and fruits and group of 
flowers and fruits supported by two female figures. Bordered 


with linen braid. 
Length, 6 feet 2 inches; width, 1 foot 61%, inches. 


941—Frencu TAapPEstTRy Eighteenth Century 


eects 


Woven, in colored wools, with rocks supporting towers and sur- 


_mounted by a pointed roof pavilion. Below is water with plants 


and a stork. On the right, a palm tree and on the left, fruits, 
flowers and leaves. Flowering plants in the foreground. 


Height, 6 feet; width, 4 feet 6 inches. 


942—FrencuH Tapestry Sixteenth Century 


4 


“Assault of Rhodes.” In the foreground are two warriors in 


bo 0 - plumed helmets, one with spear and buckler, and one with a 


sword. Nearby is a boat, the gunwales hung with shields, and 
carrying another warrior. In the distance are the towers of 
Rhodes and the harbor, with the famous Colossus. Above is an 
escutcheon mantled with standards and spears, surmounted by a 
crown and charged with the arms of the Maréchal d’Effiat. 


Height, 9 feet 2 inches; width, 5 feet 1 inch. 


(Illustrated) 


~' oy 


No. 942—Frencuo Tapestry 
(Sixteenth Century) 


Fifth and Last Afternoon 


943—OvDENARDE TAPEsTRY Sixteenth Century 


Woven in colors with an arcading with two central columns sup- 
ported by terminal caryatids and side columns with paneled 
_shafts in the foreground, allowing a view of a landscape with 
boar hunt with figures of men with spears on horseback, the 
master and mistress following. Below are figures of a Lion 
and Unicorn, a stag, a monkey, a fox, peacocks and flowering 
plants. Surrounded by a border woven, in colors on a light 
ground, with festoons supported by. half figures, vases of flowers, 
fruits and leaves and figures of warriors and symbolic figures. 


” a 
OO d St Se ‘é) (6) 


Height, 10 feet 814 inches; width, 12 feet 21% inches. 


(Illustrated) 


(hanquay yquaa,rg) AULSTAV], ACUVNAGAQ—EFE ‘ON 


Fifth and Last Afternoon 


SPANISH RUGS OF THE SIXTEENTH AND SEVENTEENTH 
CENTURIES 


944—CasTILiAN Rue Early Seventeenth Century 
Rectangular shape. Woven, on a white ground in green wool, 


] zy Ee. with a diamond and quatrefoil diaper. 
Length, 7 feet; width, 3 feet 10 inches. 


945—Spanish “ALPUJARRA” Rue Seventeenth Century 


> Rectangular shape. Woven, in loop stitch of colored wools, 
<3. ~ with a pattern in blue of rectangular scrolled and diamond me- 
} dallioned squares and with animals. Fringe. 


Length, 7 feet 4 inches; width, 4 feet 7 inches. 


946—SpanisH “ALPUJARRA” Rue Seventeenth Century 


Rectangular shape. Woven, in loop stitch of blue and yellow 
/ O0d- rools, with a central rosetted and diamond patterned rectangular 
medallion and alternate stripes patterned with lozenges. Fringe. 


Length, 7 feet 4 inches; width, 4 feet 10 inches. 


947—SpanisH “ALPUJARRA” Rue Seventeenth Century 
gy Rectangular shape. Woven, in loop stitch of colored wools, with 
‘diamond quatrefoil stripes alternately yellow and blue. 


Length, 7 feet 2 inches; width, 5 feet 2 inches, 


948—Castitian Rue Early Seventeenth Century 
Rectangular shape. Woven, on a white ground in green wool, 
OG with a diamond and quatrefoil diaper. One corner cut. 


Length, 8 feet 2 inches; width, 5 feet 6 inches. 


949—SpanisH “ALPUJARRA” Rue Seventeenth Century 
Rectangular shape. Woven, in loop stitch of colored wools, 
with rectangles enclosing vases of flowers and birds and borders 
of diamond interlacements and of vine-leaf and grape meander. 


a 0 


Length, 7 feet; width, 5 feet 4 inches. 


Se eae ee Pe 


Fifth and Last Afternoon 


950—IspaHan Rue Sixteenth Century 
Field patterned, on a red ground, with varicolored palmettes and 

O-© scrolls. Inner and outer guards of varicolored rosettes and leaves 
on red and blue grounds, border of varicolored palmettes, medal- 
lions and scrolls on a dark blue ground. (Worn.) 


Length, 15 feet 9 inches; width, 6 feet 3 inches. 


951—-VAaLLADOLIDIAN CARPET Seventeenth Century 
Shaped. Patterned on a red ground, with a diaper of shaped 
a © OD and scrolled diagonals in colors on a buff-colored ground and 
forming diamond-shaped panels filled with varicolored conven- 

tional sprays of flowers and leaves. 


Length, 23 feet; widths, 13 feet 5 inches and 10 feet 1 inch. 


952—Usnak Ruc Sixteenth Century 

Field patterned, on a red ground, with varicolored medallions, 

leaves and scrolls, inner guard of three stripes, of which the 

at D - center one is patterned, on a light blue ground, with a varicolored 

floral meander, and border, patterned on a dark blue ground, with 
varicolored medallions, rosettes, and leaves. (Warn.) 


Length, 17 feet 8 inches; width, 9 feet. 


Note: This rug came from the Chapel of a Sevillian Convent. 


954—PatintTeED Linen THEATRICAL CURTAIN Eighteenth Century 


Rectangular shape, painted, in the manner of Bayen, Goya’s 
ee ener tn lay, with a group of figures representing a scene in a 
4 D Harlequinade. The figures from left to right, are Isabel, Harle- 
quin, Pierrette, Pierrot, the Doctor, Columbine and ‘El Capi- 
tano.” The latter was called “Sangre y Fuego” or Blood and 
Fire. 
Height, 12 feet 4 inches; width, 7 feet 2 inches. 


Fifth and Last Afternoon 


FURNITURE OF THE SIXTEENTH AND SEVENTEENTH 
CENTURIES 


955—Castirian Wautnut Monastic Tas iE Sixteenth Century 


Rectangular top with straight edge, plain apron, turned legs, 
with pear-shaped feet and square rails and stretcher. 


4 ] 5 - Height, 311 inches; length, 1251, inches; width, 273, inches. 


From the house of the Alcalde de Logrono, Exmo. Senor Va- 
lluerca. 


956—CastTiniAN Watnut Convent Liprary Taser 
Sixteenth Century 
Rectangular top with straight edge. Apron carved with scrolled 
if D = acanthus leaves and notched bands and fitted with four drawers 
with leaf medallion carved fronts. Turned columnar legs with 
flat molded rails and longitudinal stretcher. Wrought-iron pear- 
shaped drop handles. 
Height, 33% inches; length, 11634 inches; width, 291, inches. 


(Illustrated) 


(hunquay yqUaazr19 ) 
QTAV], AUVUGIT LNAANOD) LANIVAA NVITILSVQ—9G6 ‘ON 


Fifth and Last Afternoon 


957—SpanisH ParnrED anp Gitt Woop Door  Siateenth Century 


Rectangular molded architrave. Two hinged leaves, each having 
) o three panels, surrounded by twisted ribbons and carved with 
. curved, fluted cornucopie with dolphin-headed terminations. 


Wrought-iron swinging looped handle. 
Height, 70 inches; width, 40 inches. 


>. &” 


Fifth and Last Afternoon 


958—SpanisH PaInteED AND Gitt Woop Sacristy Door 
Seventeenth Century 


iia D0 © ~Two leaves with round-arched tops. Round-arched panels, hav- 
ing pierced and carved scrolled crestings and carved in high relief 
above and painted, in colors, below. 


Height, 94 inches; width, 46 inches. 


Fifth and Last, Afternoon 


959—ANDALUSIAN GILT AND PaintTED Sacristy Door 
Late Sixteenth Century 


J GRD Rectangular shape, paneled in two sections, with raised paneling, 
gilt moldings, panels marbled in green and red. Wrought-iron 


handles and latch. 
Height, 631 inches; width, 44 inches. 


960—Parir oF SPANISH PAINTED AND Gitt Woop PILAstTEers 
Sixteenth Century 


yi . Semi-columnar shape, with shafts carved with arabesques and 
scrolled leaves, tassels, cornucopie of flowers and leaves and 
baskets of leaves and flowers. Leaf and flower carved capitals, 
and molded bases. Painted and gilt. 
Height, 931%, inches. 


(Illustrated) 


961—Pair or Spanish Painrep anp Gitr CoLtumns 
Late Sixteenth Century 
28 A. 0-Tapering, spirally fluted shafts with painted flutings, composite 
capitals of acanthus leaves and volutes, and molded incurved 
abaci. Lower portions carved with scrolled escutcheons and 
symbolic female figures in relief and with scrolled acanthus leaves. 
Molded bases and rectangular wooden pedestals. Painted and 
gilt. 
Height, 711% inches. 
(Illustrated) 


a a 


960 961 961 


SpaNISH PAINTED AND GiL_t Woop PILAsTerRs AND COLUMNS OF THE 
SIXTEENTH CENTURY 


Fifth and Last Afternoon 


962—Ser or TuHrrEE Spanish Carvep, Paintep anp Gitt Woop 
CoLUMNS Sixteenth Century 


To = Tapering, fluted shafts carved with festoons of drapery and 
acanthus leaves, guilloche and gadroon banded base, carved with 
lion and human masks, cherubim and festoons of drapery. Fluted 
cylindrical pedestals, carved with masks, festoons of fruits, and 


fruit pendants. Painted and gilt. 
Height, 861/, inches. 
(Illustrated) 


963—PortTion oF CarRveD, PaintED AnD Girt Woop CoLtumMNn 

Sivteenth Century 

J” 0 -Similar to the preceding. | 
Height, 58 inches. 


964—SpanisH Carvep, PaintED anv Gitt Woop Doorway 
Sixteenth Century 
2 o »~- Rectangular opening with molded cornice carved with cherubim 
heads, modillions and rosetted soffits with pear-shaped pendants, 
supported by diagonally fluted columns with clustered capitals 
of pointed leaves and volutes, the lower portions of pilaster 
shafts carved with imbrications. On cylindrical pedestals and 
molded bases. Painted and gilt. 


Height, 7 feet 6 inches; width, 8 feet. 


enteric RONSON tt ENE OATS AR LOIN tt teh ti 


2—Set or Turee SpanisH Carvep Woop CoLumMns 


96 


No. 


Fifth and Last Afternoon 


965—Irauian Watnut FacistoL, on CuourcH LECTERN, AND STAND 


ae 


Sixteenth Century 
Lectern with rectangular sloping revolving desk with molded cor- 
nice, paneled and inlaid in center with rectangular medallion hav- 
ing incurved angles, flanked by curved brackets, incised with 
volutes and with sides carved with imbrications and acanthus 
leaves, one with two revolving wooden cylinders with wrought-iron 
handles, molded base. Turned baluster-shaped pedestal, carved 
with bands of egg and dart, cable and leaf patterning, acanthus 
leaves and gadroonings below. Rectangular foot. 


Stand with rectangular top with plain edge and front strength- 
ened with flat wrought-iron bar. Body arranged as a cupboard 
with two hinged doors with paneled fronts inlaid with rectangu- 
lar medallions having incurved angles, flanked by twin console 
brackets, the sides incised with volutes, the fronts carved with 
overlapping tessere. Interior fitted with shelves and pigeonholes. 
Shaped, plain apron and paneled ends, wrought-iron strap hinges. 


Height of lectern, 4 feet 11 inches; width, 3 feet 10 inches. 


Height of stand, 5 feet 3 inches; length, 2 feet 9 inches; width, 3 feet 
5 inches. 


(Illustrated) 


ISTOL, OR CHurcH LECTERN, AND STAND 


(Sixteenth Centur 


1 


No. 966—ItTatian Waunot Fac 


y) 


Fifth and Last Afternoon 


967—SpanisH Wautnut Rerecrory Tape Sixteenth Century 


VECUGO. Don 


Rectangular top, formed of one plank of wood, with plain edge, 
on shaped cross braces, paneled apron fitted with eight drawers 
with paneled fronts and wooden knobs, projecting molded band 
below, ten reel-turned legs on cushion feet, square molded rails 
and stretchers. 


Height, 2 feet 7 inches; length, 26 feet; width, 2 feet 21% inches. 


Note: This table, which came from a Monastery of Leon, capital of the 
ancient kingdom of that name, is considered to be the largest Priory Table 
ever offered for sale in this country. According to Spanish architects, it is 
deserving of remark in that, despite its remarkable length, it yet does not give 
an impression of great size. This is largely due to the perfection of its pro- 
portions. 


Watnut CHOIR STALLS 


No. 968—ITALIAN 
(Seventeenth Century ) 


Fifth and Last Afternoon 


OPERE AC INDUS PRIS GABRIELLIS DE RVBEIS * A BVXETO 


GVARDIANI ANNO DNI MDCLXXXIII 


968—Iratran Wautnut CuHor Seventeenth Century 


Re 


Semicircular, on plan to occupy the apsidal end of the church. 
In the center is a seat, with a pointed molded pediment above the 
tympanum of which is carved with a scrolled escutcheon supported 
by shells and charged with the arms of the Franciscan Order 
(two crossed arms and a cross). Below is an oval panel with 
carved leaf border inscribed “cHorvs” or (Choir). On either 
side of the central stall are ten others, each with a hinged seat, 
above is a broken molded projecting cornice and plain frieze 
carved with bands of pointed leaves and bead-and-reel ornament. 
The stalls are panels and divided by square pilasters ending in 
carved and pierced voluted brackets. ‘The overhanging cornice 
is supported by carved voluted consoles and the soffits are deco- 
rated with carved oval acanthus-leaf medallions. Flat carved 
arms with trefoil ends and acanthus-leaf carved brackets above, 
carved, pierced and voluted acanthus-leaf scrolled supports, and 
carved and pierced acanthus-leaf legs. On either side of-the cen- 
tral stall the frieze is inscribed in Roman characters: “‘opERE Ac 
INDUS PRIS GABRIELLIS DE RVBEIS * A BVXETO GVARDIANI ANNO 
DNI MDCLXXXIII.”’ 


Inner series of twelve stalls, also semicircular, on plan with hinged 
seats and flat curved arms with carved, voluted arms above, carved 
and pierced acanthus-leaf supports and acanthus-leaf carved 
scrolled legs with paw feet. Head rail sloping inward and paneled 
backs with falling rectangular book receptacles in center. 


Height of back stalls, 7 feet 9 inches; height of inner stalls, 4 feet 
1 inch. 


(Illustrated) 


Fifth and Last Afternoon 


OPERE AC INDUS PRIS GABRIELLIS DE RVBEIS * A BVXETO 


GVARDIANI ANNO DNI MDCLXXXIII 


968—Iramian Watnut CHorr Seventeenth Century 


Po UDED = 


Semicircular, on plan to occupy the apsidal end of the church. 


In the center is a seat, with a pointed molded pediment above the 


tympanum of which is carved with a scrolled escutcheon supported 
by shells and charged with the arms of the Franciscan Order 
(two crossed arms and a cross). Below is an oval panel with 
carved leaf border inscribed “cHorvs” or (Choir). On either 
side of the central stall are ten others, each with a hinged seat, 
above is a broken molded projecting cornice and plain frieze 
carved with bands of pointed leaves and bead-and-reel ornament. 
The stalls are panels and divided by square pilasters ending in 
carved and pierced voluted brackets. The overhanging cornice 
is supported by carved voluted consoles and the soffits are deco- 
rated with carved oval acanthus-leaf medallions. Flat carved 
arms with trefoil ends and acanthus-leaf carved brackets above, 
carved, pierced and voluted acanthus-leaf scrolled supports, and 
carved and pierced acanthus-leaf legs. On either side of the cen- 
tral stall the frieze is inscribed in Roman characters: ‘‘opERE AC 
INDUS PRIS GABRIELLIS DE RVBEIS * A BVXETO GVARDIANI ANNO 
DNI MDCLXXxIII.” 


Inner series of twelve stalls, also semicircular, on plan with hinged 
seats and flat curved arms with carved, voluted arms above, carved 
and pierced acanthus-leaf supports and acanthus-leaf carved 
scrolled legs with paw feet. Head rail sloping inward and paneled 
backs with falling rectangular book receptacles in center. 


Height of back stalls, 7 feet 9 inches; height of inner stalls, 4 feet 
1 inch, 


(Illustrated) 


¢ 
= 
: 


jr 


Cuoir 


(Seventeenth Century) 


i 
P 
A 
| 
< 
= 
Z 
Fs 
| 
< 
a 
— 
i 
io) 
i>) 


No. 


No. 969—-CaTaLoniAn WrovuGuT-tron Rega, on GATE AND WINGS 
(Early Fourteenth Century) 


Fifth and Last Afternoon 


969—CaTaLonIAN Wrovucnt-tron Rega, or Gate anp Wines 
| Early Fourteenth Century 

Rectangular shape. Central gate, in two leaves, of vertical 

a ol 0) © + wrought-iron bars, ending in pointed finials ornamented with quat- 
refoil flowers of curved pointed petals. Below are two panels, 

with band of cut scrollings above and filled with pointed voluted 

and carved iron bars, and above are a rectangular panel of ver- 

tical irons bars, a pointed ogee arch of fourteenth century Gothic 
tracery, a horizontal band of iron plate pierced with Gothic 
tracery backed with old canvas, pointed finials ornamented with 
quatrefoil liliaceous flowers and a floriated cross in the center, 

with trefoiled arms between. Flanked by buttress posts of iron, the 
fronts having Gothic moldings, ending in long pointed finials or- 
namented with quatrefoil flowers. Box lock and hasp molded 

and incised with panels of herring-bone pattern. Rectangular 
wings on either side, each formed of fourteen vertical iron bars, 
ending in pointed finials with quatrefoil liliaceous flowers and with 

two horizontal bands of iron plate pierced in a pattern of Gothic — 

tracery backed with old canvas. 


Height, 18 feet 8 inches; width, 21 feet 6 inches. 


Note: A Reja, curiously similar to this, is illustrated at page 18 of Byne 
and Stapley’s “Spanish Iron-work,” published in 1915 by the Hispanic So- 
ciety of America. ‘The text tells us that this particular style of Reja was 
introduced into Spain in the thirteenth century by King Ferdinand III (El 
Santo). 


AMERICAN ART ASSOCIATION, 


MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK a eae 
AND BINDING BY 


-TO BE SOLD AT UNRESTRICTED PUBLIC SAL . 


oe sre UNDER THE MANAGEMENT OF - 


ad 


“Ss, <  +DERE AMERICAN ART ASSOCIATION _ 
€@ 2.7" AMERICAN*ART GALLERIES Wiam 
Sa ae MADISON SQUARE SOUTH. * 
aye. Sea ~NEW YORK CLEY, = 2° ais aa 
rae a ane 4) 1921 ae ais 
ere a i ay 


